Is all designers really just for designers?
Subscribe: ITUNES | ANDROID | STITCHER | RSS FEED
Music and links from this episode
Outsiders in Nome by Mystery Mammal
Route of the Old West Convicts by Fields Ohio
Arrythmia/ a lost battalion of conversationalists jumping down the stoops off fire escapes off Empire State out of the moon into vacant Ohio factories by The Fucked Up Beat
Line-by-line notes
You've already seen the title of this episode
Design isn't for designers
It's a controversial viewpoint
And one I want to explore in a little more depth
Designers deep down know that design not only isn't for designers
It SHOULDN'T be for designers
But still, we design things that only designers would get
This is AADA, and I’m Craig Burgess
MUSIC
As I said
I'm presenting a controversial topic
I think lots of designers will see this episode and think
Well, I don't design things for designers
But, I think you're wrong
Often we all design clever logos
Clever websites or clever bits of design
And all that stuff, the majority of it only designers will get or appreciate
Take the classic example, the FedEx logo
How many times have you explained this logo to a non designer to show how clever and deep design can be?
Non designers don't look at things like we do
They don't look at the leading of a paragraph
Or the kerning in a word
They don't look at something and think it could have done with more space
Or the colours are wrong
Or even that the apostrophe is used incorrectly
These are all things we care about as designers
And rightly so, of course rightly so
But the point I'm getting to
Is that lots of this extra detail
Beyond the stuff like proper spacing, leading and kerning
Is all stuff a non designer won't even comprehend
So why do we bother?
If 90% of the intended target audience won't get that clever thing you did with that logo,
Why did you bother?
Now this is as much of a question directed at myself as it is at you
Designers bother with those extra bits for lots of reasons
But the main reason I think is pride
It's my job as a designer to do the best job I can possibly do
And that often means going far and above what a normal person would to care about something that most people won't see or even appreciate
It's a little bit like Steve Job's stories about his dad, Paul Jobs
He tells stories of his dad being a craftsman. And having the ability to make anything
But no matter what he made, he never cut any corners
Even when he made a chest of drawers, he refused to use a poorer quality wood for the back of the drawers that nobody would ever see
And he'd always pay as much attention to the back of a fence as he did the front, the bit that most people would see
That's a desire to do a good job
It's a pride in your work
And that's why designers do what they do, and why I do what I do
It's why most of my work never gets seen by anybody,
And why I draw 300 logos in my sketchbook before I even get to a computer
Designing those little bits for designers is exactly the same thing
It's build in little Easter eggs into my design work, especially branding and logo work
It's something fun to discover
And it's like painting the back of a cabinet
Most people will never ever see it
But that's ok, im cool with that
I do it for that one person
That one person who stumbles across that little nice touch
And when they spot it
They smile
And they feel a little bit warm inside
Because they discovered something most people won't discover.
That's what those extras are for
And I live for those
MUSIC
This was AADA and I'm Craig Burgess
Music featured in this episode was
Outsiders in Nome by Mystery Mammal
Route of the Old West Convicts by Fields Ohio
Arrythmia/ a lost battalion of conversationalists jumping down the stoops off fire escapes off Empire State out of the moon into vacant Ohio factories by The Fucked Up Beat
For a line by line rundown... /ep131
If you want more...