Given that this week’s program features a selection from Jerome Cooper’s 1979 one-man percussion opus ‘The Unpredictability Of Predictability’, I asked my producer to arrange for an interview with an expert on private press recordings. Trouble is, he misheard me and thought I said PRIMATE PRESS and instead called the Kyoto University Press Tour who hooked him up with the Primate Research Institute of Kyoto University’s Mr. Wack Wack (above), who proceeded to destroy my studio after being offered Ozarka bottled water instead of Fiji. So if there’s a few technical issues during the program (sounds of people screaming, me trying to apply a tourniquet to my left leg while back announcing private press recordings, etc.) you’re just gonna have to bear with me. The show must go on (though no one seems to know why)