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*Slaps with t-bone steak*
ITS SO NICE TO MEAT YOU.
Get outta my peripheral;
I told you— I'm an alien!
Go somewhere I can't see you
(So I can keep invading)
We came in peace—
—until we realized you don't have it here
Get out of my peripheral
I don't want to see you
So what if it's over
Better not hover
Over me
Like a helicopter
Like a helicopter
Now the (t)rain comes
With a rumble
Here we all are
In the jungle
As we all were
Always
I saw you
Calling
I never wonder
When the world is under water
Cause it all just starts again;
The wars and all the murder
All you are was
Just a part of
This maginificent disaster
I'm gonna go for dinner;
Maybe I can call you after
She left
Makeup and hair color on the pillowcases
But no lipstick
—Just a reminder
I don't give a shit
About your girlfriend;
Better do the laundry after
If you're smarter
Than I was
Cause I walk
Home alone
And there you are
Holding her
Lights on;
Knock my lights out
I'll be right back—
But that was about a half-hour or so, ago and now I'm
About to black out
A night owl,
Or white owl,
Who cried out
“No, this is my house!—
Either sit down, or get out of it”
And that was the—
Fuck this bitch.
Who hired her?
You'll stay in this room with the subject for up to three months;
—okay.
Record everything.
Isn't this illegal?
Not for us.
Okay.
There's something you should know about before I tell you think.
I have to know something before you tel me something?
It's like a precursor.
What's a “precursor”
Fuck.
What:
Nothing.
What is it.
It's—nothing—
You can't just say “fuxk”
“FUCK.”
UGH.
If I fall,
The whole house will fall down with me;
I promise
The whole house and all the walls,
If I fall,
If I fall for you
I promise,
If it goes all wrong,
I won't wait long for you;
I'd ask the same, that is,
If the game we're playing
Was all the same,
But it isn't
(It really isn't)
It really isn't—
Another circumstance of wisdom
Or conincidental t-shirt to believe in
God makes guesses at the aftersoutht androgynous.
We could make love for hours in the silence
But I'd have to wander off, when morning comes
Before you recon you don't want me
And I'm sad and always wondering
“If I had left witha my stuff before the Sun came up,
Would I be struggling and suffering?”
No, probably not.
Probably not, huh
I promise
Rich and shameless,
I probably shouldn't say this,
But I've been drinking;
I've been thinking
I've been sinking into feelings
I don't need,
But actually
—
Look at me when I'm bleeding for you
Look at me!
Look at me, into my dreams when you leave me
Waking up lonely
Thinking of only
You
Until I remember
I'm here
And you're there
With her
Watch me while I whiter away,
I'll watch you while you slither up my leg
And bite my thigh
Just how I like it
Now I'm high again on dying
It ain't right,
But fuck,
I like it
Fuck me like you mean it
Fuck me right
Ugh. What.
Okay, I secretly might break my veganism streak
Just for a fresh ass strawberry frosty—
Like I need to lose another dollar,
Fuck it
That's it.
It's a sickness.
The ‘-complications.' mixtape compilation series which focuses its internal monologue on the ideology of exploratory existentialism, using simple and classic mixing techniques into smooth transitions which mirror synconocities in time, musical elements, and lyricism to illustrate a vortex of collisions in cosmic omniscience, theming its recurring dominant soundscapes into a singular foundational focal point, and centering its multidimensionality into a gripping pull to return its emphasis on reflecting at checkpoints as if to reiterate a greater hidden meaning; the highs and lows of falling in love, it's consequences, long days and nights, missed connections, lost and unrequited love—capturing overall the rock and roll darkness of the neo-moden dance music scene—moving about from world to world—night after night, song after song—bodies on bodies and the escapism of rave and dance floor culture, connected through the pulsating and throbbing heartbeats bridged by light waves, and spread across neon skies across the globe.
Featuring dearly beloved hit and dance classics alike from global and legendary super-artists and masters of the dance floor, deadmau5, Kaskade, kx5, Skrillex, Fred Again.., Claptone, and more—featuring new music by and mixed with heart & soul by underground swamp creature and ancient rave God ‘- Ū.' as she explores the outer realms of dance music pre-and-post existence in the guttural haze of the afterlife.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.
