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Man oh man, we live in unusual times. Bye bye binaries, hello multi-hyphenates. But what does that all mean when it comes to defining masculinity in today’s world? What, indeed, maketh a man these days? And how do we detoxify the particularly toxic strain of masculinity that persists in the Philippines? We take a deep dive into all this with the artist Kristoffer Ardeña, who explores the meanings of “ang tunay na lalake” in his latest installation, Pagkalalake, a massive and provocative assemblage of idioms, expressions, slogans and utterances in English and the vernacular that challenge the traditional notions of masculinity in our society.
By Flipping The Narrative5
44 ratings
Man oh man, we live in unusual times. Bye bye binaries, hello multi-hyphenates. But what does that all mean when it comes to defining masculinity in today’s world? What, indeed, maketh a man these days? And how do we detoxify the particularly toxic strain of masculinity that persists in the Philippines? We take a deep dive into all this with the artist Kristoffer Ardeña, who explores the meanings of “ang tunay na lalake” in his latest installation, Pagkalalake, a massive and provocative assemblage of idioms, expressions, slogans and utterances in English and the vernacular that challenge the traditional notions of masculinity in our society.