There may not be an official leader of the street art movement, but if there were it would be Shepard Fairey. A tenacious champion of urban art, Fairey is best known for his political work--like the Obama HOPE Poster--that pairs image and text to activate viewers and inspire them to construct their own meaning. Join our hosts as they discuss the art, the controversies and the man.

There may not be an official leader of the street art movement, but if there were it would be Shepard Fairey. A tenacious champion of urban art, Fairey is best known for his political work--like the Obama HOPE Poster--that pairs image and text to activate viewers and inspire them to construct their own meaning. Join our hosts as they discuss the art, the controversies and the man.

There may not be an official leader of the street art movement, but if there were it would be Shepard Fairey. A tenacious champion of urban art, Fairey is best known for his political work--like the Obama HOPE Poster--that pairs image and text to activate viewers and inspire them to construct their own meaning. Join our hosts as they discuss the art, the controversies and the man. &nbsp;

Why We Should OBEY the Giant

Art Attack with Lizy Dastin and Justin BUA is a new kind of art podcast—engaging, informed, accessible and raw. Join artist BUA and art historian Lizy as they debate topical artworld happenings, bringing their unique—often contradictory—perspectives to the conversation.

BUA is an internationally distinguished painter, television personality, writer, entrepreneur and teacher. He is perhaps best known for his renderings of often-overlooked characters that define the urban landscape; for instance, his iconic image, The DJ, has become one of the most celebrated and reproduced prints of all time. BUA has roots in the graffiti scene in New York City, co-created and hosted the Street Art Throwdown competition series for the Oxygen Network, and has published two acclaimed books, The Beat of Urban Art and The Legends of Hip Hop, through Harper Collins. 

Lizy Dastin is an Art History instructor at UCLAx and Santa Monica College with a focus on contemporary art and urban practice. She has previously taught at Chapman University, The American Jewish University, Mercy College and the School of Visual Arts and has worked on curatorial projects at the Metropolitan Museum, the International Center of Photography and the Whitney Museum of American Art. Lizy, founder of street art information hub Art and Seeking, is a passionate advocate of street art and its makers and is committed to creating a digital archive of this otherwise ephemeral practice.

Arts

Visual Arts

Art Attack with Lizy Dastin and Justin BUA is a new kind of art podcast—engaging, informed, accessible and raw. Join artist BUA and art historian Lizy as they debate topical artworld happenings, bringing their unique—often contradictory—perspectives to the conversation. BUA is an internationally distinguished painter, television personality, writer, entrepreneur and teacher. He is perhaps best known for his renderings of often-overlooked characters that define the urban landscape; for instance, his iconic image, The DJ, has become one of the most celebrated and reproduced prints of all time. BUA has roots in the graffiti scene in New York City, co-created and hosted the Street Art Throwdown competition series for the Oxygen Network, and has published two acclaimed books, The Beat of Urban Art and The Legends of Hip Hop, through Harper Collins. Lizy Dastin is an Art History instructor at UCLAx and Santa Monica College with a focus on contemporary art and urban practice. She has previously taught at Chapman University, The American Jewish University, Mercy College and the School of Visual Arts and has worked on curatorial projects at the Metropolitan Museum, the International Center of Photography and the Whitney Museum of American Art. Lizy, founder of street art information hub Art and Seeking, is a passionate advocate of street art and its makers and is committed to creating a digital archive of this otherwise ephemeral practice.

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Why We Should OBEY the Giant

Why We Should OBEY the Giant

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