What the Riff?!?

We covered the big commercial hit album "Brothers In Arms" back in episode 154, but many afficianados of Dire Straits consider their finest work to be the album that preceeded this one.  Love Over Gold is their fourth studio album, released in late September 1982 and on the charts in June 1983.  For this album, prime mover and lead vocalist Mark Knopfler, bassist John Illsley, and percussionist Pick Withers are joined by new members Hal Lindes on guitars and Alan Clark on keyboards.  

The songs on this album are longer than your standard single, particularly the majestic 14-minute "Telegraph Road."  Despite their length, "Private Investigations" was released as a single in the UK and reached number 2on the charts.  The shortest song, "Industrial Disease" (still clocking in at 5:50) was released as a single in the US.  It would reach number 75 on the Billboard Hot 100, but would be a staple of rock radio stations at the time.

A number of songs were written and recorded during the "Love Over Gold" sessions, but subsequently discarded from album release.  Amongst these was the song "Private Dancer," which was instead provided to Tina Turner for her comeback album of the same name.   Turner would take this song to number 7 on the US charts, and see her career reinvigorated by the success of her "Private Dancer" album.

"Love Over Gold" was a number 1 album on a number of charts, including Australia, Austria, and the UK, and reached number 19 on the US Billboard 200 albums chart.

Rob brings us this outstanding, deep, and thought-provoking album for this week's podcast.

Telegraph Road
This lengthy masterpiece was inspired while Knopfler was riding in his tour bus down the 70-mile road of the same name.  The song narrarates the development and history along the road as the decades roll past.  It is easy to describe this song as prog rock, but it also contains one of the best guitar solo riffs you will hear. 

Industrial Disease
Goodness me, goodness me!  We have to highlight the US single from the album.  The title comes from a term for work-related illness, and the term in this song references both individual work illness and the decline of British industry in general.  The reference to Dr. Parkinson is a British professor and satirist who is famous for the phrase "work expands to fill the time available for its completion."

ENTERTAINMENT TRACK:

Overture to the Marriage of Figaro by Mozart (from the motion picture “Trading Places”)
Eddie Murphy and Dan Aykroyd star in this comedy about a yuppie and a homeless man who are forced to trade places as the result of a bet by two rich stock brokers.  

STAFF PICKS:

Murder By Numbers by The Police
Bruce initiates the staff picks with a dark song about becoming a serial killer.  This Police song appears on the cassette and CD version of the album "Synchronicity," but was left off the vinyl due to lack of space.  It was written by Sting and Andy Summers, the only collaborative song on the album, and was recorded in a single take.  

Rock of Ages by Def Leppard
Lynch brings us a huge song from Def Leppard's "Pyromania" album.  Producer Mutt Lange counts off the nonsensical "Gunter Glieben Glauten Globen," to open the song, and the lyrics form an anthem suitable for arena show openers.  Joan Jett's "I Love Rock 'n' Roll" was an inspiration to the creation of this anthem.

Don't Pay the Ferryman by Chris deBurgh
Wayne's staff pick takes a fantasy approach to the story of Charon and the crossing of the river Styx, advising not to pay until the trip is done.  Irish artist Chris deBurgh broke into the US top 40 with this song, peaking at number 34.  Lines from Shakespeare's play "The Tempest" can be heard in the bridge to the song.

The Walls came Down by The Call 
Rob finishes the staff picks with a song that is inspired by the Biblical tale of the fall of Jericho.  Lead singer Michael Been would pull biblical references into his lyrics, including this song.  The Call formed in 1980 in California, and blended rock, New Wave, and post-Punk.  U2 and Simple Minds both consider The Call an influence in their music.

COMEDY TRACK:

My Bologna by "Weird Al" Yankovic
We close out with Weird Al's meaty take on "My Sharona by" the Knack.

Thanks for listening to “What the Riff?!?” 

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

If you are exploring the rise of prog rock, it doesn't take long until you encounter the power trio of Emerson, Lake & Palmer.  This progressive rock band is actually a supergroup.  Keyboardist Keith Emerson came from The Nice, vocalist and guitarist Greg Lake was in King Crimson, and percussionist Carl Palmer was from Atomic Rooster.  Emerson, Lake & Palmer formed in 1970 and would make their mark as a prog rock band which adapted classic and symphonic music into the rock genre, with elements of jazz, acoustic, and art rock coming into play.  Most ELP songs are long and complicated, not making any attempt to stay within the confines of the “hit single” pop track.

Trilogy is the trio's third studio album, following their eponymously named debut, their second studio album entitled “Tarkus,” and their live album, Pictures at an Exhibition.  Trilogy continues a tradition of combining original material with adaptations of classical music.  It was also a challenging album for the group to make, utilizing more overdubs than previous albums.  The upside is a great sounding, polished album.  The downside is that the music was difficult to duplicate live, causing a number of the songs from Trilogy to be minimally used in set lists.

The album was considered both a critical and commercial success, reaching number 2 on the UK albums chart, and number 5 on the US Billboard 200 chart.

