Milton wrote ‘Lycidas’ in 1637, at the age of 29, to commemorate the drowning of the poet Edward King. As well as a great pastoral elegy, it is a denunciation of the ecclesiastical condition of England and a rehearsal for Milton’s later role as a writer of national epic. In the first episode of their new series, Seamus and Mark discuss the political backdrop to the poem, Milton’s virtuosic mix of poetic tradition and innovation, and why such a fervent puritan would choose an unfashionable, pre-Christian form to honour his friend.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrld

In other podcast apps: https://lrb.me/closereadingsld

Read more in the LRB:

Colin Burrow (on the 'two-handed engine'):

https://www.lrb.co.uk/the-paper/v35/n05/colin-burrow/shall-i-go-on

Freya Johnston (on Samuel Johnson's criticism):

https://www.lrb.co.uk/the-paper/v46/n08/freya-johnston/own-your-ignorance

Maggie Kilgour (on the young Milton):

https://www.lrb.co.uk/the-paper/v43/n20/maggie-kilgour/pens-and-heads

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The Thousand and One Nights is an ‘infinite text’: it has no fixed shape or length, no known author and is transformed with each new translation. In this first episode of Fiction and the Fantastic, Marina Warner and Anna Della Subin explore two particularly mysterious stories in the context of the wider mysteries and pleasures of the Nights. ‘The Porter and the Three Ladies of Baghdad’ highlights the pleasures of dreaming, the power of language and the imagination’s essential role in eroticism, while ‘Abdullah of the Sea and Abdullah of the Land’ demonstrates how the fantastic can help us imagine new ways of living.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrff

In other podcast apps: https://lrb.me/closereadingsff

Further reading in the LRB:

Marina Warner: Travelling Text

https://www.lrb.co.uk/the-paper/v30/n24/marina-warner/travelling-text

Steven Connor: One’s Thousand One Nightiness

https://www.lrb.co.uk/the-paper/v34/n06/steven-connor/one-s-thousand-one-nightinesses

William Gass: A Book at Bedtime

https://www.lrb.co.uk/the-paper/v16/n21/william-gass/a-book-at-bedtime 

Marina Warner: ‘The Restless One’

https://www.lrb.co.uk/blog/2024/june/the-restless-one

NEXT EPISODE: ‘Gulliver’s Travels’ by Jonathan Swift, out on Monday 10 February.

Get the book: https://lrb.me/sealenightsff

Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.

Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.

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The series begins with Søren Kierkegaard’s Fear and Trembling (1843), an exploration of faith through the story of Abraham and Isaac. Like most of Kierkegaard’s published work, Fear and Trembling appeared under a pseudonym, Johannes de Silentio, and its playful relationship to the reader doesn’t stop there. Described as a ‘dialectical lyric’ on the title page, the book works through a variety of formats in its attempt to understand the nature of faith and the apparently unsolvable paradox that the father of the Abrahamic religions was prepared to murder his own son. James and Jonathan consider whether Kierkegaard thinks we can understand anything, and what Fear and Trembling has in common with the works of Dostoevsky and Kafka.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Further reading in the LRB:

Jonathan Rée: Dancing in the Service of Thought https://lrb.me/cipkierkegaard1

James Butler: Reading Genesis https://lrb.me/cipkierkegaard2

Roger Poole: A Walk with Kierkegaard https://lrb.me/cipkierkegaard3

Terry Eagleton: A Long Way from Galilee https://lrb.me/cipkierkegaard4

James Wood teaches literature at Harvard University and is a staff writer for The New Yorker as well as a contributor to the London Review of Books. His books include How Fiction Works, The Broken Estate and The Irresponsible Self.

Jonathan Rée is a frequent contributor to the London Review of Books and a freelance writer and philosopher. His most recent book on philosophy is Witcraft: The Invention of Philosophy in English.

