<p>A treatment of Richard Wright's short story "The Man Who Was Almost A Man," which examines the place of violence, guns, and respect in radicalized formations of masculinity. How does the main character Dave Saunders reimagine his masculinity in a world of emasculation? And how does the gun function as a phallic symbol that is indispensable for imagining manhood, respect, and dignity?</p>

A treatment of Richard Wright's short story "The Man Who Was Almost A Man," which examines the place of violence, guns, and respect in radicalized formations of masculinity. How does the main character Dave Saunders reimagine his masculinity in a world of emasculation? And how does the gun function as a phallic symbol that is indispensable for imagining manhood, respect, and dignity?

Wright on Guns, Masculinity, and Violence

Podcasted process pieces from my course Black Existentialism. The course introduces one of the most important and potent mid-century intellectual movements - the existentialist movement - through a series of black Atlantic thinkers. Our keystone will be Frantz Fanon’s Black Skin, White Masks, which is arguably the most important work of Black existentialism from this period. Across the semester we will see why existentialism, with its focus on the ambiguities and ambivalences of lived-experience, had such a deep impact on Black thinkers across the diaspora. We will see these existentialist insights register in literature, philosophy, and film. Old and new.

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Wright on Guns, Masculinity, and Violence

Wright on Guns, Masculinity, and Violence