ELP would continue as a force in the 70's, breaking up in 1979.  Both partial and full reunions would continue through the 1980's and 1990's, with their final performance being held in 2010.  Both Keith Emerson and Greg Lake died in 2016.

Wayne takes us through this prog rock masterpiece for this week's podcast.

Fugue
We open with an instrumental featuring Keith Emerson on keyboards.  A fugue is a style of music involving counterpoint, popular in the Baroque musical era of the 1600's.  You will get exposure to a lot of serious musical compositions and style listening to this group.

From the Beginning
This is the "hit" from the album, if you think of Emerson, Lake & Palmer in terms of popularity.  It went to number 29 on the US charts, and is the highest charting US single.  Greg Lake wrote the music and lyrics, and plays the acoustic guitar for this ballad.  The lyrics take on a philosophical sone, emphasizing the importance of the present moment, while not missing past mistakes and missed opportunities.  

The Sheriff
Keith Emerson wrote the music and Greg Lake wrote the lyrics to this western-themed track.  It tells the story of an innocent man fleeing the law, encountering the law in the form of the Sheriff, then taking the Sheriff's place after shooting him.  It ends with a great honkytonk piano solo.

Hoedown
Immediately following “The Sheriff” on the album, the group creates an adaptation of Aaron Copeland's iconic “Hoe-Down,” written for his classic ballet entitled “Rodeo” in 1942.  This tune became well known after being used in advertisements by America's Beef Producers.  

ENTERTAINMENT TRACK:

Main theme from the motion picture “Super Fly”
Curtis Mayfield created this song for the black-oriented crime drama film of the same name.

STAFF PICKS:

Best Thing by Styx
Bruce leads off the staff picks with the first single from Styx's first album.  Dennis DeYoung and James Young wrote the song and trade off on lead vocals.  It peaked at number 82 on the Billboard Hot 100.  This is a great tune to hear and grasp what the early days of Styx sounded like.  

Rock and Roll, part 2 by Gary Glitter
Rob brings us a glam rock anthem made famous today by its use in sports stadiums nation wide.  This single off “Glitter,” the debut album by Gary Glitter, is the only one of his singles to crack the U.S. top 10.  Both “Rock and Roll” part 1 and part 2 peaked at number 2 on the UK singles chart.

Brandy (You're A Fine Girl) by Looking Glass
It is a mystery how Lynch was able to pick up this well-known classic of yacht rock this late in the podcasts.  This track tells the story of a waitress who gives her love to a sailor, knowing that he would never be on shore for long.  

Will It Go Round in Circles by Billy Preston
Wayne's staff pick is a funky tune from the man often known as the fifth Beatle.  Preston played with a number of musicians, including Ray Charles, Little Richard, Sam Cook, Eric Clapton, Aretha Franklin, Joe Cocker, and of course the Beatles.  This soulful tune sold over a million copies and topped the Billboard Hot 100 chart.

INSTRUMENTAL TRACK:

Walk In the Night by Junior Walker & the All Stars
This jazz-infused (largely) instrumental track closes out the podcast for the week. 

Thanks for listening to “What the Riff?!?” 

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

If you're looking for great Heartland Rock, a great choice would be the album Against the Wind.  Depending on how you count it, it could be considered Bob Seger's eleventh studio album, but it is the third album of the iteration known as Bob Seger & the Silver Bullet Band.  Seger is joined by Drew Abbott on guitar, Chris Campbell on bass, and David Teegarden on drums.  The band became the Silver Bullet Band a bit by accident.  They were arguing about what to call themselves, and the manager got tired of it.  When they got paid the manager wrote the name "Bob Seger and the Silver Bullet Band" on the paycheck and the name stuck.  

Against the Wind was an immediate success.  It went to number 2 on the Billboard 200 charts in its third week, and it sat there for 5 weeks, kepts out of the top slot by Pink Floyd's monster hit album, "The Wall."  Finally, it topped "The Wall" to take the number 1 slot and remained there for six weeks, making it Bob Seger's most successful album in his career.

There are a number of well known hits on this album, and an excellent collection of musicians as well.  In addition to the Silver Bullet Band, Seger makes use of session musicians out of Muscle Shoals Sound Studios, and is joined by backing vocals from members of the Eagles as well.

Seger retired at the end of 2019, but he performed in 2023 at Patty Loveless's induction in to the Country Music Hall of Fame in Nashville, so we hold out hope that there will be some occasional performances still to come.

Bruce presents this folksy heartland singer songwriter for this week's podcast..

Her Strut
While not released as a single, this song received some airplau as the B-side to "The Horizontal Bop."  Seger has been criticized for his adolescent humor in this song, but he claims that the inspiration for it was feminist activist Jane Fonda and her appearance before the Campaign for Economic Democracies.

Against the Wind
Bob Seger has written a number of songs about looking back on life, and the title track is an example of this.  Seger was a cross country runner in high school, and he uses running as a metaphor for growing old.  This song went to number 5 on the Billboard Hot 100, and he is joined by his friend and Eagles alumnus Glenn Frey for backing vocals.

