In a series of provocative essays encompassing Marilyn Monroe, the myth of Apollo and Daphne, octopuses and girlbosses, reluctant heterosexuals, lesbian separatists, and anti-work cats, Sophie Lewis, author of Enemy Feminisms, Abolish the Family, and Full Surrogacy Now, seeks to put the femme back into feminism. In Femmephilia, Sophie Lewis makes the case for the vital importance of politicized femme-ness: a feminism that is self-consciously artificial, extravagant in its erotic and political appetites, and staunchly anti-work, abolitionist, and utopian. She was in conversation with novelist and poet, Keiran Goddard, author of Hourglass and I See Buildings Fall Like Lightning.

You can buy a copy of Femmephilia from the London Review Bookshop.

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To call Elizabeth Bishop one of the greatest female American poets of the 20th century is to make too many qualifications. Increasingly, critical opinion has converged with Dwight Garner’s assertion that she was perhaps ‘the most purely gifted poet of the 20th century’. To mark the publication of his new book, Elizabeth Bishop’s Styles of Writing, Andrew Dickinson was in conversation with the poet and critic Peter McDonald. Poet Mark Ford, actor Juliet Stevenson and writer Lamorna Ash will also read from a selection of Bishop’s work.

You can buy a copy of Elizabeth Bishop’s Styles of Writing from the London Review Bookshop.

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Historian Colin Grant and WritersMosaic writers have travelled the length and breadth of the country to gather the voices and experiences of immigrants living in Britain. In What We Leave We Carry we meet, amongst others, a Czech-Roma lawyer in Reading, an Iranian taxi driver in Shropshire, a Sierra Leonean actor in Northampton, and a Romanian police officer in Edinburgh. Together, these accounts ask questions about assimilation, identity, belonging and the emotional cost of migration in twenty-first-century Britain. Grant was in conversation with the author, broadcaster and former Children’s Laureate Michael Rosen.

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Erin Maglaque’s first book, Presence, explores the hidden history of the female body through deep archival research: fragments in medical texts, trial transcripts, legal treatises, prayerbooks, letters, and diaries come together to make tangible a vanished past, unfamiliar because of its deliberate suppression. The artist Celia Paul has described Presence as ‘a landmark book’, which makes the female body in the past ‘real as never before’. Maglaque was in conversation with Hannah Dawson, a historian of political thought at King’s College London and the editor of The Penguin Book of Feminist Writing.

You can buy a copy of Presence from the London Review Bookshop.

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The kitchen has always been a complex space for women: a place of labour and gendered expectations, as well as a site of nourishment, care and company. But how does this change when you’re alone, not cooking for family or friends, but simply for yourself? In The Spinster Cookbook (Indigo Press) Eli Davies explores what happens when food is uncoupled from domestic duty and romantic relationships and what it means to cook (or not) for yourself and by yourself. Davies was in conversation with Rebecca May Johnson, author of Small Fires and editor at Vittles magazine.

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Rachel Long’s debut collection, My Darling from the Lions (Picador), was nominated for the Forward Prize, the Costa, and the Sunday Times Young Writer of the Year Award. Sparrow on the Rooftop (Chatto & Windus) is the eagerly-awaited follow-up: Saba Sams has described it as ‘gruesome and intimate, alive to the rot, funny’. Long read from the collection and was in conversation with Sarah Howe, poetry editor at Chatto, whose own second collection Foretokens was published last year.

You can buy a copy of Sparrow on the Rooftop from the London Review Bookshop.

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In Michael Bracewell’s new novella The Smiths an anonymous narrator recounts the impact of the iconic pop group on his life. Accompanied by the French actress Carole Bouquet he embarks on a picaresque journey from the old Selfridge Hotel to West Hollywood, via a park bench in Cavendish Square. Deeply romantic and laced with comedy - not unlike the band themselves – The Smiths is an affectionate celebration of a pivotal episode in popular music history. The author read from his work, and discussed it with the novelist and journalist Leo Robson.

You can buy a copy of The Smiths from the London Review Bookshop.

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The poetry of the sixteenth-century Spanish mystic, John of the Cross, has inspired and consoled for hundreds of years, influencing writers from James Joyce to Seamus Heaney, Geoffrey Hill to T.S. Eliot. Dark Night (Penguin Classics) gathers all of John’s poetry, together with a selection of his prose. The book’s translator, poet Martha Sprackland, joined LRB contributing editor James Butler for a discussion of the life and work of John of the Cross, and his abiding influence.

You can buy a copy of Dark Night from the London Review Bookshop.

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Venice, September 1974. A chance meeting between a young English artist and Danilo Donati, production manager for Fellini and Pasolini, leads us into a tale of queer love, political intrigue and brutal murder. Emily Watlington wrote in Art in America ‘In our own era of rising fascism, of increasing violence and conservatism, Laing's novel feels eerily timely.’ To mark the paperback publication of The Silver Book Olivia Laing was reading from their work, and in conversation with Jack Parlett, author of Flamboyance, Fire Island and The Poetics of Cruising.

You can buy a copy of The Silver Book from the London Review Bookshop.

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In Vocal Break: On Women, Music and Power Lauren Elkin uses her own experience of training as a young soprano in the 1990s as a springboard for a powerful investigation of the female voice, from Maria Callas to Beyoncé and beyond. Part manifesto, part cultural history and all full-throated celebration, Vocal Break is a joyous call to arms and hymn of praise. Lauren Elkin was in conversation with writer, academic and broadcaster Shahidha Bari.

You can buy a copy of Vocal Break from the London Review Bookshop.

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