When writing prose from a third person (objective) point of view, what kind of techniques can you use to portray the subjective viewpoint of your characters? Cheryl and James explore this challenge, using Hugh Howey‘s hit thriller WOOL, along with HARRY POTTER, as fodder for the discussion. We’re glad to be back in action on […]

Filmmaker Jack Tomas joins James Monohan to discuss first person point of view techniques in screenwriting and film directing. Examples include Peep Show, the hit British comedy that employs only point of view perspectives. As an alternative to iTunes, you can listen right here: Direct Download Link for the episode More about this show, for […]

We talk about the pros and cons of writing from a first person point of view. Referenced writers include Woody Allen, Jonathan Ames, Jane Austen, Suzanne Collins, Larry David, Charlie Kaufman, Jaclyn Moriarty, Trent Reedy, David Sedaris, Francisco Stork, Lisa Yee, and more. Links: Cheryl Klein’s blog. James’ brainstorming app for writers, which just came […]

We discuss brainstorming Character Hooks – instantly intriguing character traits that are full of dramatic and/or comedic potential. When you read a book’s flap copy or see the trailer for a movie it’s not just the the plot conceit, world, tone, style, and the talent involved that makes you want pony up your hard-earned cash. […]

Matt Bird joins us again for a look at stories that have an ensemble cast of characters. We brainstorm how to go about generating multiple main characters, focused vs. unfocused ensemble stories, and polarized traits vs. full dimensionality. Plus, a digression into a racially-related subtopic helps make this the most controversial episode yet. See you […]