Fire Lake
This track is about taking risks, risking love, and just heading off with a bunch of wild people.  Seger recorded this one at Muscle Shoals Sound Studios.  If the backing vocals sounds a lot like the Eagles, there is a reason for it - those backing vocalists are Glenn Frey, Don Henley, and Timothy B. Schmit.  

You'll Accomp'ny Me
This ballad is a little more country, with lyrics that basically say, "look, you may be playing the field now, but we both know in the end we'll be together."  Little Feat co-founder Bill Payne joins Seger on this track to provide organ, synth, and piano parts.  It hit number 14 on the Billboard Hot 100.

ENTERTAINMENT TRACK:

Sleepless Nights by Gram Parsons (from the motion picture "Cruising")
Al Pacino starred in this crime thriller about a serial killer targeting gay men.  

STAFF PICKS:

I Like to Rock by April Wine
Wayne rocks out to start the staff picks with this Canadian band.  April Wine formed in 1969, and have released over 20 albums.  This song may be time stamped in the early 80's but it rocks out, and you can't beat lyrics like, "journey to the stars, Rock N Roll guitars!" 

Take the Long Way Home by Supertramp
Rob brings us one of the hits off Supertramp's multi-platinum album, "Breakfast in America."  The lyrics to this one depict a couple growing apart as the husband starts staying away from home due to feeling like he's being ignored.  It can also be a reflection of missed opportunities to live in alignment with your heart, and not being at peace with yourself.

Rock With You by Michael Jackson
Lynch features a hit from MJ's disco album, "Off the Wall."  Original lyrics were a bit more suggestive, but these were toned down to fit Jackson's wholesome image at the time.  Rod Temperton wrote "Rock with You" as his first song for Jackson, setting the stage for more collaborations, including the iconic "Thriller." 

I Wanna Be Your Lover by Prince
Bruce's staff pick is the lead single from Prince's self-titled second album, and his first major hit, reaching number 11 on the Billboard Hot 100 in January 1980.  Prince performs lead and backing vocals, and plays all instruments on this hit.  The end of the track includes an extended instrumental jam which is edited out for the single.

INSTRUMENTAL TRACK:

Give It All You Got by Chuck Mangioni 
Flugelhorn player Mangioni wrote this song for the 1980 Winter Olympics in Lake Placid, New York.  

Thanks for listening to “What the Riff?!?” 

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

This week we are taking an opportunity to explore some songs which would normally be outside our time frame by following the soundtrack to the movie “Goodfellas.”  This Martin Scorsese film is a mafia story told from the view of Henry Hill in his book “Wiseguy:  Life In a Mafia Family.”

The movie follows Henry Hill as he looks back on his life beginning during a time when he looked up to the Wise Guys and gangsters who ran his neighborhood.  Hill starts his narrative as a child in 1955 and continues until 1980 when Hill becomes an FBI informant on the Luccese crime family and enters the witness protection program.

The songs from that film provide the backdrop of different times in Hill's life.  Rat Pack hits reflect scenes with the gangsters, while songs from the Who and Cream reflect more disjointed times.

Hill was paid $480,000 for his contribution to the movie.  Hill passed away in 2012.

Wayne takes us through this time spanning soundtrack this week on our podcast, because this gives us the opportunity to cover some songs which are not normally in our album "window," while still giving us a window into a popular film and into the happenings of the early 90's.

Rags to Riches by Tony Bennett
This crooner song is used as the backdrop when Henry Hill reflects on his childhood and states, "As far as I can remember I always wanted to be a gangster - being a ganster is better than being the President of the US."  This sets the table for the remainder of the film.

Then He Kissed Me by The Crystals
Phil Spector co-wrote this song and was instrumental in increasing the popularity of the Crystals before he moved on to work with The Ronnettes.  This track is used as the backdrop of a long take where Hill and his date go to the Copacabana restaurant through the back door to a table set on the dance floor for them.

Ain't That a Kick In the Head by Dean Martin
Rat Pack member and ultra-cool crooner known for his roasts and singing with a martini glass, Martin's song is the perfect fit to a montage of mob life.  Henry's wife Karen narrarates this montage.  The inspiration for the song may have been a film starring Martin and Frank Sinatra, in which Sinatra's character says, "ain't that a kick in the head." during a poker game.

Magic Bus by the Who
This Who song is used in the movie during a scene of frantic, intoxicated driving where Hill believes that he is being tracked by the Feds.

ENTERTAINMENT TRACK:

Main theme from the motion picture “Troll 2”
This film may be one of the best "worst" movies made, but it was in the theaters at the time, so we thought we'd brush off the theme and trot it out this week.

STAFF PICKS:

Cradle of Love by Billy Idol
Rob kicks off our staff picks this week with a single off Idol's fourth studio album "Charmed Life."  Idol was in a near-fatal motorcycle accident earlier in the year, and his appearances in the David Fincher video include head shots and close-ups from the waist up, obscuring the fact that he was still recovering from his leg injuries. 

Praying for Time by George Michael
Lynch features the lead single from Michael's second solo album, "Listen Without Prejudice Vol. 1."  This somber, contemplative tone is a departure from his more pop-oriented hits.  Michael addresses poverty, injustice, and the human condition, concluding that some things can only be healed with time.

