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Get ready for another thrilling episode of Media Mothership, where we dive deep into the hottest topics and trends in media and culture. In this episode, we explore the Barbenheimer phenomenon, a viral sensation that has sparked debates behind its Wikipedia page, and how it reflects the immediacy and pitfalls of online trends.We also interview Sophia Staite, a PhD graduate from the University of Tasmania and expert on the Japanese tokusatsu genre, which features superheroes, monsters, and special effects. She tells us all about Kamen Rider, one of the most popular and influential tokusatsu series of all time, and how it appeals to both kids and adults in Japan. She also explains why Kamen Rider failed to catch on in the West, and what it would take to make it a global hit. Finally, we discuss the latest film by Hideki Anno, the visionary director of Neon Genesis Evangelion. His new film, Shin Kamen Rider, is a reboot of the classic tokusatsu franchise, with a darker and more realistic tone. We analyze its strengths and weaknesses, and how it compares to his previous works. Don’t miss this episode of Media Mothership, where we bring you the best insights and opinions on media and culture. Subscribe now and join the conversation!
www.mediamothership.au
Support the show: https://www.mediamothership.au/
See omnystudio.com/listener for privacy information.
By Craig NorrisGet ready for another thrilling episode of Media Mothership, where we dive deep into the hottest topics and trends in media and culture. In this episode, we explore the Barbenheimer phenomenon, a viral sensation that has sparked debates behind its Wikipedia page, and how it reflects the immediacy and pitfalls of online trends.We also interview Sophia Staite, a PhD graduate from the University of Tasmania and expert on the Japanese tokusatsu genre, which features superheroes, monsters, and special effects. She tells us all about Kamen Rider, one of the most popular and influential tokusatsu series of all time, and how it appeals to both kids and adults in Japan. She also explains why Kamen Rider failed to catch on in the West, and what it would take to make it a global hit. Finally, we discuss the latest film by Hideki Anno, the visionary director of Neon Genesis Evangelion. His new film, Shin Kamen Rider, is a reboot of the classic tokusatsu franchise, with a darker and more realistic tone. We analyze its strengths and weaknesses, and how it compares to his previous works. Don’t miss this episode of Media Mothership, where we bring you the best insights and opinions on media and culture. Subscribe now and join the conversation!
www.mediamothership.au
Support the show: https://www.mediamothership.au/
See omnystudio.com/listener for privacy information.