Episode 119: WR&PCAST

Featuring: Teenage Sex and Death at Camp Miasma (2026); Bound (1996); The Celluloid Closet (1996); Hellbent (2004)

Welcome to the first edition of the WR&PCAST, your one stop shop for everything cinema. Today we talk about our trip to the Frameline film festival, the history of queer cinema, and gay slasher horror.

Episode 118: RYAN & FRIENDS

Featuring: Teenage Mutant Ninja Turtles (1990); Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991); Teenage Mutant Ninja Turtles III (1993)

Joe returns to talk about his childhood-favorite film and series, Teenage Mutant Ninja Turtles.

Episode 117: DOUBLE FEATURE

Featuring: Iron Man (2008); The Dark Knight (2008)

WR&P discusses the beginnings of the most recent superhero era, where things stand almost 20 years later, and the ramifications of this modern model of filmmaking.

Episode 116: DOUBLE FEATURE

Featuring: Buffy the Vampire Slayer (1992); Twilight (2008)

WR&P takes a look at the high school vampire genre and dives deep into Kevin’s take on the feminist vampire angle. Horror and camp, what a great combination!

Episode 115: SPECIAL EVENT

Over the past year WR&P has featured dozens upon dozens of films, but now it’s time to crown our favorites. Ryan and Kevin each select winners (and honorable mentions) for four categories — Best Screenplay, Best Actor, Best Director, and Best Picture. 

Episode 114: WR&P 360

Featuring: It’s a Wonderful Life (1946); Rocky (1976); Top Gun (1986); Field of Dreams (1989); Minari (2020); The Texas Chainsaw Massacre (1974); The Stepford Wives (1975); Boyz in da Hood (1991); The Stepford Wives (2004); Team America: World Police (2004); Killers of the Flower Moon (2023); The Great Train Robbery (1903); Stagecoach (1939); Butch Cassidy and the Sundance Kid (1969); Brokeback Mountain (2005); No Country for Old Men (2007); M*A*S*H (1970); The Long Goodbye (1973); 3 Women (1977); The Player (1992); A Prairie Home Companion (2006); Bonnie and Clyde (1967); The Graduate (1967); The Godfather (1972); Jaws (1975); Taxi Driver (1976)

The America 25 for 250 series is WR&P's first multi-part deep dive into cinema, the people behind it, and the intersection of everything. Check out the full 5+ hour conversation, where Ryan and Kevin look to understand America through 25 films spanning every genre and era of cinematic history.

Episode 113: AMERICA 25 FOR 250

Featuring: Bonnie and Clyde (1967); The Graduate (1967); The Godfather (1972); Jaws (1975); Taxi Driver (1976)

The America 25 for 250 series comes to a close with this final episode, which takes a look at the influential American film movement known as New Hollywood. 

Episode 112: AMERICA 25 FOR 250

Featuring: M*A*S*H (1970); The Long Goodbye (1973); 3 Women (1977); The Player (1992); A Prairie Home Companion (2006)

Continuing on the journey to watch 25 films that capture the essence of America, Ryan and Kevin decide on their pick for the quintessential American director — Robert Altman. Altman has been a mainstay topic on WR&P since the early days, including an entire episode on the director already, but there’s always more Altman to be had and these next five movies are a perfect addition to the discussion.

Episode 111: AMERICA 25 FOR 250

Featuring: The Great Train Robbery (1903); Stagecoach (1939); Butch Cassidy and the Sundance Kid (1969); Brokeback Mountain (2005); No Country for Old Men (2007)

It’s time to discuss WR&P’s pick for the most American genre — the western. Ryan and Kevin chat about 5 films that span the entire history of cinema and why the Western is so perfectly American.

Episode 110: AMERICA 25 FOR 250

Featuring: The Texas Chainsaw Massacre (1974); The Stepford Wives (1975); Boyz in da Hood (1991); The Stepford Wives (2004); Team America: World Police (2004); Killers of the Flower Moon (2023)

WR&P talked about the American dream… but what about the American nightmare? Ryan and Kevin discuss what lurks on the opposite side of America’s greatest ideals, what happens to those that don’t succeed, and the 5 (technically 6) movies that look into the darker side of the American experiment.