Sign up to save your podcasts
Or
Share Winter Ambient Mix, Scott Wood, ep 129
Share to email
Share to Facebook
Share to X
Share to email
Share to Facebook
Share to X
Or
Winter Ambient Mix, Scott Wood, ep 129
This mix sits in the space between ambient, downtempo and late-night electronica. It works best played in one go. Late evening. Low light. No distractions.
The tracks aren’t mixed in album order. They’re woven to create a single mood rather than a sequence of songs.
Artists featured (all included):
Nine Inch Nails – Not the aggressive side. This is Trent Reznor at his most restrained. Brooding, textural, and quietly intense.
Jonnnah – Minimal, melodic electronics with a human touch. Gentle but unsettled.
Nadia Struiwigh – Deep, drifting ambient techno. Emotional without obvious peaks.
The Orb – Long-form ambient thinking. Dubby, playful, and slightly psychedelic.
Ex Ponto – Sparse, interior music. Feels like soundtracking an empty room.
Aris Kindt – Slow-building, meditative pieces with subtle movement.
Malibu – Soft focus interludes. Brief, emotional pauses rather than full statements.
Wilson Tanner – Organic textures. Field-recording energy. Calm but slightly uncanny.
The Stone Roses – A long, hypnotic outlier. Dreamy, patient, and surprisingly ambient when stretched out.
Lone – Warm synths and nostalgia. Short, glowing moments of light.
Eivind Aarset & Jan Bang – Cinematic ambience built from guitar, space, and restraint.
Jason van Wyk – Piano-led calm. Emotional but clean. Nothing overplayed.
Iron Curtis – A brief, hazy closer. Soulful, understated, and human.
This isn’t a peak-time mix. It’s for slowing down without switching off.
Good for late nights, long drives, headphones, or just sitting still.
If you like music that breathes and takes its time, this will land.
View all episodes
By Scott WoodThis mix sits in the space between ambient, downtempo and late-night electronica. It works best played in one go. Late evening. Low light. No distractions.
The tracks aren’t mixed in album order. They’re woven to create a single mood rather than a sequence of songs.
Artists featured (all included):
Nine Inch Nails – Not the aggressive side. This is Trent Reznor at his most restrained. Brooding, textural, and quietly intense.
Jonnnah – Minimal, melodic electronics with a human touch. Gentle but unsettled.
Nadia Struiwigh – Deep, drifting ambient techno. Emotional without obvious peaks.
The Orb – Long-form ambient thinking. Dubby, playful, and slightly psychedelic.
Ex Ponto – Sparse, interior music. Feels like soundtracking an empty room.
Aris Kindt – Slow-building, meditative pieces with subtle movement.
Malibu – Soft focus interludes. Brief, emotional pauses rather than full statements.
Wilson Tanner – Organic textures. Field-recording energy. Calm but slightly uncanny.
The Stone Roses – A long, hypnotic outlier. Dreamy, patient, and surprisingly ambient when stretched out.
Lone – Warm synths and nostalgia. Short, glowing moments of light.
Eivind Aarset & Jan Bang – Cinematic ambience built from guitar, space, and restraint.
Jason van Wyk – Piano-led calm. Emotional but clean. Nothing overplayed.
Iron Curtis – A brief, hazy closer. Soulful, understated, and human.
This isn’t a peak-time mix. It’s for slowing down without switching off.
Good for late nights, long drives, headphones, or just sitting still.
If you like music that breathes and takes its time, this will land.