Tick Tock by The Vaughan Brothers
Bruce's staff pick is off "Family Style," the only studio album featuring brother Jimmie and Stevie Ray Vaughan.  The song lyrics about the need to recognize that time is short are more poignant, given that the album was released a month after Stevie Ray Vaughan died in a helicopter crash.

Waiting for the Angels by The Darkside
Wayne brings us one of his Manchester sound groups.  The Darkside is out of central England and have a neo-psychedelia sound with heavily distorted guitar and synthesizers.  The song lyrics are about a guy seeing lots of women in life, but not making a connection.  He's waiting for angels to bring the right one his way.

INSTRUMENTAL TRACK:

Guitar Voodoo by The Darkside
We finish up this week's podcast by double-dipping on the Manchester sound with this instrumental.  

Thanks for listening to “What the Riff?!?” 

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Rage Against the Machine recorded their eponymously named debut album in May-June of 1992 and released it in November 1992.  The Los Angeles-based group consisted of Zack de la Rocha on vocals, Tom Morello on guitar, Tim Commerford on bass, and Brad Wilk on drums.  The group was known for their anti-establishment and politically charged lyrics.  Rage Against the Machine combined a lot of genres of music into a single hard-hitting sound.  The influence of hard rock and metal is clear, and elements of rap, funk, hip hop, and punk rock are clearly infused into the sound.

This group was not just political in nature, every song is laced with revolutionary rants.  The group draws inspiration from mondern revolutionary groups such as the IRA and the Black Panthers, and is highly critical of the policies of the United States, both foreign and domestic.  

RATM's debut album is largely based on their demo tape released a year before, which contained seven of the ten songs appearing on the album.  That demo tape was recorded prior to the group's first live show, and was used as a means to build awareness of the group in the days before their signing with Epic Records.

The album was a quick critical success and a slower commercial success.  The group began to really take off on the strength of the single "Killing In the Name," and after their performance at the Lollapaloosa festival in mid 1993.

Lynch brings us this high energy album in this week's podcast.

Bombtrack
The opening track starts with a strong guitar riff, and deals with themes of social injustice and resistance against oppression.    

Bullet In the Head
Media manipulation and control of information are the issues dealt with in this track, which became a staple of the band's live shows.  "Just victims of the in-house drive-by / They say jump, you say how high."

Wake Up
This song will be familiar to fans of the 1999 film "The Matrix," as it is used at the conclusion when Neo calls the Matrix announcing he will reveal their existence.  They lyrics are a critique of racism, the CIA and government corruption.

Killing In the Name
The big single from the album addresses police brutality and institutional racism.  

ENTERTAINMENT TRACK:

Face to Face by Siouxie & the Banshees (from the motion picture “Batman Returns”)
This movie finds Michael Keaton reprising his role as the caped crusader, facing Danny DeVito's "Penguin" and Michelle Pfeiffer's "Catwoman."

STAFF PICKS:

Empress of Pop by Insane Jane
Wayne starts the staff picks with an underrated local Georgia band.  This song is a screed against Sinead O'Conner.  Insane Jane produced two albums, the first called "Each Finger," and the second (which contains this song) entitled "Green Little Pill."

Let's Get Rocked by Def Leppard
During a time when hard rock was on the downswing, it is nice to hear a solid rocker which would have been at home on any of Def Leppard's 80's albums.  Rob's staff pick shows that there was still some solid rock music going on in the midst of the grunge movement.

57 Channels (and Nothin' On) by Bruce Springsteen
Bruce features a Springsteen song which reflects the proliferation of cable television, but not necessarily good content on the tube.  While Springsteen considers this sone a bit of a "playful misfire," the song did go to number 68 on the Billboard Hot 100 and number 6 on the Mainstream Rock charts.

Would? by Alice In Chains
Lynch closes out the staff picks with a song written as a tribute to Andrew Wood, the late lead singer of Mother Love Bone, who died of a heroin overdose in 1990.  The lyrics deal with the aftermath of rehab and the uncertainty of the future.

NOVELTY TRACK:

Achy Breaky Heart by Billy Ray Cyrus
Long before his daughter began her career in "Hannah Montana," Billy Ray Cyrus was all over the charts with this cheesy country song.

Thanks for listening to “What the Riff?!?” 

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

While Devo is known as an early 80's new wave synth pop band, their history goes back to 1973.  The classic lineup of Mark Mothersbaugh, Bob Mothersbaugh, Gerald Casale, Bob Casale, and Alan Myers developed the name Devo from "De-evolution," the idea that mankind is regressing to a herd mentality.  This was a bit of a joke idea that Gerald Casale and co-founder Bob Lewis formed while at Kent State University.  The band gained some local fame in 1976, and were signed to Warner Brothers in 1978 with recommendations from David Bowie and Iggy Pop.

