How do you connect a Japanese animation, a Swedish tragedy film, a Soviet WWII drama, and an American dream picture? Regardless of film form or narrative structure or country of origin, the Letterboxd Top 250 surely guarantees a “good movie” fortified with captivating stories and profound aesthetics that ultimately question what it means to be human. This week’s collection concentrates on concepts of death as a symbol of life cycles and transition, featuring films from Hayao Miyazaki, Ingmar Bergman, Larisa Shepitko, and the late David Lynch.