We Watch Dead People

In the span of a year, "The Empty Man" went from a studio throwaway to a cult favorite. Emma and Will discuss the long-gestating film, its unique brand of cosmic horror, and why it has connected with horror fans.

Emma and Will dissect Julia Ducorunau's Palme D'Or winning film "Titane," discussing the merits of the film as well as its place in the body horror subgenre.

Emma and Will dive into "Saint Maud," a slow-burn horror film with a religious bent. Does this atmospheric debut from Rose Glass get under their skin, or were Emma and Will praying for it to end?

The Candyman is back to deliver slasher scares coupled with thought-provoking social commentary. Emma and Will discuss thematic threads between the two films and debate whether the new sequel lives up to the "classic" status of the original.

We Watch Dead People is back, baby! Emma and Will return to cover the latest film from horror superstar James Wan. Does his schlocky slasher live up to the hype? Or will it leave you in the lurch? Tune into WWDP to find out!

We Watch Dead People is a weekly horror movie podcast hosted by Will and Emma. Emma is terrified of horror movies and Will is not — he loves them. Together, they check out a mix of classic and contemporary films to see what scares them and what doesn’t.

Welcome to the first episode of We Watch Dead People! For the inaugural episode, horror lover Will and horror hater Emma discuss Ari Aster's celebrated debut "Hereditary." Is this the horror movie that gets Emma into a genre she has long avoided? Or will it only deepen her fear? Listen to WWDP to find out!

"The Exorcist," the film so scary it made audiences faint and barf. Emma's never seen it; will she have the same reaction?

We Watch Dead People takes on its first new release — "Us," the latest film from Jordan Peele. Can this project live up to "Get Out" or does it fall short? Listen and find out.

One of the most iconic horror movies ever made, "The Texas Chain Saw Massacre" remains an unrelenting and terrifying experience. But how does a horror novice like Emma feel about it?