Freedom of Choice is Devo's third studio album and their breakout commercial success.  While their first two albums had generated some following, the commercial success was not at the level Warner Brothers sought, and the third album was considered a "make or break," one with the studio ready to drop the group.  Success did follow this album, with Devo exploiting the upcoming popularity of new wave while drifting a little bit towards R&B and funk sensibilities within their synth-pop framework.

The album was recorded and mixed in six weeks, with bass, guitars, and drums being recorded together live, and with synthesizers and vocals being overdubbed later.   The album peaked at number 22 on the Billboard 200, and the big single, "Whip It," reached number 14 on the Billboard Hot 100 singles chart.

Rob brings us this synthisizer-driven new wave album for this week's foray into the early 80's.

Freedom of Choice
Thie post-punk title song initially sounds like it is about freedom of choice.  However, it is really about people not really having freedom of choice.  Consumerism - choosing between green sneakers and blue sneakers for example - isn't really choice at all.  "Freedom of choice is what you got.  Freedom from choice is what you want."

Whip It
Everyone knows this signature Devo song.  Mark Mothersbaugh has stated that the song was written as a subtle Dale Carnegie-esque message to Jimmy Carter, saying "you can do it."  The song benefitted greatly from airplay on the fledgling cable channel MTV, where their strange video involving a guy knocking the clothes off a girl with a bullwhip received continual play.

Gates of Steel
The lead song from side 2 is a bit of a commentary on the mechanization of humanity.  No matter how much we believe mankind has accomplished, we're not far removed from the ape.  "A man is real, not made of steel."

Girl U Want
This was the first single released from the album, though it did not chart well.  The song was supposedly inspired by The Knack, though the track reminds us more of The Cars.  "She's just the girl, she's just the girl, the girl you want."

ENTERTAINMENT TRACK:

Fame by Irene Cara (from the motion picture “Fame”)
Irene Cara sings the theme song and stars in this teen musical drama about students auditioning to study at the High School of Performing Arts.

STAFF PICKS:

Crazy Little Thing Called Love by Queen
Lynch's staff pick is a song inspired by Elvis Presley.  Freddie Mercury wrote the song lyrics in about 10 minutes, and the band created the song in about 30 minutes.  Mercury played lead guitar for the original stuido recording.  It was the first number 1 hit that Queen had on the US Billboard Hot 100 singles chart.  

Cars by Gary Numan
Wayne brings us the signature song from Gary Numan.  It was inspired by an incident of road rage Numan experienced in London, where he had to lock his doors and drive on the sidewalk to avoid getting attacked.  He was safe in his car, and inspired to write a song in about 30 minutes.  It is a signature song of the New Wave genre, and there are no guitars in this track.

Two Headed Dog (Red Temple Prayer) by Roky Erickson
Bruce features a strange hard rock song with lyrics inspired by Soviet scientist Vladimir Demikhov.  Demikhov's research focusted on organ transplants, and he conducted dog head transplants in the 1950's.  This song is off Erickson's debut album with his band the Aliens, and is considered a cult classic.  

Call Me by Blondie 
Rob finishes the staff picks with a hit that feaured in the film "American Gigolo."  It went to number 1 on the Billboard Hot 100 for six weeks, the biggest hit of Blondie's career.  Lead vocalist Debbie Harry wrote the lyrics from the perspective of the main character in the film, a male prostitute.  

INSTRUMENTAL TRACK:

Airlane by Gary Numan
We close out with a double dip on new wave synth artist Gary Numan this week.

Thanks for listening to “What the Riff?!?” 

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Sylvester Stewart was born in Dallas, Texas, but moved to the Bay area of California before becoming a multi-instrumentalist and changing his name to Sly Stone - the primary driver of the group Sly and the Family Stone.  This was one of the first integrated groups, and one that crossed many genres.  They played what would become known as psychedelic soul, but you can trace the origins of funk, soul, and psychedelic music through Sly and the Family Stone.

The first Family Stone album was called “A Whole New Thing,” and it caught good critical coverage.  Unfortunately it was a commercial failure.  Clive Davis asked for a more pop friendly sound, and Sly Stone created an approach to their second album, Dance to the Music, which followed a formula.  Each lead singer would take turns on lead vocals or sing together in unison, the songs would feature a prominent solo for the instrumentalists, and the lyrics would appeal to a wide audience even though they would still focus on peace, love, and opposition to racism.  The group really did not care for the formulaic approach of this album, but it worked when it came to commercial appeal.  “Dance to the Music” became a top 10 pop hit, and it inspired several groups to gravitate towards psychedelic soul, including the Temptations, the Impressions, and the Four Tops.

Sly Stone is the primary driver of the group, writing almost all of their songs, serving as a multi-instrumentalist, and as a primary vocalist.  His borhter Freddie Stone is on vocals and guitar, and his sister Rose Stone joins the group for the first time on this album.  Other members are Larry Graham on vocals and bass, Cynthia Robinson on trumpet and vocals, Jerri Martini on saxophone, Greg Errico on drums, and backing vocals by Little Sister (Vet Stone, Mary McCreary, and Elva Mouton).

