In this episode recorded live at Shakespeare and Company, historian and cultural critic Andrew Hussey joins Adam Biles to discuss his powerful new book, Fractured France: A Journey Through a Divided Nation. With wit, erudition, and decades of on-the-ground insight, Hussey examines how France—once the model of revolutionary ideals and republican universalism—has splintered along social, cultural, and political lines. From the banlieues to the boulevards, from secularism to identity politics, Hussey traces the fractures that now define the French experience and asks whether the nation can still live up to its promise of liberté, égalité, fraternité. Their conversation moves between history, journalism, and personal reflection, exploring nationalism, colonial legacies, and the uneasy relationship between Paris and the rest of the country. Fractured France is both an elegy and a challenge: can a republic built on unity survive in an age of division?

Buy Fractured France: https://www.shakespeareandcompany.com/books/fractured-france

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Andrew Hussey was Director of the Centre for Post-Colonial Studies in the School of Advanced Study, University of London. He is a regular contributor to the Guardian and the New Statesman, and the writer/presenter of several BBC documentaries on French food and art. He is the author of The Game of War: The Life and Death of Guy Debord (2001), and Paris: The Secret History (2006). He was awarded an OBE in the 2011 New Years Honours list for services to cultural relations between the United Kingdom and France. His latest book, The French Intifada, was published by Granta Books in 2014. He lives in Paris.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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This week Adam Biles speaks with international lawyer and acclaimed author Philippe Sands about his latest book, 38 Londres Street: On Impunity, Pinochet in England and a Nazi in Patagonia. Building on East West Street and The Ratline, Sands traces the remarkable and disturbing links between Nazi officer Walter Rauff—architect of the mobile gas vans—and Chilean dictator Augusto Pinochet. Their conversation explores how Rauff escaped Europe, settled in South America, and later became entangled with Pinochet’s regime, raising profound questions about memory, complicity, and justice. Sands also shares his personal and professional connection to this history: as a barrister involved in Pinochet’s extradition case, and as the descendant of a family decimated by the Holocaust. Blending archival detective work, courtroom drama, and encounters with extraordinary witnesses, Sands reveals the human stories behind the law. This is a gripping, moving, and sometimes unsettling dialogue about the echoes of history and the pursuit of accountability.

Buy 38 Londres Street: https://www.shakespeareandcompany.com/books/38-londres-street-2

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Philippe Sands was born in London in 1960 and studied Law at the University of Cambridge. His book East West Street was the winner of the Baillie Gifford Prize for Non Fiction 2016, the British Book Awards Non-fiction Book of the Year 2017 and 2018 Prix Montaigne He is also the author of Lawless World: America and the Making and Breaking of Global Rules, which inspired a stage play (Called to Account, Tricycle Theatre) and a television film (The Trial of Tony Blair, Channel 4). He writes regularly for the press and serves as a commentator for the BBC, CNN and other radio and television producers. His BBC Storyville film My Nazi Legacy: What Our Fathers Did premiered in April 2015 at the Tribecca Film Festival. Sands co-wrote a podcast of the same name for the BBC. Sands lectures around the world and has taught at New York University and been a visiting professor at the University of Toronto, the University of Melbourne, and the Université de Paris I (Sorbonne). He was appointed a Queen’s Counsel in 2003. The Ratline: Love, Lies and Justice on the Trail of a Nazi Fugitive, was published in 2020 and The Last Colony: A Tale of Exile, Justice and Britain's Colonial Legacy in 2022. His most recent book, 38 Londres Street: On Impunity, Pinochet in England and a Nazi in Patagonia was published in 2025. He is currently Professor of Law at University College London and a barrister and arbitrator at 11 King's Bench Walk. He served as president of English PEN and is on the board of the Hay Festival of Arts and Literature.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this conversation recorded live at Shakespeare and Company, travel writer Monisha Rajesh talks about her new book Moonlight Express: Around the World by Night Train. From Paris to Istanbul, Scotland to India, the United States to Lapland, Rajesh explores the romance and realities of sleeper trains—where the carriages, the landscapes, and above all, the people become the story. She shares how her love of rail travel began in India, why night trains are enjoying a resurgence amid the climate crisis, and what it means to travel as a woman, a mother, and a writer in a turbulent world. Alongside the practicalities of packing eye masks and hot water bottles, Rajesh reflects on the communities that form in dining cars, the unexpected intimacy of train travel, and the way technology, politics, and global events shape the journeys we take.

