Joel and Camden from the Dover Quartet meet Hattie Butterworth in Philadelphia to discuss their latest album, Woodland Songs, which places the music of Jerod Impichchaachaaha' Tate and Pura Fé alongside the Dvorak 'American' String Quartet in F Major. Though vastly different works  in style, expression, and historical context, they share the common influence of music native to North America.

The mandolin player Avi Avital, with his ensemble Between Worlds, has just released a new DG album ‘Song of the Birds’ which crosses boundaries to explore the musics of three geographical regions – Iberia, southern Italy (Puglia) and the Black Sea – with vivid results. For this week’s Gramophone Podcast, James Jolly caught up Avi Avital while he was on tour in Northern Germany to talk about the new album.

Join Hattie at the 2025 Three Choirs Festival in Hereford as she speaks to performers, composers, clergy and audience members to discover what makes the festival such a place of pilgrimage 300 years since its foundation

Guy Johnston joins Hattie Butterworth to discuss his latest recording of the Arthur Bliss Cello Concerto with Andrew Manze and the Royal Liverpool Philharmonic Orchestra.

A technical mine field, the concerto was written for the great cellist Rostropovich and premiered with Benjamin Britten conducting at the 1970 Aldeburgh Festival. Guy also speaks about his dedication to pedagogy and gives details of more upcoming English cello recordings he has in the pipeline.

As the 2025 BBC Proms season gets underway, Martin Cullingford is joined by Tim Parry and Hattie Butterworth select their top picks. From Rachmaninov with Yunchan Lim and the UK premiere of Anna Thorvaldsdottir’s Cello Concerto to a late-night tribute to Arvo Pärt and a rare performance of Delius’s A Mass of Life, the team reflects on the Proms’s cultural significance, its breadth of programming, and the enduring tradition of live music at the Royal Albert Hall.

We're today continuing the theme set by last week's edition, in which we marked the 500th episode of the Gramophone Classical Music podcast by looking back over some of our most memorable interviews and episodes. The interview Editor Martin Cullingford chose to reflect on was a conversation he had with the guitarist Julian Bream all the way back in 2013, to mark his 80th birthday and also the fact that Gramophone had honoured him with our Lifetime Achievement Award. So here, for this week's podcast, we offer a retrospective edition - and a chance to hear at full length that earlier episode. 

Earlier this year the Gramophone Podcast passed 1 million downloads. Now we’ve reached another milestone: our 500th episode. Launched before podcasting’s current popularity, the series steadily built a following, which grew substantially once we adopted a weekly schedule and set formats.

Those formats include: interviews with major artists on new albums; in-depth composer discussions; reflections with senior musical figures; and conversations with a new generation of musicians rethinking the artist’s role today.

In a special celebratory edition, James Jolly, Martin Cullingford, Tim Parry and Hattie Butterworth each choose a standout: Julian Bream on a life in music; William Christie on Mondonville; Richard Wigmore on the enduring brilliance of Schubert and Fatma Said on collaboration.

Gramophone's Editor Martin Cullingford speaks to James Jolly about the 2025 Orchestra of the Year nominated orchestras, discussing the impact each of them has made to recordings and the wider musical landscape

To vote for Gramophone's Orchestra of the Year 2025, head to gramophone.co.uk/vote25

Conductor John Andrews joins Hattie Butterworth to speak about the debut recording of Sir Granville Bantock and Marjory Kennedy-Fraser’s folk opera, The Seal Woman. They explore the folk song collecting of Marjory Kennedy-Fraser, as well as Andrews’s commitment to uncovering lesser-known repertoire

Kitty Whately joins Hattie Butterworth to discuss her new album on Chandos with pianist Edwige Herchenroder​ titled Horizons: French Melodies. They also explore the historic erasure of women composers, as well as Kitty's ongoing advocacy and research