Sly and the Family Stone would release a number of songs to hit the top 10 in the Billboard Hot 100 in the years to come.  The follow-up album to this one is called "Stand!," and is considered the band's high water mark, along with their performance in 1969 at Woodstock.  The band would encounter instability and drug problems as time went on, with the original group dissolving in 1975.  Sly Stone would continue to record as "Sly and the Family Stone" for many years afterwards using rotating musicians, until drug problems basically forced him to retire by 1987.

Bruce brings the early funk for this week's podcast.

Are You Ready
This song is an expression of opposition to racism with lyrics like "Don't hate the black, don't hate the white, of you get bit, just hate the bite.  Make sure you heart is beatin' right."

Ride the Rhythm
This song starts off side two of the album.  It is a straightforward dance song, and has some obvious comparisons to James Brown.  It has a nice mix of horns and "wah wah" guitar.

Don't Burn Baby
Scat was an early precursor to rap music, and this track is a good example of a rapid rhyme scat.  The eastern feel is also reminiscent of George Harrison.  "Don't burn, baby, burn.  Just learn, baby, learn."

Dance to the Music
Here is the big hit off the album, and the first Sly and the Family Stone single to reach the top 10 on the Billboard Charts, peaking at number 8.  It is a straight up party record, but was also one of the most influential songs of the late 60's.  The formula used by Sly Stone to make the songs on this record are clear here, even though he and the group did not like that approach.

ENTERTAINMENT TRACK:

Shape of Things to Come by Max Frost and the Troopers (from the motion picture Wild In the Streets)
This dystopian comedy-drama became a cult hit of 1960's counterculture.  Max Frost and the Troopers was a fictional rock band in the film.

STAFF PICKS:

Ain't Nothing Like the Real Thing by Marvin Gaye and Tammi Terrell
Lynch starts out the staff picks with a smooth grooving song off the soul duo's album “United.”  Ashford & Simpson wrote and produced this song, which became a hit within a week of its release, going to number 8 on the Billboard Hot 100 and number 1 on the Hot Soul Singles chart.

Anyone for Tennis by Cream
Rob brings us the theme song for the 1968 film “The Savage Seven,” an outlaw biker exploitation movie.  Eric Clapton's lyrics depict a callous disregard for all the turmoil going on in the world, with the singers discussing going out for a game of tennis while everything disintegrates around them.

She's A Heartbreaker by Gene Pitney
Wayne features an early 60's crooner who turns to a Motown sound for this go-go hit.  It peaked at number 16 at the time.  It is about a guy who is continually drawn to a woman who breaks his heart every time.  

Love Is All Around by The Troggs
Bruce's staff pick is probably most familiar to fans of the Christmas movie "Love Actually," where an old rocker converts it to a cheesy Christmas song called "Christmas Is All Around."  The Troggs' lead singer Reg Presley wrote it in about 10 minutes, inspired by a broadcast of the Salvation Army Band performing an evangelical song called "Love That's All Around."

NOVELTY TRACK:

The Unicorn by The Irish Rovers
The Irish story of how the unicorn missed its appointment with Noah's Ark was on the charts in 1968, and closes out our podcast this week.

Thanks for listening to “What the Riff?!?” 

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Styx is approaching the height of their popularity and a bit of a turning point when they released their ninth studio album, Cornerstone.  Keyboardist and vocalist Dennis DeYoung, and lead guitarist and vocalist Tommy Shaw take the lion's share of the songwriting duites, with one or both developing all tracks save one.  The lead vocalist duties also alternate between DeYoung and Shaw, again with the sole exception being a song written and sung by guitarist James "JY" Young.

This album finds the group shifting from a more prog rock sound to a pop rock orientation.  This transition would create a commercial success, with Cornerstone becoming the groups first top 5 album on the US charts - peaking at number 2.  The album would produce the groups first and only number 1 hit on the Billboard Hot 100 in the power ballad "Babe."  It would also be a critical success, earning a Grammy nomination for Best Rock Performance by a Duo or Group.  Not bad for a self-produced album.

The successes, however would be tempered with the first fractures appearing between the group's primary singers and songwriters.  Dennis DeYoung wanted to see the group move in a more pop direction, while Tommy Shaw preferred the rock orientation of previous albums.  James Young sided with Shaw in this dispute.  It would eventually cause a rift in the band in the mid-80's, with Shaw and DeYoung splitting up.

Friend of the show Steve Hardin presents this classic rock and pop sensation in today's podcast.

Borrowed Time
The third single from the album was the lead track to side 2.  The song is a political one, portraying a United States in trouble, but oblivious to its decline.  DeYoung and Shaw co-wrote this song, and Dennis DeYoung takes lead vocal duties on this high energy track.

Boat on the River
This more folk-oriented tune was a charting single in the UK and hit number 5 on the German charts, but was not released as a single in the US.  Tommy Shaw wrote and sings lead on this track, as well as playing mandolin.  It began as an experiment when Shaw first acquired a mandolin, but the band thought it sounded good enough to make it on the album.

Why Me
The second single was a compromise choice.  Originally DeYoung wanted the power ballad "First Time" to be released as the second single, but when Tommy Shaw objected so strenuously to releasing two ballads in a row that he threated to leave the band over it, "Why Me" became the single.  Also written and sung by DeYoung, it is about feeling depressed even in the midst of success.  

