What We Might Have Been

James Womack's musical journey began at age 9 when he hacked a Sony boombox to manipulate James Brown radio recordings overdubbed with a ninja turtles bikehorn and his Casiotone. The same approach to melding musicianship with creative manipulation of the sonic zeitgeist is found in PTC’s work today. He’s a guitar playing disciple of The Meters’ Leo Nocentelli and The Smiths’ Johnny Marr. He’s a DJing disciple of Todd Terje and J Dilla. It’s a strange brew

http://bfap.bandcamp.com/
https://soundcloud.com/pausetc
http://glofimustdie.com/post/4931804908/san-diegos-gloss-samples-notorious-big

Music

James Womack's musical journey began at age 9 when he hacked a Sony boombox to manipulate James Brown radio recordings overdubbed with a ninja turtles bikehorn and his Casiotone. The same approach to melding musicianship with creative manipulation of the sonic zeitgeist is found in PTC’s work today. He’s a guitar playing disciple of The Meters’ Leo Nocentelli and The Smiths’ Johnny Marr. He’s a DJing disciple of Todd Terje and J Dilla. It’s a strange brew http://bfap.bandcamp.com/ https://soundcloud.com/pausetc http://glofimustdie.com/post/4931804908/san-diegos-gloss-samples-notorious-big

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What We Might Have Been

What We Might Have Been