There is something both immediately recognizable and yet completely original in the paintings of Icelandic-born, Chicago-based artist, Baldur Helgason. For us at Juxtapoz, it's a classic style and such a fascinating new tale to tell in the world of contemporary art. Part comics but also deeply personal, Baldur is part of a new generation of painters who are both satirist and fine artists, what we noted in a feature last year as " sardonic references to modern life with both humor and a haunting hit of foreboding."

But what we learn in episode 056 of the Radio Juxtapoz podcast is how Baldur has broken tradition with the more landscape, ethereal and abstract work of Icelandic painters before him into fresh new territory that combines his childhood and his formative years in San Francisco as an art student and now Chicago-based painter. The last few years have been successful; just this year he has had solo shows in Los Angeles, Iceland and now, currently, in London at Ramp Gallery. We asked about how figurative works fit into the Icelandic art historical lexicon (yes, we asked about trolls), but also how a tiny island country has been able to support and nurture such talent with such a small population. Iceland is, indeed, a special place.

We also spoke to Baldur about how San Francisco shaped him, how COVID and being stuck inside changed his muse (its now his wife) and why he is heading back to Iceland for the foreseeable future. In a year of transitions, Baldur is making one of the biggest moves of all.

The Radio Juxtapoz podcast is hosted by FIFTH WALL TV's Doug Gillen and Juxtapoz editor, Evan Pricco. Episode 056 was recorded via Skype from Chicago, San Francisco, London, October 20, 2020. Follow Baldur at @baldur_helgason. His solo show, Assortments, is on view at Ramp Gallery in London through November 22, 2020.