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A piece of music is often laid out like a poem or a story. The sentences and paragraphs can be likened to motives and phases. The punctuations and ends of these thoughts can be likened to the cadences. Some ask questions. Some answer the questions. Some give you the answers you expect. Some deceive your expectations. The many available combinations of chord progressions can determine how this all pans out. This episode will cover the six most common types of cadences: perfect authentic, imperfect authentic, half, Phrygian half, deceptive and plagal.
By Jeremy Burns, Matthew Scott Phillips4.7
253253 ratings
A piece of music is often laid out like a poem or a story. The sentences and paragraphs can be likened to motives and phases. The punctuations and ends of these thoughts can be likened to the cadences. Some ask questions. Some answer the questions. Some give you the answers you expect. Some deceive your expectations. The many available combinations of chord progressions can determine how this all pans out. This episode will cover the six most common types of cadences: perfect authentic, imperfect authentic, half, Phrygian half, deceptive and plagal.

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