This week, we are honored to welcome Australian filmmaker Jennifer Kent to the podcast as we discuss Peter Weir's devastating classic Gallipoli. In addition to bringing much needed context on the history of Australian cinema, this episode also delves into the significance of the Gallipoli Campaign in the Aussie national consciousness, the undersung career of actor Mark Lee, and the genius of Peter Weir's approach to telling this story. Plus, we get to ask Jennifer about her role in Babe: Pig in the City AND we ask her to tell her buddy Justin Kurzel how much Ben loves his Assassin's Creed movie.

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Peter Weir's follow up to Picnic at Hanging Rock - 1978's The Last Wave - deals with similar themes, with colonialism butting against the wild mysticism of Australia's land and people. However, this time...it's WET AS HELL. BenDavid Grabinski - the filmmaker behind the upcoming Mike & Nick & Nick & Alice - joins us to talk about this beguiling film, apocalyptic thinking, Richard Chamberlain's status as the king of TV miniseries, and Tom Shadyac's Dragonfly, weirdly enough.

Watch BenDavid's new movie Mike & Nick & Nick & Alice

If you're in New York, be sure to go to Sunken Harbor Club or Nitehawk Trivia

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It’s Critical Darlings’ biggest morning! After a marathon season, we react to this year’s Academy Awards: the winners, losers, presenters, performances, and awkward play-offs.

One Battle After Another and Sinners nearly split the ballot with One Battle and Paul Thomas Anderson taking the biggest prizes in Best Director and Best Picture, while Sinners took home Best Actor, Score, Adapted Screenplay, and Cinematography. But for as many questions as the ceremony answered, it raised more: Do Sinners and Amy Madigan’s wins signal a shift in how the Academy sees horror? What exactly is the Best Casting Oscar tracking? Are we now doomed to see Timmy eat a raw elk in an Iñárritu film?

As part of this special episode, we also check in with Critical Darlings fashion correspondent Ben “The Other Ben” Hosley on this year's Oscars fashion, review the best popcorn buckets of the year with Vulture’s Rebecca Alter, and reveal the future of Critical Darlings. 

✨Subscribe to our new feed in your podcast player of choice, and join us next week for Project Hail Mary!✨

Apple Podcasts: https://podcasts.apple.com/us/podcast/critical-darlings/id1885681327Spotify: https://open.spotify.com/show/60n6Z9BUUMUR81CQoHbE8bPocket Casts: https://pca.st/1beh8dxu
Amazon Music: https://music.amazon.com/podcasts/a3598b5c-6f4a-4819-9457-44082cfea1fc/critical-darlings

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On St. Valentine's Day in 1900, a group of podcasters set out to record an episode about Peter Weir's Picnic At Hanging Rock. Some were never to return...because they got addicted to the calming sounds of pan flute! Filmmaker Jane Schoenbrun joins us to chat about this 1975 classic of Australian cinema, and we're getting into the eerie qualities that make this film such an enduring mystery. From Rachel Roberts' wig drama to frame rate manipulation...from the Aboriginal concept of "dream time" to the casting of actual private school girls...there's much to unpack. But don't worry, we also spend a lot of time discussing The Grabber from The Black Phone 2.

Check out Jane's Dream Film Syllabus

Watch the Virgin Suicides Zoom Reunion

Read Australian Gothic: Peter Weir’s ‘Picnic at Hanging Rock’ at 50 by Tim Pelan

Check out Jane's Sully Tumblr

Pre-Order Jane's Book Public Access Afterworld

Pan flute accompaniment composed and performed by Alex Mitchell

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What time is it? It’s time to study the revolutionary texts with David “Rocketman” Sims! On our last episode before The Oscars, we’re talking about One Battle After Another, Paul Thomas Anderson’s epic about parental legacy, revolutionary identity, and a dad trying to charge his Goddamn phone. 
But first we reflect on the influx of last-minute Oscar narratives, before getting into One Battle After Another’s plot and politics, sidebar on Leonardo DiCaprio’s legacy at the Oscars, and finally give our official Critical Darlings Oscar Predictions for Sunday’s ceremony. Read more about Richard’s predictions at Premiere Party, See you on the other side!