NEXT EPISODE: 'The Essence of Christianity' by Ludwig Feuerbach, out on Monday 3 February.

LRB AUDIOBOOKS

Discover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:

https://lrb.me/audiobookscip

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Clare Bucknell and Thomas Jones introduce their new Close Readings series, Novel Approaches. Joined by a variety of contemporary novelists and critics, they'll be exploring a dozen 19th-century British novels from Mansfield Park to New Grub Street, paying particular (though not exclusive) attention to the themes of money and property.

The first episode will come out on Monday 27 January, on Austen’s Mansfield Park.

Clare Bucknell is a fellow of All Souls College, Oxford, and hosted the Close Readings series On Satire with Colin Burrow. The Treasuries, her social history of poetry anthologies, was published in 2023.

Thomas Jones is a senior editor at the LRB and host of the LRB Podcast. With Emily Wilson, he hosted the Close Readings series Among the Ancients.

The full list of texts for the series:

Mansfield Park (1814) by Jane Austen

Crotchet Castle (1831) by Thomas Love Peacock

Wuthering Heights (1847) by Emily Brontë

Vanity Fair (1847) by William Makepeace Thackeray

North and South (1854) by Elizabeth Gaskell

Aurora Leigh (1856) by Elizabeth Barrett Browning

Anthony Trollope (TBD)

Mill on the Floss (1860) by George Eliot

Our Mutual Friend (1864) by Charles Dickens

Washington Square (1880)/Portrait of a Lady (1881) by Henry James

Kidnapped (1886) by Robert Louis Stevenson

The Mayor of Casterbridge (1886) by Thomas Hardy

New Grub Street (1891) by George Gissing 

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Mark Ford and Seamus Perry introduce Love and Death, a new Close Readings series on elegy from the Renaissance to the present day. They discuss why the elegy can be a particularly energising form for poets engaging with their craft and the poetic tradition, and how elegy serves an important role in public grieving, remembering and healing.

The first episode will come out on Monday 20 January, on Milton's ‘Lycidas’.

Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.

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Marina Warner is joined by Anna Della Subin to introduce Fiction and the Fantastic, a new Close Readings series running through 2025. Marina describes the scope of the series, in which she will also be joined by Adam Thirlwell and Chloe Aridjis. Together, Anna Della and Marina discuss the ways the fiction of wonder and astonishment can challenge social conventions and open up new ways of living.

The first episode will come out on Monday 13 January, on The Thousand and One Nights.

Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.

Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.

Texts for the first four episodes:

The Thousand and One Nights (Yasmine Seale’s translation)

Jonathan Swift, Gulliver’s Travels

The Travels of Marco Polo (no particular translation) and Italo Calvino, Invisible Cities (William Weaver translation)

Lewis Carroll, Alice’s Adventures in Wonderland and Through the Looking-Glass

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James Wood and Jonathan Rée introduce their new Close Readings series, Conversations in Philosophy, running throughout 2025. They explain the title of the series and why they'll be challenging a hundred years of academic convention by reuniting the worlds of literature and philosophy.

The first episode will come out on Monday 6 January, on Kierkegaard's Fear and Trembling.

James Wood teaches literature at Harvard University and is a staff writer for The New Yorker as well as a contributor to the London Review of Books. His books include How Fiction Works, The Broken Estate and The Irresponsible Self.

Jonathan Rée is a frequent contributor to the London Review of Books and a freelance writer and philosopher. His most recent book on philosophy is Witcraft: The Invention of Philosophy in English.

