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George needed a vacation. He works too hard, and he ain't see any movies, so Travis and Dan sent him with a one-way ticket to Westworld. And not that high-brow HBO Westworld with its CGI and remarkably explicit casting calls, but instead to the simpler and more quaint Michael Crichton effort.
Will George ever acknowledge his own anti-robot bias? Will Travis find nostalgia amongst the faceless cowboy robots? Has Dan found the burn to end all burns? And are his takes on HBO's Westworld and The Fly (1958) hotter than a stuntman's fire gag? Find out by tuning in!
And after the episode, check out the Extra Credit Discussion group on Facebook:
https://www.facebook.com/groups/remedialfilmpod
Theme song recorded by The Hungry Sevens, featuring Shawnee Houlihan.
By [email protected]4.4
1818 ratings
George needed a vacation. He works too hard, and he ain't see any movies, so Travis and Dan sent him with a one-way ticket to Westworld. And not that high-brow HBO Westworld with its CGI and remarkably explicit casting calls, but instead to the simpler and more quaint Michael Crichton effort.
Will George ever acknowledge his own anti-robot bias? Will Travis find nostalgia amongst the faceless cowboy robots? Has Dan found the burn to end all burns? And are his takes on HBO's Westworld and The Fly (1958) hotter than a stuntman's fire gag? Find out by tuning in!
And after the episode, check out the Extra Credit Discussion group on Facebook:
https://www.facebook.com/groups/remedialfilmpod
Theme song recorded by The Hungry Sevens, featuring Shawnee Houlihan.