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This week, we discuss Rosemary’s Baby, the 1968 horror classic that turned pregnancy into psychological nightmare fuel. We unpack gaslighting husbands, demonic covens, and the claustrophobia of a New York apartment with a high incidence of unfortunate happenings. Rosemary and her husband Guy move into a grand old New York apartment, despite eerie warnings and a mysteriously blocked closet and when they meet their eccentric neighbours, things turn sinister. We'll discuss topics such as the film’s sound design, use of colour (yellow), 1960s gender politics, and reveal how Rosemary’s Baby captures both supernatural and all-too-real horrors: isolation, gaslighting, and the weaponisation of female hysteria.
Along the way, we talk Mia Farrow’s wide-eyed innocence, the garish glory of Minnie Castevet’s coconut cake hat and make-up, Polanski’s problematic legacy and whether you can separate art from the artist, and how much an apartment in the Dakota really costs.
Spoiler + Content Warning:
We spoil the plot of Rosemary’s Baby (1968).
Discussions of marital rape, coercive control, gaslighting, manipulation, and assault, suicide, pregnancy, child loss, and labour trauma, murder, and satanic ritual. We also discuss director Roman Polanski’s history of sexual abuse, including the rape of a minor.
Palate Cleanser:
Need a breather after all that satanic motherhood and 1960s misogyny? Try these:
Recommendations:
Homework
Next episode, a Halloween bonus: Scream (1996) – because after all that satanic trauma, we deserve some self-aware slashers. Then The Vanishing at the Cecil Hotel, the haunting death of Elisa Lam and the cursed Los Angeles hotel.
Follow, review, share, and send your own horror recs to [email protected]. And remember—if your neighbour brings you chocolate mousse, maybe skip dessert.
Special thanks to Nancy Azano for our cover art (Instagram: @nancyazano) and to Harry Kidd for our opening score (Instagram:
By CarolanneSend us a text
This week, we discuss Rosemary’s Baby, the 1968 horror classic that turned pregnancy into psychological nightmare fuel. We unpack gaslighting husbands, demonic covens, and the claustrophobia of a New York apartment with a high incidence of unfortunate happenings. Rosemary and her husband Guy move into a grand old New York apartment, despite eerie warnings and a mysteriously blocked closet and when they meet their eccentric neighbours, things turn sinister. We'll discuss topics such as the film’s sound design, use of colour (yellow), 1960s gender politics, and reveal how Rosemary’s Baby captures both supernatural and all-too-real horrors: isolation, gaslighting, and the weaponisation of female hysteria.
Along the way, we talk Mia Farrow’s wide-eyed innocence, the garish glory of Minnie Castevet’s coconut cake hat and make-up, Polanski’s problematic legacy and whether you can separate art from the artist, and how much an apartment in the Dakota really costs.
Spoiler + Content Warning:
We spoil the plot of Rosemary’s Baby (1968).
Discussions of marital rape, coercive control, gaslighting, manipulation, and assault, suicide, pregnancy, child loss, and labour trauma, murder, and satanic ritual. We also discuss director Roman Polanski’s history of sexual abuse, including the rape of a minor.
Palate Cleanser:
Need a breather after all that satanic motherhood and 1960s misogyny? Try these:
Recommendations:
Homework
Next episode, a Halloween bonus: Scream (1996) – because after all that satanic trauma, we deserve some self-aware slashers. Then The Vanishing at the Cecil Hotel, the haunting death of Elisa Lam and the cursed Los Angeles hotel.
Follow, review, share, and send your own horror recs to [email protected]. And remember—if your neighbour brings you chocolate mousse, maybe skip dessert.
Special thanks to Nancy Azano for our cover art (Instagram: @nancyazano) and to Harry Kidd for our opening score (Instagram: