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It didn't ALL start here, but at the same time, it kinda did. Riding high on Wolverine's popularity from the late 70's run, that expanded and revamped a villain from a Hulk comic into a mainstay with the diverse X-Men team, Claremont took him solo. And to do this, in 1982, he teamed up with up-and-coming young artist, Frank Miller. Together they created the Japanese backdrop for Wolverine/Logan stories for decades to come.
In this 4 issue run, we get a good examination into what makes Logan tick, and how he balances being a good man and a berserker raging animal... And women. Does 'pussy get him killed', as we like to say here, on Comic Patrol? I mean, it might. But you'll have to tune in to know for sure!
--Hit us up at [email protected] if you want to add a submission for a future Arc Analysis--
By Comic Patrol1
11 ratings
It didn't ALL start here, but at the same time, it kinda did. Riding high on Wolverine's popularity from the late 70's run, that expanded and revamped a villain from a Hulk comic into a mainstay with the diverse X-Men team, Claremont took him solo. And to do this, in 1982, he teamed up with up-and-coming young artist, Frank Miller. Together they created the Japanese backdrop for Wolverine/Logan stories for decades to come.
In this 4 issue run, we get a good examination into what makes Logan tick, and how he balances being a good man and a berserker raging animal... And women. Does 'pussy get him killed', as we like to say here, on Comic Patrol? I mean, it might. But you'll have to tune in to know for sure!
--Hit us up at [email protected] if you want to add a submission for a future Arc Analysis--