Why are Chinese, Korean, and Japanese musicians so overrepresented in Western orchestras? Mari Yoshihara, author of Musicians from a Different Shore, joins Ian Buruma and Chang Che to trace how Western classical instruments, pedogogy and cultural traveled from Meiji-era military bands to suburban living rooms in Tokyo, Beijing, and Seoul. We also talk about why classical music still carries cultural weight in East Asia even as its glow seems to be fading in the West.