An Author's Voice

Writing YA Fiction


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Imagine your whole school can see your stats

A sixteen-year-old, one humiliating half second, and the reckless thing he does to prove it wasn’t the whole story.

You already know where you rank. Somebody decided years ago, the label stuck, and most days it feels settled. The athletes and the brains walk the halls like they can prove it, and the worst part is that sometimes they can.

Now give that a screen. Picture a version of high school where the ranking is literal: everyone gets scored on six traits, and the system shows the numbers. The kids who land high in the ones that count at school flash them around. The kids who don’t learn to keep their overlay shut.

That’s the world Kes lives in, and he’s holding the worst possible hand. Average almost everywhere. One odd flag on a stat called Flux, which is worth exactly nothing in a classroom. And his Flux had fired once in four years, at the worst possible moment.

Freshman year. Inter-school playoff, up one to nothing, seven minutes left. The ball came in at an angle nobody was reading, his stat flickered for half a second, his foot landed wrong, and he put the ball into his own net faster than he should have been able to kick it. The whole field saw it. Nev was in the stands. He hasn’t stepped on a pitch since.

So that’s who he is now. The kid whose one special thing turned out to be a way to lose in front of everyone.

The system left him one door, though, and it nags at him through every chapter. His Flux sits there flagged with a line he can’t put down: reassess upon measurable engagement. Do something big enough to make the variance fire again, and the system will take another look at you.

There’s one place near the colony where that’s possible. Past the perimeter fence, out in the unmapped country nobody’s cleared to cross, there’s a Flux rift. Reach it, and your Flux gets tested for real.

You can already see the shape of the bad idea. He talks his two best friends into coming. Nev comes mostly to keep him from getting himself killed, which stings, because the person he most wants to stop seeing him as the own-goal kid is the one who just signed on as his babysitter. Harko comes because Harko reads people better than the system does, and he can see Kes is going with them or without them.

The part I didn’t plan

Here’s the confession. I built this universe to be big. An alien system switches on across known space and starts measuring every living mind on six traits, and there’s a whole grown-up world of fallout I was itching to write.

But another idea took control and wouldn’t let go. A small one: a sixteen-year-old who wanted to matter and did something stupid to get there.

Being sixteen survives the system completely intact. What the system adds is a number for the thing every teenager already lies awake over. Am I actually special, or did I just need to be? Does anybody really see me? If I pull off the one impossible thing, will she finally look at me differently?

In our world those fears are invisible, so we get to argue about whether they’re real. In Kes’s world the system prints them on an overlay he can open a hundred times a day. The feeling is identical. It just comes with a scoreboard now.

So is it YA?

People ask, and I never have a clean answer ready. The series this belongs to has grown-up machinery in it, the kind with soldiers and colony politics and deaths that don’t reset. A bookstore wants one shelf, and a sixteen-year-old scared his one talent means nothing doesn’t obviously share it with the grown-up sci-fi the rest of the series reads like.

Here’s where I landed. What makes a story young adult is its vantage: it stands with a person doing something for the first time, carrying the stakes only a first time has. The first time you risk the whole crowd watching you fail. The first time you gamble your own safety just to be seen differently.

By that measure Kes is YA to the bone, and the alien overlay clamped over his life never once moves him off it.

What matters to teenagers

People hear “far-future sci-fi” and assume the story must be about the future. The ships, the system, the cold machinery of what’s coming.

The stuff that actually runs a teenager’s life is older than any of it: who’s watching, and whether one bad moment everyone saw gets to be the whole story about you. Kes is chasing a number on a screen. What he’s really doing is trying to be more than the half second the whole school replays when they see him.

Put that kid in any century, with or without an alien overlay clamped over his life, and any reader who has ever been sixteen knows exactly what’s at stake.

First Contact is where it starts. One kid, two friends who should know better, a fence they’re not cleared to cross, and the rift waiting on the other side of it. Read it for free. The next story, Engagement Criteria, picks him up a year into the wait, still hanging on what the system will finally decide about him.

Until next time, thanks for listening.

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An Author's VoiceBy Charlie Forêt