This week Mark and I had all sorts of fun thinking about whether there are any short Yes epics - or if this idea is even possible. We set ourselves the restriction of only choosing Yes songs less than 6mins in duration so can you guess what we came up with and how we justified our choices?

It was sad to hear that Ozzy Osbourne died this week, only a few weeks after performing his last ever concert with his Black Sabbath bandmates. I can’t say I was a dedicated fan of Ozzy or Sabbath but my introduction to heavy metal was when a friend of mine took me up to his room in a slightly creepy Victorian mansion and played me the self-titled album by the Birmingham band. How appropriate the setting was. I also learned to play Paranoid on the drums when I was a teenager and my younger son taught my daughter, when she was a toddler, to sing the alphabet to the riff from War Pigs. My elder son was a true fan so he was upset when we heard the news. 

As you know if you’ve read the new Tales book or get your information from many other sources like Matthew Paine on Facebook, Rick Wakeman was a huge fan of Ozzy who he met at Morgan Studios while Yes were recording Tales. He ended up playing keys on 2 songs on Sabbath Bloody Sabbath which was being recorded over the road in another Morgan studio at the time. Eventually, Ozzy returned the favour by singing on Rick’s "The Return to the Center of the Earth", as pointed out by Paul Graf also on Facebook.

Our own Doug Curran interviewed Ozzy for his radio show in 1981 so do make a point of reading his reflections on that on the YMP Facebook discussion group.

Rest in Peace Ozzy.

Produced by Joseph Cottrell, Wayne Hall, Jeffrey Crecelius, and Ken Fuller

This week, Mark and I returned to the show to talk about the Yes classic album, 90125 from 1983. It is clearly, we believe, a great album but what makes it a great Yes album? It wasn’t originally going to be a Yes album at all and only became one at the last possible moment when Jon Anderson arrived on the scene. The band Cinema, consisting of Tony Kaye, Alan White, Trevor Rabin and Chris Squire had basically finished the record with Trevor Horn but, as you can read in full detail in Stephen Lambe’s excellent book about the album, there were several reasons that band was ultimately replaced by the name and the aura of Yes.

What do you think Mark and I came up with for our 6 reasons and would you have chosen the same features? Let us know in the show notes for this week’s episode.

• Is this a real Yes album?
• What makes it great?
• Who makes it great?

This week I’d like to celebrate the release of my second book, Tales from Topographic Oceans - Yes Album Listening Guide - a title almost as lengthy as the record itself. It’s been a very long and sometimes challenging process to prepare the book for publication - much like the record itself. However, it’s finally here and you can buy it from all the usual places.

If you haven’t yet ordered your copy, you live outside the UK and you would like to help me out, please visit YesMusicBooks.com and order from there. There are print on demand links in the store on the site which will allow you to order copies of the book and its full colour supplement, printed at a location near where you live, avoiding shipping costs and the associated environmental impact. I also get to keep more of the proceeds from the order, rather than giving it to the big corporations. Shipping time may be a little bit longer than the online stores but the choice is up to you.

If you are in the UK please order directly from BurningShed.com and if you normally get your books from a local independent bookstore, then that is also a great option wherever you are in the world.

The book ended up being 336 pages long which is rather a surprise to me. The initial idea was to produce something shorter and simpler than the Tormato Story book - more of an actual guide, rather than an in-depth study. However, as soon as I started, it became obvious that I could resist travelling down just as many fascinating rabbit holes as last time. I did manage to uncover some previously hidden information and it was a lot of fun researching as many different aspects of this epic work of progressive rock as I could. As Prog Magazine put it in their review, “The most rewarding way to experience Tales is to dive in and become immersed. This book is the very definition of that.”

This week, Mark and I enjoyed coming up with 6 reasons why the band’s third record, The Yes Album, is a great Yes album. As I’m sure you know, this was Steve Howe’s first album with Yes and also Tony Kaye’s last. It is correctly viewed by many fans, critics and Steve Howe himself as the first Yes masterpiece.

Clearly, we could have found dozens of reasons why this is a great Yes album but that would have left less room for you to be involved. So please do add your reasons in the comments on this week's show notes.

• What do you think we chose?
• Is this album the start of the progressive sound of Yes?
• Was the success of the album all down to the musicians?

Let us know if you agree with us!

This week, Mark and I considered the Yes music of the new Millennium - 25 years after it began. In this time, the band have produced just 5 studio albums and 1 EP:

• Magnification
• Fly From Here
• From a Page (EP)
• Heaven and Earth
• The Quest
• Mirror to the Sky

However, there are plenty of examples of great Yes music to enjoy and Mark and I chose 3 examples each.

• What did we choose?
• Anything from Heaven and Earth?
• Did we get it 'right'?

See if you agree with us and let us know by leaving a comment below.

Let us know if you agree with us!

This week, Mark and I returned to our occasional series on Yes concepts. This time we considered Yes audacity - those times when the band has done something few others would have attempted. We both came up with 3 examples and it proved to be a very enjoyable conversation, albeit with quite a bit of shameless self-promotion from me.

In the world of progressive rock, perhaps the most audacious genre of all, what do you think we came up with - and what would you have chosen? Let us know in the comments on the show notes for this week.

• What are the best examples of Yes' audacity from the past 50+ years?
• Innovation or excess?
• Would you have chosen the same examples as us?

This week we have a bumper, epic episode where Simon Barrow, Mark and I discuss AI and its impact, in the context of Yes music, of course. My daughter, Charlotte, also gives us her thoughts on the subject so many thanks to her. This topic was suggested by the appearance on YouTube of an album entitled ‘YEP – On The Waterline (70’s Prog Rock / Progressive Rock)’ as spotted by Charlie Nolan.

• Should AI be used in music?
• What impact could it have?
• What about the future for Yes and all other music artists?

See if you agree with us and let us know by leaving a comment below.

Let us know if you agree with us!

Produced by Joseph Cottrell, Wayne Hall, Ken Fuller and Jeffrey Crecelius

It’s already been 3 years since Alan White died. To mark the sad anniversary, Mark and I discussed the iconic drummer’s adaptability this week. We each chose 3 different examples of his playing to highlight different aspects of his musical character. In addition, 4 YMP Patrons gave us comments to read out - Jon Pickles, Ronnie Neeley, Doug Curran, and Fred Barringer. It was very enjoyable to think about Alan but also, of course, a somewhat mournful process. Do add your own memories of Alan to the show notes for this week.

• Which songs did we choose?
• Was Alan 'just' a drummer?
• What were Alan's special skills?

Unbelievably, it’s already 10 years since we lost Chris Squire. Tempus Fugit, but this time not in a good way. To mark this sad milestone, Prog Magazine has included 2 large articles about Chris in the latest issue, number 160. The person charged with writing the main piece was friend of the YMP, Stephen Lambe. Mark and I spoke to him this week about the greatest bassist the world has ever seen, the irreplaceable Christopher Russell Edward Squire (4 March 1948 – 27 June 2015).

Mark and I really enjoyed discussing what Yes virtuosity means to us with the help of YMP Patrons Brian Harris, Michael OConnor, HB Pettersen, Jon Pickles, Dave Owen, Gary Betts, Mark Slater and Ronnie Neeley this week. Can you guess what we all chose for our examples of Yes virtuosity? You might be surprised, as Mark and I were.

There were some common themes that emerged which is always encouraging because it means we are not on our own in our thoughts about the band. 

So thank you to all those Patrons but do have your own say by adding a comment to the show notes for this week.