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Why Fish Don't Exist Featuring Tarfia Faizullah, Amber Flame, and Raychelle Heath
Seema & Amelia invite back Tarfia Faizullah, Amber Flame, and Raychelle Heath to our virtual roundtable to discuss Why Fish Don't Exist. Topics include the power of naming things, dark nights of the soul, and of course whether or not fish exist!
Don't forget: We want to hear from you! Read the book and send in your thoughts to [email protected] or share them on social media using the #CBAWLOVES hashtag. We will read or play your comments on a future episode!
About Our Guests
Tarfia Faizullah is the author of two poetry collections, REGISTERS OF ILLUMINATED VILLAGES (Graywolf, 2018) and SEAM (SIU, 2014). Tarfia’s writing appears widely in the U.S. and abroad in the Daily Star, Hindu Business Line, BuzzFeed, PBS News Hour, Huffington Post, Poetry Magazine, Ms. Magazine, the Academy of American Poets, Oxford American, the New Republic, the Nation, Halal If You Hear Me (Haymarket, 2019), and has been displayed at the Smithsonian, the Rubin Museum of Art, and elsewhere.
The recipient of a Fulbright fellowship, three Pushcart prizes, and other honors, Tarfia presents work at institutions and organizations worldwide, and has been featured at the the Liberation War Museum of Bangladesh, the Library of Congress, the Fulbright Conference, the Lannan Center for Poetics and Social Practice, the Radcliffe Seminars, NYU, Barnard, UC Berkeley, the Poetry Foundation, the Clinton School of Public Service, Brac University, and elsewhere.
Amber Flame is an interdisciplinary creative, activist and educator whose work has garnered residencies with Hedgebrook, Vermont Studio Center, and more. A former church kid from the Southwest, Flame’s work is published widely and explores spirituality and sexuality, cross-woven with themes of grief and loss, motherhood and magic, and interstitial joy. A 2016 and 2017 Pushcart Prize nominee and Jack Straw Writer Program alum, Amber Flame’s first full-length poetry collection, Ordinary Cruelty, was published in 2017 through Write Bloody Press. Flame was a recipient of the CityArtist grant from Seattle’s Office of Arts and Cultural Affairs to write, produce and perform her one-person play, Hands Above the Covers. In early 2018, Flame co-curated the art installation Black Imagination at Core Gallery in Seattle. Her first solo exhibit debuted in 2019 with a project entitled ::intrigue:: 8, a multimedia installation, through Jack Straw Production’s Artist Support and New Media Gallery fellowships. Hugo House’s 2017-2019 Writer-in-Residence for Poetry, Flame’s second book of poetry, titled apocrifa, is forthcoming from Red Hen Press. Flame has created and implemented programming for more than 15 years, working in education equity, Black media, youth empowerment, and with women and youth impacted by incarceration. Recently named Program Director for Hedgebrook, she continues to work as a writing instructor while working on a third collection of poetry, remounting her full-length play, developing a few nonfiction anthologies, and raising her daughter. Amber Flame is a queer Black mama just one magic trick away from growing her unicorn horn.
Raychelle Heath is a poet, artist, teacher, yoga and meditation instructor, podcaster, and digital nomad. She holds a BA in languages from Winthrop University and an MFA in poetry from the University of South Carolina. While she primarily writes poetry, she considers herself a storyteller. She uses her poetry and her podcast to tell the multifaceted stories of black women in the world. She also explores her experiences with the culturally rich communities that she has encountered in her travels. Her work has been published by Travel Noire, Fourth Wave, Yellow Arrow Journal, The Brazen Collective, and Community Building Art Works. She currently works as curriculum director, sanctuary coach, and facilitator for the Unicorn Authors Club. She also regularly facilitates workshops for BIPOC Writing Party and The World We Want workshops."
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By Community Building Art WorksSeema & Amelia invite back Tarfia Faizullah, Amber Flame, and Raychelle Heath to our virtual roundtable to discuss Why Fish Don't Exist. Topics include the power of naming things, dark nights of the soul, and of course whether or not fish exist!
Don't forget: We want to hear from you! Read the book and send in your thoughts to [email protected] or share them on social media using the #CBAWLOVES hashtag. We will read or play your comments on a future episode!
About Our Guests
Tarfia Faizullah is the author of two poetry collections, REGISTERS OF ILLUMINATED VILLAGES (Graywolf, 2018) and SEAM (SIU, 2014). Tarfia’s writing appears widely in the U.S. and abroad in the Daily Star, Hindu Business Line, BuzzFeed, PBS News Hour, Huffington Post, Poetry Magazine, Ms. Magazine, the Academy of American Poets, Oxford American, the New Republic, the Nation, Halal If You Hear Me (Haymarket, 2019), and has been displayed at the Smithsonian, the Rubin Museum of Art, and elsewhere.
The recipient of a Fulbright fellowship, three Pushcart prizes, and other honors, Tarfia presents work at institutions and organizations worldwide, and has been featured at the the Liberation War Museum of Bangladesh, the Library of Congress, the Fulbright Conference, the Lannan Center for Poetics and Social Practice, the Radcliffe Seminars, NYU, Barnard, UC Berkeley, the Poetry Foundation, the Clinton School of Public Service, Brac University, and elsewhere.
Amber Flame is an interdisciplinary creative, activist and educator whose work has garnered residencies with Hedgebrook, Vermont Studio Center, and more. A former church kid from the Southwest, Flame’s work is published widely and explores spirituality and sexuality, cross-woven with themes of grief and loss, motherhood and magic, and interstitial joy. A 2016 and 2017 Pushcart Prize nominee and Jack Straw Writer Program alum, Amber Flame’s first full-length poetry collection, Ordinary Cruelty, was published in 2017 through Write Bloody Press. Flame was a recipient of the CityArtist grant from Seattle’s Office of Arts and Cultural Affairs to write, produce and perform her one-person play, Hands Above the Covers. In early 2018, Flame co-curated the art installation Black Imagination at Core Gallery in Seattle. Her first solo exhibit debuted in 2019 with a project entitled ::intrigue:: 8, a multimedia installation, through Jack Straw Production’s Artist Support and New Media Gallery fellowships. Hugo House’s 2017-2019 Writer-in-Residence for Poetry, Flame’s second book of poetry, titled apocrifa, is forthcoming from Red Hen Press. Flame has created and implemented programming for more than 15 years, working in education equity, Black media, youth empowerment, and with women and youth impacted by incarceration. Recently named Program Director for Hedgebrook, she continues to work as a writing instructor while working on a third collection of poetry, remounting her full-length play, developing a few nonfiction anthologies, and raising her daughter. Amber Flame is a queer Black mama just one magic trick away from growing her unicorn horn.
Raychelle Heath is a poet, artist, teacher, yoga and meditation instructor, podcaster, and digital nomad. She holds a BA in languages from Winthrop University and an MFA in poetry from the University of South Carolina. While she primarily writes poetry, she considers herself a storyteller. She uses her poetry and her podcast to tell the multifaceted stories of black women in the world. She also explores her experiences with the culturally rich communities that she has encountered in her travels. Her work has been published by Travel Noire, Fourth Wave, Yellow Arrow Journal, The Brazen Collective, and Community Building Art Works. She currently works as curriculum director, sanctuary coach, and facilitator for the Unicorn Authors Club. She also regularly facilitates workshops for BIPOC Writing Party and The World We Want workshops."