In this week's Gramophone Podcast, the conductor Ian Page joins Editor Martin Cullingford to talk about the music of the 18th-century composer Gluck, setting him in the context of musical developments of his time. The conversation marks the release of the new album from his ensemble The Mozartists - a recording of arias from Gluck operas, sung by Ann Hallenberg, and newly released on Signum Classics.

In this week's Gramophone Podcast, cellist Anastasia Kobekina talks about her new recording of one of the most revered series of works for her instrument - Bach's Solo Cello Suites. While the album isn't released by Sony Classical until next Friday (September 26), three movements are already available as singles, and in this side ranging conversation with Editor Martin Cullingford Kobekina talks about interpreting music from the Baroque through to the present day. 

The Gramophone Podcast will now be included in The British Library Sound Archive, catalogued and preserved for future generations as part of the nation's audio and cultural heritage.

Gramophone Magazine is a leading monthly publication for classical music, offering expert reviews, in-depth interviews, and industry insights. Available in print and online, it connects enthusiasts with the best recordings, artists, and trends in classical music worldwide.

One of the most-performed composers of our time, Sir John Rutter, celebrates his 80th birthday on September 24. To mark the occasion Harmonia Mundi has released an album of his choral music sung by the Choir of Clare College, Cambridge, directed by Graham Ross – ‘John Rutter: A Clare College Celebration’. And next week Decca releases an all-orchestral collection, ‘Reflections’, that includes a performance of Rutter’s piano concerto, which gives the album its title. Rutter himself conducts the Royal Philharmonic Orchestra with Steven Osborne the piano soloist.

James Jolly went to visit Sir John at his home to talk about the new releases but also reflect on his long association with Clare College, and much else.

Soprano Rowan Pierce joins Jonathan Whiting to reflect on the intimacy of making chamber-scale Baroque music without a conductor, the challenges of Bach’s expansive recitatives, and the almost operatic drama of Handel’s 'Tra le fiamme'. She also speaks about her long collaboration with Ashley Solomon, the ensemble’s director, and about finding new colours and meaning in these works – music that, though written three centuries ago, resonates with striking relevance today.

We were also incredibly honoured to recently learn that the Gramophone Magazine Podcast will now be included in The British Library Sound Archive, catalogued and preserved for future generations as part of the nation’s audio and cultural heritage.

To hear other Gramophone podcasts, or to subscribe for free to new editions, search for 'Gramophone' in your Podcast App of choice, or visit Gramophone's page on Apple or Spotify.

Composer jake Heggie joins Hattie Butterworth to speak about the recording release of ‘Intelligence’, an opera premiered at Houston Grand Opera in 2023 and out now on the LSO Live label. They also look back on 25 years since Heggie’s first opera ‘Dead Man Walking’ was premiered and ahead to a new production of the work at English National Opera in November

During the 2024-25 season, Alisa Weilerstein premiered three new cello concertos – Richard Blackford’s The Recovery of Paradise (which she has recorded for Pentatone with the Czech Philharmonic conducted by Tomáš Netopil), Gabriela Ortiz’s Dzonot (recorded for Platoon with the Los Angeles Philharmonic and Gustavo Dudamel) and Thomas Larcher’s Returning into Darkness (premiered with the New York Philharmonic).

James Jolly caught up with Alisa to talk about the two new recordings and also hear about her Fragments project that she’s bringing to London as part of a South Bank Centre residency later this year.

The Gramophone Podcast will now be included in The British Library Sound Archive, catalogued and preserved for future generations as part of the nation's audio and cultural heritage.

Joel and Camden from the Dover Quartet meet Hattie Butterworth in Philadelphia to discuss their latest album, Woodland Songs, which places the music of Jerod Impichchaachaaha' Tate and Pura Fé alongside the Dvorak 'American' String Quartet in F Major. Though vastly different works  in style, expression, and historical context, they share the common influence of music native to North America.

The mandolin player Avi Avital, with his ensemble Between Worlds, has just released a new DG album ‘Song of the Birds’ which crosses boundaries to explore the musics of three geographical regions – Iberia, southern Italy (Puglia) and the Black Sea – with vivid results. For this week’s Gramophone Podcast, James Jolly caught up Avi Avital while he was on tour in Northern Germany to talk about the new album.

Join Hattie at the 2025 Three Choirs Festival in Hereford as she speaks to performers, composers, clergy and audience members to discover what makes the festival such a place of pilgrimage 300 years since its foundation

Guy Johnston joins Hattie Butterworth to discuss his latest recording of the Arthur Bliss Cello Concerto with Andrew Manze and the Royal Liverpool Philharmonic Orchestra.

A technical mine field, the concerto was written for the great cellist Rostropovich and premiered with Benjamin Britten conducting at the 1970 Aldeburgh Festival. Guy also speaks about his dedication to pedagogy and gives details of more upcoming English cello recordings he has in the pipeline.