In Books: A Manifesto (Weidenfeld) subtitled How to Build a Library, poet and critic Ian Patterson reflects on a life spent with and formed by books. Now, as he constructs the last of many libraries, he makes an impassioned case for the radical importance of reading in our lives - from Proust to Jilly Cooper, from golden-age detective novels to avant-garde poetry. He talked about books and libraries with the novelist Ali Smith who, in Public Library and Other Stories, explored our many-faceted fascination with the book.

In his bestselling debut The Examined Life psychoanalyst Stephen Grosz explored how we learn to live. Now in Love’s Labour (Chatto) he turns to the equally perplexing topic of how we love. Drawing on over forty years of candid and surprising conversations with his patients, Stephen Grosz asks, what gets in the way of our falling in love? And what must we do to stay there? Grosz was in conversation with Helen Macdonald, author of H is for Hawk and Vesper Flights.

In All Consuming (Serpent’s Tail) Ruby Tandoh wittily explores the way we eat now, from social media to restaurant critics to the perfect dinner party to the meteoric rise of bubble tea. Felicity Cloake, author of Completely Perfect, writes ‘Fascinating, funny and devastatingly honest, a must-read on modern food culture in all its technicolour cheese-drenched glory.’ Tandoh was in conversation with the essayist and novelist Olivia Sudjic.

Leading Jamaican poet Lorna Goodison will be in London to present her latest work, Dante’s Inferno (Carcanet). As much a transformation as a translation, Goodison’s reworking casts the great Jamaican folklorist and poet Louise ‘Miss Lou’ Bennett-Coverley as Virgil, and moves the action to the Caribbean, where we encounter other poets, including Goodison’s friend Derek Walcott, local politicians, reggae pioneers and other figures from the island’s past, at the same time endowing Jamaican patois with a startling beauty and power. Goodison was in conversation with poet and architect Fawzia Muradali Kane.

The Empire of Forgetting (Cape) is the final collection of the Scottish poet, novelist and essayist John Burnside, who died in May last year. Fellow poet Kathleen Jamie describes him as ‘a titan of literature…. His passing leaves a gap not only in our literature, but in our ability to exist in the world. He increased the possible ways of our being.’ To coincide with this publication, Cape are reissuing Burnside’s three volumes of memoir, A Lie About My Father, Waking Up in Toytown and I Put a Spell on You with new introductions.

Poet and essayist Michael Symmons Roberts and editor Hannah Westland paid tribute to Burnside and celebrated his life and work.

In her first work of non-fiction A Truce That Is Not Peace (4th Estate), acclaimed novelist Miriam Toews spirals out from a question asked of her at a literary festival in Mexico City – ‘Why do you write?’ – in a dazzling exploration of grief, guilt, futility and creativity. Toews read from her work, and discussed it with Octavia Bright, author of This Ragged Grace.

Forced to leave her native Hungary by the 1956 suppression of the Hungarian Uprising, Ágota Kristóf took up residence in Switzerland and began writing in French. Most famous for her Notebook Trilogy – ‘A book through which I discovered what kind of person I really want to be’ (Slavoj Žižek) – her short stories, now available for the first time in English as the Penguin Classic volume I Don’t Care (tr. Chris Andrews), have been described by Max Porter as ‘pure genius’.

In this episode, Canadian writer Camilla Grudova discusses Kristóf’s work and place in the late modernist literary firmament with Jennifer Hodgson.

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Inspired by the new editions of Simone de Beauvoir’s 1966 novel The Image of Her and travel diary America Day by Day (Vintage), translator and novelist Lauren Elkin and writer and curator Lou Stoppard talked about the life, works and legacy of one of feminism’s most enduring icons.

Sylvia Plath’s second collection Ariel (Faber) was published in 1965, two years after the poet’s death, in a version somewhat reconfigured from her draft copy by Ted Hughes. Plath’s original arrangement was restored in 2004 in an edition edited by her daughter Frieda Hughes. To mark Ariel’s 60th birthday and the new Faber edition, poets Victoria Adukwei Bulley and Richard Scott read from Plath’s work and from their own, and examined the abiding legacy of one of the 20th century’s most influential literary documents. Fellow poet and essayist Lavinia Greenlaw was in the chair.

Cholera, HIV/AIDS, the Spanish Flu, Sleeping Sickness, Ebola and COVID-19 – in Edna Bonhomme’s groundbreaking analysis of six pivotal moments in medical history, the pandemic is revealed to be inevitably political. Urgent and illuminating, A History of the World in Six Plagues is far more than a history of disease – it is a call to reimagine a more equitable future in the face of ongoing global health challenges. Edna Bonhomme was in conversation with journalist and novelist Rachel Connolly.