Buy Moonlight Express: https://www.shakespeareandcompany.com/books/moonlight-express

Monisha Rajesh is a British journalist whose writing has appeared in Time magazine, the New York Times, and Vanity Fair. Her first book, Around India in 80 Trains, was named one of the Independent’s best books on India. Her second book, Around the World in 80 Trains, won the National Geographic Traveller Book of the Year and was shortlisted for the Stanford Dolman Travel Book of the Year. In 2024 she was named in Condé Nast Traveller’s Women Who Travel Power List. She lives in London.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this special episode of the Shakespeare and Company Interview Podcast, we celebrate the paperback release of The Shakespeare and Company Book of Interviews (Canongate), a compelling collection of literary conversations recorded live at our bookshop in Paris. Capturing a decade of rich, revealing discussions, the episode revisits unforgettable moments with some of the world’s most acclaimed writers, exploring the craft of writing, the power of stories, and the electric atmosphere of bookshops. Expect insights into the creative process, unexpected moments of vulnerability, and reflections on how literature intersects with politics, identity, and the human condition. Featuring live clips and commentary, this episode is both a celebration and an invitation—to listen, to read, and to be part of the ongoing conversation.

Buy The Shakespeare and Company Book of Interviews: https://www.shakespeareandcompany.com/books/the-shakespeare-and-company-book-of-interviews-2

Featuring…

Percival Everett

Olivia Laing

Marlon James

George Saunders

Karl Ove Knausgaard

Colson Whitehead

Hari Kunzru

Leïla Slimani

Jesmyn Ward

Reni Eddo-Lodge

Carlo Rovelli

Jenny Zhang

Annie Ernaux

Rachel Cusk

Meena Kandasamy

Madeline Miller

Miriam Toews

Katie Kitamura

Claire-Louise Bennett

Geoff Dyer

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this episode Adam speaks with translator Frank Wynne and Argentinian writer Samanta Schweblin about the first-ever English edition of Mafalda, the beloved Argentine comic strip by Quino (Archipelago Books). Together, they explore how this precocious, principled six-year-old girl—who challenged everything from soup to capitalism—shaped generations of readers in Argentina and beyond. Frank discusses the joys and puzzles of translating Mafalda’s quick wit and political edge, while Samanta recalls how the strip introduced her to feminism, philosophy, and satire as a child. The conversation touches on cartooning as subversion, and why Mafalda’s questions still matter today. Whether you're meeting Mafalda for the first time or grew up with her, this episode is a moving celebration of one of the 20th century's most enduring comic heroines.

Buy Mafalda: https://www.shakespeareandcompany.com/books/mafalda-3

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Samanta Schweblin won the 2022 National Book Award for Translated Literature for her story collection, Seven Empty Houses. Her debut novel, Fever Dream, was shortlisted for the International Booker Prize, and her novel Little Eyes and story collection Mouthful of Birds have been longlisted for the same prize. Her books have been translated into more than forty languages, and her stories have appeared in English in The New Yorker, The Paris Review, Granta, Harper’s Magazine and elsewhere. Originally from Buenos Aires, Schweblin lives in Berlin. Good and Evil and Other Stories is her third collection.

Frank Wynne is a writer and award-winning literary translator. Born in Ireland he has lived and worked in Dublin, Paris, Amsterdam, London, Buenos Aires and currently lives in San José, Costa Rica. He has translated more than a dozen major novels, among them the works of Michel Houellebecq, Frédéric Beigbeder, Pierre Mérot and the Ivorian novelist Ahmadou Kourouma. A journalist and broadcaster, he has written for the Sunday Times, the Independent, the Irish Times, Melody Maker, and Time Out.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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Katharina Volckmer joins Adam Biles to discuss her biting, bleakly funny second novel, Calls May Be Recorded for Training and Monitoring Purposes. Set in a London call centre, the book follows Jimmie, a disillusioned former actor trapped in a soul-crushing job, a suffocating home life with his immigrant mother, and an alienating body. Volckmer discusses the novel’s inspirations—from her own time in call centres to reflections on work, class, intimacy, and the dehumanising effects of late capitalism. They explore Jimmie’s idiosyncratic voice, his desire for connection, and his fumbling pursuit of freedom through subversion, humour, and misfit tenderness. The conversation touches on linguistic displacement, the emotional poverty of modern holidays, and the strange intimacy of customer service. It's a wry, bold, and compassionate dive into modern alienation—with lipstick, sharks, and sex in the supply closet.