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Bonjour! Erm...we mean...G'day mates! Our Peter Weir series PODNIC AT HANGING CAST kicks off with Weir's 1974 feature debut The Cars That Ate Paris, a film about the guy who plays Napoleon in the Bill & Ted movies getting stranded in a quirky and murderous Australian town. We're getting into the origins of the Australian New Wave, the various "calling card" projects that Weir made in the beginning of his career, and this film's spiky car which Ben has a lot of affection for, obviously.

Check out the Steve Martin Cold Open - Saturday Night Live

Listen to Griff on Comedy Bang!Bang!

Check out Dirty Laundry on Dropout

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This week we’re joined by Sam Sanders of The Sam Sanders Show to discuss Sinners, the most nominated film in Academy Awards history. With sixteen nominations across directing, writing, music, and acting categories, Sinners is a somewhat surprising record breaker, as genre films, especially films with horror elements, are rarely awarded by The Academy. 

On this episode we discuss the film, why it was able to break through, if Sinners counts as a genre film; and if so, what genre it represents. We also get into what effect the Warner Bros. Paramount merger might have on the Oscars, the film’s blunt sexuality, Michael B. Jordan’s double act, and what to make of the film's coda. Finally, Sam makes an impassioned case for Sung Song Blue and Kate Hudson’s nominated performance. 

Check out Sam’s interviews with Kate Hudson, as well as some of the cast and crew of Sinners on The Sam Sanders Show.

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Live from our windowless studio in Downtown Brooklyn, it's the 11th Annual Blankies! Joe Reid joins us once again to give out golden Wattos to our favorite films, performances, and craftspeople of the year. Some of our picks are certainly part of the greater award season conversation. Others are Materialists. Join us as we honor the best Putters and Murmurs, the Wettest flicks of the year, and as Griffin debuts his latest Billy Crystal opening showtune.

Listen to This Had Oscar Buzz

Watch Igby Goes Down

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This week we’re in hygge mode, uncovering traumas in our generational home with the host of This Had Oscar Buzz, Joe Reid! One of the breakout Oscar films of the year is Joachim Trier’s Sentimental Value, a warm, realist Norwegian film about a difficult but brilliant director (Stellan Skarsgard), his two daughters (Renate Reinsve and Inga Ibsdotter Lilleaas), and an American actress cast in the auteur’s new film (Elle Fanning). All four performances earned Oscar nominations, along with nominations for Best Picture, Best International Feature, Best Film Editing, and Best Original Screenplay.

Sentimental Value also highlights a recurring phenomenon in Hollywood, wherein the Academy will pass over a director’s breakout film but shower the follow-up with nominations. In Trier’s case, his previous film The Worst Person in the World received nominations for Best International Film and Original Screenplay but, in our opinion, deserved many more. We try to break down how and why this happens, whether films about filmmaking have an innate appeal to Oscar voters, how Fanning’s star power helps bridge the international gap for voters, and the film itself, including its deft intermingling of artistic expression and sublimated generational trauma. 

With Joe's guidance, we also check in on some of the Oscar-buzziest films of the year that didn't pan out, check in on the state of the acting category race and some potential upsets, and celebrate The Secret Agent's breakout star Tânia Maria and her new role as Burger King spokeswoman.

Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won’t want to miss out on.

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Our Lynne Ramsay series comes to a close with last year's Die My Love, which brings us to the realization - damn, have we really never talked about Jennifer Lawrence before? Join us and Vulture's Alison Willmore as we do a full career deep-dive on J.Law, and grapple with this film and Mubi's decision to purchase it out of Cannes for a buttload of money.

Read the NY Mag profile of Darren Aronofsky from 2017

Read Alison's work at Vulture

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