What makes scary music scary? We can only SPOOKULATE! Join us as we examine some well known scary scores in the classic music and cinematic genres. We will discuss some reoccurring themes, such as the dreaded "Dies Irae". We will discuss reoccurring intervals, such as the minor 2nd and the tritone. Grab your pop corn and maybe don't listen all by yourself. MWAHAHAHAHAHA!!!

116-What Makes Scary Music Scary?

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Schenkerian analysis is a deeper dive into the sea of theory discussions we've had so far. In this episode, we will merely dip our toes into this counterpoint based system. Get ready for another perspective of how classical music works!

132-Schenkerian Analysis Pt.1

Melodic dictation, the act of transcribing and notating a melody by ear, is a crucial skill for a musician to cultivate. In this episode, we will focus on the ever exotic Phrygian mode. Let's listen!

131-Melodic Dictation Pt.7-Phrygian Mode

It is time for our 7th Listener Compositions episode. So let's enjoy the talents of our listeners! This episode will feature the original music of Fred Lancia, Mark Christie, Evan Bjork, Tom Richardson, Nikita Menkov and Devin Montes.

130-Listener Compositions Pt.7

One out of every 10,000 people have absolute pitch (a.k.a perfect pitch). Many more, epecially musicians, wish they could have it. It's time to discuss this phenomenon and how it differs from relative pitch!

129-Perfect Pitch

Continuing our discussion from Ep.114, we will now focus on some of the more widely known forms of the Baroque period (1600-1750 CE). We will discuss the church and chamber sonatas, the French overture, the dance suites and the fugue, just to name a few.

116-What Makes Scary Music Scary?

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