Babe
The band's sole number 1 single is a ballad about having to leave the one you love for a period of time.  Dennis DeYoung wrote it as a birthday present for his wife Suzanne.  Despite its success, it was not originally intended to appear on the album.  Tommy Shaw and James Young convinced DeYoung to put it on the album.

ENTERTAINMENT TRACK:

Rawhide by the Blues Brothers
The band performs behind a protective fence in a country bar in one scene, and this is the single song from the Country AND Western genre they can play.

STAFF PICKS:

Mystery Train by UFO
Wayne launches the staff picks with a cover of a song originally recorded by Junior Parker in 1953.  UFO were an English rock band originally formed in 1968.  This song is off their eighth studio album which was produced by George Martin of Beatles fame. 

Love Stinks by the J. Geils Band
Lynch's staff pick is a description of a love triangle in which no one gets what they want.  Lead Singer Peter Wolf was married to actress Faye Dunaway at the time, and was headed towards a divorce which may have inspired the lyrics.  Many will remember this song from Adam Sandler's performance in "The Wedding Singer."

Even It Up by Heart
Rob brings us the first single from Heart's fifth studio album, "Bebe le Strange."  It features the Tower of Power horn section in the instrumentation.  The lyrics call for reciprocity in a relationship, and also a subtle rant against the obstacles women face in the rock world.

Run Like Hell by Pink Floyd
Steve Hardin wraps up the staff picks with a song written by David Gilmour and Roger Waters.  The song is used in the film "The Wall" to depict rock anti-hero Pink as a fascist dictator turning the audience into a lynch mob.  

INSTRUMENTAL TRACK:

Seduction by Giorgio Moroder
This instrumental love theme from the movie "American Gigolo" was on the charts at the time.

Thanks for listening to “What the Riff?!?” 

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Hysteria is the album that should not exist.  Def Leppard's fourth studio album was plagued with delays and tragedy.  Despite this fact, the album would become one of the greatest heavy metal albums of all time. 

The band wrapped up their Pyromania tour in early 1984, and started writing their next album shortly thereafter.  Producter John "Mutt" Lange began working with them to arrange the songs, but was suffering from burnout and couldn't commit to producing the album.  Jim Steinman (of Meatloaf's "Bat Out of Hell" fame).  The fit was not good, and the band parted ways with Steinman by the fall.  They began self-producing, but it was slow work.  Then in December tragedy struck, as drummer Rick Allen crashed his Corvette, losing his left arm in the accident.  The band stuck with him as he returned to the drums, using a combination of acoustic and electronic drums and MIDI pedals to trigger sounds for parts ordinarily played with the left arm.  Self-production was continued until Mutt Lange was able to rejoin in mid-1985.  Final recording sessions occurred in early 1987, and the finished product finally was released in August 1987.

Def Leppard's goal with the album, was amazingly aggressive:  they wanted to create a rock album similar to Michael Jackson's "Thriller," such that every track on the album could potentially be a hit single.  This goal was largely achieved, as seven of the albums tracks were released as singles, an unpresidented achievement for a rock band at the time.  This would also produce controversy with Def Leppard fans, as the group was perceived by some as selling out to commercial "hair metal" sensitivities popular at the time. 

Friend of the show Steve Hardin joins us in Bruce's absence, and Lynch brings us this monster album of heavy metal (or hair metal, depending on your perspecitve) for week's podcast.

Hysteria
The title track was the fourth single from the album, and the group's first top 10 single in the US.  Drummer Rick Allen came up with the name for this slow rocker.  "'Cause it's a miracle, oh say you will, ooh babe.  Hysteria when you're near."

Animal
This fast paced song was the second release in the US and the first single in the UK where it broke into the top 10.  It was one of the more difficult songs for the group to write, going through multiple iterations with multiple producers before arriving in the style used on the album.

Rocket
This track was almost created as an instrumental, but morphed into a tribute song, referencing many of the influential groups of the 60's and 70's.  It also features a backwards masking vocal from another song on the album (Gods of War) which says, "we're fighting with the gods of war."  

Pour Some Suger On Me
Often considered Def Leppard's signature song, this track was a last-minute addition to the album.  It came out of an acoustic jam developed by lead singer Joe Elliott.  Producer Mutt Lange liked the tune and pushed for its development despite the album being behind schedule.  It was created in about 2 weeks, and would reach number 2 on the Billboard Hot 100.  

ENTERTAINMENT TRACK:

I Get Around by The Beach Boys (from the motion picture “Goor Morning, Vietnam”)
This movie starred Robin Williams as an Armed Forces Radio Service DJ who is popular with the troops, but problemmatic to the bureaucrats.

STAFF PICKS:

Say You Will by Foreigner
Rob starts the staff pick with a song that hit number 6 on the charts.  Foreigner evolved their sound in the late 80's to meet the aesthetic of the day, with heavier use of the synthesizer and less guitar riffs.  It is the first single from their sixth studio album, "Inside Information."

