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In examining the making of the third version of Revolution (after Revolution 1 and Revolution 9), we talk to musician and composer Casey McAllister to consider the origins of the recording’s intro; author and producer Jerry Hammack fills us in on how The Beatles got that memorable guitar sound; and former New York Times music critic Allan Kozinn shows us how all three versions of Revolution taken together tell a particular kind of story.
By Jason Kruppa4.9
450450 ratings
In examining the making of the third version of Revolution (after Revolution 1 and Revolution 9), we talk to musician and composer Casey McAllister to consider the origins of the recording’s intro; author and producer Jerry Hammack fills us in on how The Beatles got that memorable guitar sound; and former New York Times music critic Allan Kozinn shows us how all three versions of Revolution taken together tell a particular kind of story.

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