After he named names for HUAC, Elia Kazan made a movie about an informer. We watched ON THE WATERFRONT (1954), one of the great American films by the most famous American rat, and discuss its personal meaning for Kazan, and the historical context behind its powerful depiction of working-class New York. PLUS: a free-flowing discussion of celebrity and politics.

"Revisiting On the Waterfront" by Kathy M. Newman - https://www.jacobinmag.com/2014/07/revisiting-on-the-waterfront/