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Why do great films still get passed over by festivals?
In this episode, I talk with Alex Lee, director of Oscar-qualifying Doc Edge, about the real reasons programmers reject submissions — even great ones. We dive into what most filmmakers miss: how your press kit, title, stills, and even your tone can make or break your chance.
This isn’t about selling out — it’s about communicating your story well enough to be noticed.
By Giosuè PetroneWhy do great films still get passed over by festivals?
In this episode, I talk with Alex Lee, director of Oscar-qualifying Doc Edge, about the real reasons programmers reject submissions — even great ones. We dive into what most filmmakers miss: how your press kit, title, stills, and even your tone can make or break your chance.
This isn’t about selling out — it’s about communicating your story well enough to be noticed.