*Slaps with t-bone steak*
ITS SO NICE TO MEAT YOU.
Get outta my peripheral;
I told you— I'm an alien!
Go somewhere I can't see you
(So I can keep invading)
We came in peace—
—until we realized you don't have it here
Get out of my peripheral
I don't want to see you
So what if it's over
Better not hover
Over me
Like a helicopter
Like a helicopter
Now the (t)rain comes
With a rumble
Here we all are
In the jungle
As we all were
Always
I saw you
Calling
I never wonder
When the world is under water
Cause it all just starts again;
The wars and all the murder
All you are was
Just a part of
This maginificent disaster
I'm gonna go for dinner;
Maybe I can call you after
She left
Makeup and hair color on the pillowcases
But no lipstick
—Just a reminder
I don't give a shit
About your girlfriend;
Better do the laundry after
If you're smarter
Than I was
Cause I walk
Home alone
And there you are
Holding her
Lights on;
Knock my lights out
I'll be right back—
But that was about a half-hour or so, ago and now I'm
About to black out
A night owl,
Or white owl,
Who cried out
“No, this is my house!—
Either sit down, or get out of it”
And that was the—
Fuck this bitch.
Who hired her?
You'll stay in this room with the subject for up to three months;
—okay.
Record everything.
Isn't this illegal?
Not for us.
Okay.
There's something you should know about before I tell you think.
I have to know something before you tel me something?
It's like a precursor.
What's a “precursor”
Fuck.
What:
Nothing.
What is it.
It's—nothing—
You can't just say “fuxk”
“FUCK.”
UGH.
If I fall,
The whole house will fall down with me;
I promise
The whole house and all the walls,
If I fall,
If I fall for you
I promise,
If it goes all wrong,
I won't wait long for you;
I'd ask the same, that is,
If the game we're playing
Was all the same,
But it isn't
(It really isn't)
It really isn't—
Another circumstance of wisdom
Or conincidental t-shirt to believe in
God makes guesses at the aftersoutht androgynous.
We could make love for hours in the silence
But I'd have to wander off, when morning comes
Before you recon you don't want me
And I'm sad and always wondering
“If I had left witha my stuff before the Sun came up,
Would I be struggling and suffering?”
No, probably not.
Probably not, huh
I promise
Rich and shameless,
I probably shouldn't say this,
But I've been drinking;
I've been thinking
I've been sinking into feelings
I don't need,
But actually
—
Look at me when I'm bleeding for you
Look at me!
Look at me, into my dreams when you leave me
Waking up lonely
Thinking of only
You
Until I remember
I'm here
And you're there
With her
Watch me while I whiter away,
I'll watch you while you slither up my leg
And bite my thigh
Just how I like it
Now I'm high again on dying
It ain't right,
But fuck,
I like it
Fuck me like you mean it
Fuck me right
Ugh. What.
Okay, I secretly might break my veganism streak
Just for a fresh ass strawberry frosty—
Like I need to lose another dollar,
Fuck it
That's it.
It's a sickness.
The ‘-complications.' mixtape compilation series which focuses its internal monologue on the ideology of exploratory existentialism, using simple and classic mixing techniques into smooth transitions which mirror synconocities in time, musical elements, and lyricism to illustrate a vortex of collisions in cosmic omniscience, theming its recurring dominant soundscapes into a singular foundational focal point, and centering its multidimensionality into a gripping pull to return its emphasis on reflecting at checkpoints as if to reiterate a greater hidden meaning; the highs and lows of falling in love, it's consequences, long days and nights, missed connections, lost and unrequited love—capturing overall the rock and roll darkness of the neo-moden dance music scene—moving about from world to world—night after night, song after song—bodies on bodies and the escapism of rave and dance floor culture, connected through the pulsating and throbbing heartbeats bridged by light waves, and spread across neon skies across the globe.
Featuring dearly beloved hit and dance classics alike from global and legendary super-artists and masters of the dance floor, deadmau5, Kaskade, kx5, Skrillex, Fred Again.., Claptone, and more—featuring new music by and mixed with heart & soul by underground swamp creature and ancient rave God ‘- Ū.' as she explores the outer realms of dance music pre-and-post existence in the guttural haze of the afterlife.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2023
ALL RIGHTS RESERVED. ©
-U.