This week we spoke with long time Science Fiction reviewer and anthologist Rich Horton. We talked about his experience in the early internet sci-fi community on Usenet, his career in sci-fi criticism at Tangent and Locus, his work creating sci-fi/fantasy best of the year anthologies, our thoughts on the current slate of Hugo Award nominees, and more.

We hope you enjoy!

TIMESTAMPS:

0:14 - Introduction

0:39 - What drew you to Substack?

1:33 - Rich Horton started Substack by reading people already here (Ted Gioia, Lincoln Michel, Naomi Kanakia)

2:25 - Usenet as a hub for sci-fi discourse

6:07 - Substack is a place where you can talk about books

7:07 - Stories about sci-fi discussion on Usenet

13:08 - Starting Writing Reviews for Tangent

18:19 - Becoming a columnist at Locus

21:13 - Creating SFF best of the year anthologies

25:49 - It was cool to publish stories from literary writers in sci-fi anthologies

28:38 - The challenge of only writing positive reviews

29:57 - It's hard to write negative reviews for people you know

32:32 - Should you be able to spoil a story as the critic?

33:40 - It's easier to write bad reviews for already well-aclaimed books

38:18 - Society doesn't have much respect for critics

39:55 - Newspaper book reviews are dying off

41:18 - The best critics are worth reading even outside of any engagement with the original text

44:57 - Rating books by entertainment and ambition

45:40 - Discussing Hugo Award Nominee Novels

48:54 - Having separate literary and speculative ratings

52:04 - A lot of "hard" science fiction is written by people with an actual background in science

56:13 - Experiences at WorldCon and other sci-fi conventions

1:04:13 - Conclusion and short fiction recommendations of short story The River Has Roots by Amal El-Mohtar and novella New Light On the Drake Equation by Ian R. MacLeod

1:06:22 - Start of Synthesized Sunsets Backstage

1:07:32 - It was cool to learn about early sci-fi internet with Usenet

1:08:22 - A higher barrier to engagement can create better conversations

1:10:42 - Discussing Hugo Awards Review #3: The Tainted Cup + A Sorceress Comes to Call

1:11:08 - We both liked The Tainted Cup a lot

1:13:09 - The Tainted Cup had a somewhat unambitious style

1:16:20 - The Ana + Din scenes in The Tainted Cup remind Kevin of ASMR videos

1:17:29 - Neither of us liked A Sorceress Comes To Call

1:17:55 - A Sorceress Comes to Call would be a pretty good kids book

1:19:27 - It's hard to separate personal opinion from objective quality when reviewing something

1:20:48 - It's important to believe in a character's existence

1:25:57 - Knowledge of the artist's vision can enhance the enjoyment of some art object

1:27:19 - "Earlier in my life I was unable to connect with the art objects of music" (songs)

1:28:28 - Discussing The SFF Magazine Canon

1:29:27 - The line between prozines and semiprozines is quite blurry

1:33:26 - Magazine recommendations

* Reactor has longer form stories and is the most approachable as a sci-fi novel reader

* Lightspeed has the widest variety of sci-fi stories

* Beneath Ceaseless Skies has the most consistent style of secondary world fantasy stories

1:36:59 - Conclusion and short story recommendation of “The Electric Ant” by Philip K. Dick

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