This week the question is asked: does having had read The Deadly Percheron enhance the viewing experience of this grimy, English, 80s neo-noir about sex work, blackmail, and unrequited love?  It turns out that this doesn’t really matter, because… Bob Hoskins.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Kiyoshi Kurusawa’s Cure (1997).