Bertrand Tavernier builds a lushly realized foundation around which to topple the poisonous heart of European colonialism.  Whether our hapless police chief chooses deliberate inaction, working towards everyone’s best interests, or succumbing to his own selfish impulses, everything and everyone around him rots due to the fundamental moral corruption of racism.  But, like, its a comedy.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Akira Kurosawa’s High and Low (1963).