<p>Zohra Atash is a singer, songwriter and musician whose projects include <a href="https://azarswan.bandcamp.com/">Azar Swan</a> and <a href= "http://religioustodamn.tumblr.com/">Religious to Damn</a>. She is also an irregular columnist at <a href= "slutist.com">Slutist</a>. Looker and Lamar talk with Zohra about her Afghani family's turbulent story, her rich perspectives on various vocal techniques from around the world, and the importance of discipline, and craft.</p>

Zohra Atash is a singer, songwriter and musician whose projects include Azar Swan and Religious to Damn. She is also an irregular columnist at Slutist. Looker and Lamar talk with Zohra about her Afghani family's turbulent story, her rich perspectives on various vocal techniques from around the world, and the importance of discipline, and craft.

<p>Zohra Atash is a singer, songwriter and musician whose projects include <a href="https://azarswan.bandcamp.com/" rel="noopener noreferrer">Azar Swan</a> and <a href="http://religioustodamn.tumblr.com/" rel="noopener noreferrer">Religious to Damn</a>. She is also an irregular columnist at <a href="slutist.com" rel="noopener noreferrer">Slutist</a>. Looker and Lamar talk with Zohra about her Afghani family's turbulent story, her rich perspectives on various vocal techniques from around the world, and the importance of discipline, and craft.</p>

Zohra Atash

Fluid Exchange is a series of conversations hosted by Charlie Looker and M. Lamar with culture makers from the worlds of music and art. Looker and Lamar begin this first season drawing from their vast connections from touring and performing music internationally. They seek conversations that offer insight into the political and cultural context in which people are making art, music, events or parties. We are especially interested in what subculture means in the digital age.

M. Lamar is a composer who works across opera, metal, performance, video, sculpture and installation to craft sprawling narratives of radical becomings. Lamar holds a BFA from The San Francisco Art Institute and attended the Yale School of Art, sculpture program, before dropping out to pursue music. Lamar's work has been presented internationally, most recently at Old First Church San Francisco,The Meet Factory in Prague, The Metropolitan Museum of Art New York, National Sawdust New York, The Kitchen New York, MoMa PS1's Greater New York, Merkin Hall among other venues. 

Charles A. Looker has been active in underground music circles for the past decade as a composer, vocalist, guitarist and keyboardist. His music brings together diverse influences and styles including metal, pop, industrial, early music, experimental and classical composition. Born and based in New York City, he has received commissions from various ensembles, however most of his output has been with his own bands.

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Fluid Exchange is a series of conversations hosted by Charlie Looker and M. Lamar with culture makers from the worlds of music and art. Looker and Lamar begin this first season drawing from their vast connections from touring and performing music internationally. They seek conversations that offer insight into the political and cultural context in which people are making art, music, events or parties. We are especially interested in what subculture means in the digital age. M. Lamar is a composer who works across opera, metal, performance, video, sculpture and installation to craft sprawling narratives of radical becomings. Lamar holds a BFA from The San Francisco Art Institute and attended the Yale School of Art, sculpture program, before dropping out to pursue music. Lamar's work has been presented internationally, most recently at Old First Church San Francisco,The Meet Factory in Prague, The Metropolitan Museum of Art New York, National Sawdust New York, The Kitchen New York, MoMa PS1's Greater New York, Merkin Hall among other venues. Charles A. Looker has been active in underground music circles for the past decade as a composer, vocalist, guitarist and keyboardist. His music brings together diverse influences and styles including metal, pop, industrial, early music, experimental and classical composition. Born and based in New York City, he has received commissions from various ensembles, however most of his output has been with his own bands.

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Zohra Atash

Zohra Atash