No New Tale to Tell by Love and Rockets
Wayne's staff pick is an alternative rock sound with an unusual flute instrumentation from a group out of the UK underground.  This was their first US hit, going to number 18 on the US Mainstream Rock chart.  It is from their third album, "Earth, Sun, Moon," and they would release another four albums before breaking up in 1989,

Big River by the Beat Farmers
Friend of the show Steve Hardin brings an unusual song with a country/rocakabilly slant.  The lyrics discuss following a girl down the Mississippi.

Faith by George Michael
Lynch finishes the title track from George Michael's debut solo album.  This song with a Bo Diddley beat on an acoustic rhythm guitar went to number 1 on the Billboard Hot 100.  Michael wrote the song because he needed faith in his own abilities after leaving the band Wham! to go solo.

INSTRUMENTAL TRACK:

Complexity by Front Line Assembly
This Canadian industrial band released their first full-length album in 1987.

Thanks for listening to “What the Riff?!?” 

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

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**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

This week we are delving into one of the greats of Southern Rock.  Well, they are southern rock if you count southern California.  Little Feat took its name from a comment Frank Zappa made to his band member Lowell George regarding his having little feet. George would become a founder and driving force behind Little Feat, providing guitar and vocals.  Other members were Paul Barrere on guitar and vocals, Sam Clayton on percussion and vocals, Kenny Gradney on bass, Richie Hayward on drums and vocals, and Bill Payne on keyboards and vocals.

Feats Don't Fail Me Now is the band's fourth studio album, and it went to number 36 on the US Top LP's chart.  It is hard to go wrong when, in addition to the regular band members you have the Tower of Power on horns, and backing vocals from Emmylou Harris and Bonnie Raitt.  The album was recorded at Blue Seas Recording Studio in Maryland, and it provided two advantages.  First, it had just opened and needed a band for their "shakedown cruise," letting Little Feat record on the cheap.  Second, it was far away from their home base in Los Angeles, which kept Lowell George away from many familiar temptions of drugs and women.

While Lowell George would soon begin to deteriorate in health (he died of a heart attack in 1979), this album shows him and his band at the height of their artistic prowess.  The surviving members of Little Feat would regroup in 1987, and the band continues to perform today.

Wayne takes us through this little feat of southen rock for this week's podcast.

Feats Don't Fail Me Now
The title track received significant airplay on FM radio and it leads off side two of the album.  That driving bass line and funky drumbeat is sometimes called Country Funk Boogie.  The message of the song is one of perseverance and determination to get back the girl the singer loves.

Oh Atlanta
If you were living in the metro-Atlanta area in the 70's or 80's, you definitely are familiar with this song.  Billy Payne takes lead vocal duties on this track, and it features Bonnie Raitt and Emmylou Harris on backing vocals.  "Well, you can drop me off on Peachtree, I got to feel that Georgia sun.  And the women there in Atlanta, they make you awfully glad you come."

Spanish Moon
This track was written by Lowell George and features the Tower of Power horn section.  This is a deeper cut, but it has a latin groove while maintaining both a bluesy and funky sound.  The origin of the song is a dream George had of a dangerous nightclub in New Orleans called the Spanish Moon.

Rock and Roll Doctor
The song considered the hit off the album is an anthem to the healing power of music.  "Two degress in bebop, a PhD in swing, he's a master of rhythm, he's a rock and roll king."  

ENTERTAINMENT TRACK:

Main theme from the motion picture “Together Brothers”
The Love Unlimited Orchestra provided this title track to

STAFF PICKS:

Radar Love by Golden Earring
Lynch's starts our staff picks this week with a Dutch rock band originally formed in 1961.  Lead vocalist Barry Hay and guitarist George Kooymans wrote this single that reached number 13 on the US Billboard Hot 100 chart.  The lyrics describe a man driving a long way to be with his love, and communicating with her through a mystical bond he calls "radar love."

Keep on Smilin' by Wet Willie
Bruce features the title track from Wet Willie's third studio album.  It is their biggest hit, reaching number 10 on the Billboard Hot 100.  The song itself is rather stoic, encouraging the listener to keep smiling through the difficulties and pain of life.

The Night Chicago Died by Paper Lace
Rob's staff pick is a story telling song that topped the US chart for one week in 1974.  The lyrics describe a shoot-out between the Chicago Police and Al Capone's gangsters, and worries from the wife of a police officer that her husband wouldn't make it home.  The song ends on a positive note when her husband walks through the door.

Beach Baby by The First Class
Wayne brings us a British band made up of all session players.  They call themselves "the first class" because they considered themselves to be a kind of supergroup of the UK music session set.  This song would be a one-hit wonder, reaching number 4 in the US, but other singles would not see the same level of success.

NOVELTY TRACK:

Rub It In by Billy "Crash" Craddock
This novelty song hit the top of the country charts.  It may be more familiar as the jingle from Glade air fresheners, where they sing, "plug it in."

Thanks for listening to “What the Riff?!?” 

NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.

Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.

Of course we'd love for you to rate the show in your podcast platform!

**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.