The full list of texts for the series:

Søren Kierkegaard, Fear and Trembling

Ludwig Feuerbach, Essence of Christianity, translated by George Eliot

Ralph Waldo Emerson, ‘Circles’ and other essays

John Stuart Mill, An Autobiography

F.H. Bradley, ‘My station and its duties’

Friedrich Nietzsche, ‘Schopenhauer as Educator’

William James ‘The Will to Believe’

Martin Heidegger, ‘The Thing’

Jean-Paul Sartre, Theory of the Emotions

Simone de Beauvoir, Ethics of Ambiguity

Albert Camus, The Fall

Iris Murdoch, Sovereignty of Good 

Virginia Woolf, To the Lighthouse 

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In the final episode of Political Poems, Mark and Seamus discuss ‘Little Gidding’, the fourth poem of T.S. Eliot’s Four Quartets. Emerging out of Eliot’s experiences of the Blitz, ‘Little Gidding’ presents us with an apocalyptic vision of purifying fire. Suggesting that humanity can survive warfare only through renewed spiritual unity, Eliot finds a model in Little Gidding, a small village that for a time in the 17th century served as an Anglican commune before its closure under Puritan scrutiny. Mark and Seamus explore how Eliot’s poetics heighten our sense of the liminal and mystical, and how, by ‘scrambling our brains’, Eliot’s brilliant rhetoric subsumes his bizarre politics.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://apple.co/4dbjbjG

In other podcast apps: https://lrb.me/closereadings

Further reading in the LRB:

Frank Kermode: Disintegration

https://www.lrb.co.uk/the-paper/v16/n02/frank-kermode/disintegration

Helen Thaventhiran: Things Ill Done and Undone

https://www.lrb.co.uk/the-paper/v44/n17/helen-thaventhiran/things-ill-done-and-undone

Tobias Gregory: By All Possible Art

https://www.lrb.co.uk/the-paper/v36/n24/tobias-gregory/by-all-possible-art

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For their final conversation Among the Ancients, Emily Wilson and Thomas Jones turn to the contradictions of the Roman emperor and Stoic philosopher Marcus Aurelius. Said by Machiavelli to be the last of the ‘five good emperors’ who ruled Rome for most of the second century CE, Marcus oversaw devastating wars on the frontiers, a deadly plague and economic turmoil. The writings known in English as The Meditations, and in Latin as ‘to himself’, were composed in Greek in the last decade of Marcus’ life. They reveal the emperor’s preoccupations with illness, growing old, death and posthumous reputation, as he urges himself not to be troubled by such transient things.

Non-subscribers can hear the full version of this episode with ads. To listen ad-free and in full to other episodes of Among the Ancients II, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: https://apple.co/3pJoFPq

In other podcast apps: https://lrb.me/closereadings

Or purchase a gift subscription: https://lrb.me/audiogifts

Further reading in the LRB:

Mary Beard: Was he quite ordinary?

https://www.lrb.co.uk/the-paper/v31/n14/mary-beard/was-he-quite-ordinary

Emily Wilson: I have gorgeous hair

https://www.lrb.co.uk/the-paper/v45/n11/emily-wilson/i-have-gorgeous-hair

Shadi Bartsch: Dying to Make a Point

https://www.lrb.co.uk/the-paper/v29/n22/shadi-bartsch/dying-to-make-a-point

M.F. Burnyeat: Excuses for Madness

https://www.lrb.co.uk/the-paper/v24/n20/m.f.-burnyeat/excuses-for-madness

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For the final episode of their series in search of the medieval sense of humour Irina and Mary look at one of the most remarkable women authors of the Middle Ages, Gwerful Mechain, who lived in Powys in the 15th century. Mechain was part of a lively literary coterie in northeast Wales and in her poem Cywydd y Cedor (‘Ode to the Vagina’) she challenged the conventional approach of her fellow male poets to praise every part of a woman’s body apart from her genitalia. Her witty, combative verses, intended for public performance, deployed a brilliant mastery of the complex metrical tradition of medieval Welsh poetry to discuss the most intimate physical experiences.

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series including Mary and Irina's twelve-part series Medieval Beginnings, sign up:

Directly in Apple Podcasts: https://lrb.me/medlolapplesignup

In other podcast apps: https://lrb.me/medlolscsignup

Get in touch: [email protected]

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