There's plenty happening on "Westworld" these days, but does it mean anything? Has the show that began with aspirations of saying something about the nature of consciousness and free will turned into a retreat of the second and third instalments of the Matrix trilogy? Do the showrunners, who obviously think of themselves as telling a story about surveillance capitalism, even know how a modern capitalist economy works? These are the big questions chewed over in this week's PCDD.