Buy Calls May Be Recorded for Training and Monitoring Purposes: https://www.shakespeareandcompany.com/books/calls-may-be-recorded-for-training-and-monitoring-purposes

Katharina Volckmer was born in Germany in 1987. She now lives in London where she works for a literary agency. Her first novel The Appointment has been translated into over 15 languages and has been adapted for the stage and radio in several countries.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this textured conversation, author Eimear McBride joins Adam Biles at Shakespeare and Company to discuss her latest novel The City Changes Its Face. Set in Camden Town in the 1990s, the book revisits characters from The Lesser Bohemians as they navigate the complexities of love, art, aging, trauma, and parenthood. McBride explores the enduring impact of childhood abuse, the fraught territory of families, and the search for creative meaning as her protagonists transition from actors to writers and filmmakers. She also reflects on the changing face of London, her writing process, and how voice, rhythm, and instinct drive her work. With warmth, candour, and a touch of wry humour, McBride shares insights into the emotional and formal risks of fiction, the influence of modernism, and why survival—not just suffering—deserves narrative space.

Buy The City Changes Its Face: https://www.shakespeareandcompany.com/books/the-city-changes-its-face

Eimear McBride is the author of four novels: A Girl is a Half-formed Thing, The Lesser Bohemians, Strange Hotel and The City Changes Its Face. She held the inaugural Creative Fellowship at the Beckett Research Centre, University of Reading and is the recipient of the Women’s Prize for Fiction, Goldsmiths Prize, Kerry Group Irish Novel of the Year, and the James Tait Black Memorial Prize.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

Hosted on Acast. See acast.com/privacy for more information.

Katie Kitamura joins Adam Biles to discuss her remarkable novel Audition. Centred on a middle-aged actress whose settled life is upended by a young man claiming to be her son, Audition blurs the lines between performance, identity, and narrative certainty. Kitamura reflects on the novel’s dual structure—a “rabbit-duck” ambiguity—and her fascination with roles we perform in relationships, particularly within marriage and family. The conversation explores the mutability of identity, the ethical power of embracing contradiction, and the unique capacity of the novel to hold multiple truths simultaneously. Kitamura also discusses craft, genre, and the challenges of maintaining ambiguity without sacrificing narrative tension. An essential listen for readers drawn to fiction that resists easy answers and revels in complexity.

Buy Audition: https://www.shakespeareandcompany.com/books/audition-3

Katie Kitamura is the author of five novels, including Intimacies, named one of the 10 Best Books of 2021 by the New York Times. It was also one of Barack Obama's favourite books of the year, and was longlisted for a National Book Award and a PEN/Faulkner Award and was a finalist for the Joyce Carol Oates Prize. Kitamura's novel A Separation was a New York Times Notable Book. Her work has been translated into more than twenty languages and is being adapted for film and television. A recipient of the Rome Prize in Literature and other honours, she teaches in the creative writing programme at New York University.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this electric conversation, Irvine Welsh joins Adam Biles at Shakespeare and Company to discuss Men in Love, the long-awaited sequel to Trainspotting. Picking up moments after Renton's betrayal, Welsh dives deep into the aftermath—friendship, love, addiction, class, and the cultural hangover of 1980s Thatcherism. The pair explore writing authentic historical fiction, how ecstasy (both drug and emotion) shaped a generation, and why mobile phones are killing drama. Welsh also shares insights into masculinity, social mobility, and why Sick Boy might just be the tragic heart of this novel. Expect laughs, gallows humor, biting commentary—and a live reading that’s pure, unfiltered Welsh.

Buy Men In Love: https://www.shakespeareandcompany.com/books/men-in-love-2

Irvine Welsh was born and raised in Edinburgh. His first novel, Trainspotting, has sold over one million copies in the UK and was adapted into an era-defining film. He has written fourteen further novels, including the number one Sunday Times bestseller Dead Men’s Trousers, four books of shorter fiction and numerous plays and screenplays. Irvine Welsh currently lives between London, Edinburgh and Miami.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

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In this episode novelist Natasha Brown joins Adam Biles to discuss her daring second book, Universality. The conversation explores the novel’s structural audacity—opening with a fictional long-read article—and its thematic interrogation of class, race, media narratives, and the modern British middle class. Brown dives into her creation of Leni, a polarising columnist whose charisma masks deeper questions about power and identity. She explains the exhaustive research behind mimicking journalistic language and crafting complex, contradictory characters, all while reflecting on the fractured state of truth in the digital age. The conversation touches on the erosion of trust in traditional media, class performance, and the shifting role of fiction in helping us understand our sociopolitical moment.

Buy Universality: https://www.shakespeareandcompany.com/books/universality

Natasha Brown is a British novelist.

Adam Biles is Literary Director at Shakespeare and Company.

Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

Hosted on Acast. See acast.com/privacy for more information.