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Hanna attempts to tackle a long avante-garde film from 1964 by director Hiroshi Teshigahara that's filled with symbolism from beginning to end, coming away from the analysis feeling like she just barely scratched the surface.
By Hanna Bilinski, RtiHanna attempts to tackle a long avante-garde film from 1964 by director Hiroshi Teshigahara that's filled with symbolism from beginning to end, coming away from the analysis feeling like she just barely scratched the surface.