The Bangladeshi-born British writer, Tahmima Anam, speaks to Take Four Books about her latest novel, Uprising, and together with presenter James Crawford, they explore its connections to three other works of fiction. Set on a fictional, sinking island, Uprising, is told from the perspective of a group of children who witness their mothers living lives of cruelty and servitude.

Tahmima Anam is a multi-award-winning writer and journalist. In 2013 she was named as one of the 'Best Young British Novelists' by Granta. She also holds a PHD in anthropology from Harvard University.

For her three influences, Tahmima chose: The Buddha in the Attic by Julie Otsuka, from 2012; Sultana’s Dream by Rokeya Sakhawat Hossain from 1905; and Tiny Beautiful Things by Cheryl Strayed, also from 2012.

This episode was recorded at the Hay Festival.

Producer: Dominic Howell

The bestselling author of Hamnet returns with her tenth novel - Land - which is a soaring history set in Ireland in the years before and after the Great Famine.

For her three influences Maggie chose: Joseph O’Connor’s Star of the Sea from 2002; Marie Heaney’s Over Nine Waves from 1994, which is a retelling of many of the Irish myths; and the non-fiction book, Map Of A Nation, by Rachel Hewitt from 2010.

Producer: Dominic Howell

The Booker Prize-winning Scottish author, Douglas Stuart, speaks to Take Four Books about his latest novel, John Of John, and, together with presenter James Crawford, they explore its connections to three other works of fiction.

John Of John follows the character of John-Calum Macleod who, when his art school education comes to an end, catches the ferry home to the island of Harris to find that not much has changed except for him. In the windswept croft where he grew up, Cal resumes his old life, caught between the two poles of his childhood: his father John, a sheep farmer, weaver, and pillar of their local Presbyterian church, and his Glaswegian grandmother Ella, who has kept a faltering peace with her son-in-law for decades.

For his three influences Douglas chose: The Lost Language of Cranes, by David Leavitt from 1986; Gilead, by Marilynne Robinson, from 2004; and John McGahern’s Amongst Women, from 1990.

This episode was recorded at the Hay Festival 2026.

Producer: Dominic Howell

Imani Thompson speaks to Take Four Books about her debut novel Honey. Together with presenter James Crawford, they explore its connections to three other literary works. In Honey, PhD student Yrsa doesn't set out to kill. But after an incident involving a bee sting gone wrong, she suddenly feels alive. So she starts to think about what justice could look like, if she took it in to her own hands...

Imani's three chosen influences for this episode are Noughts and Crosses by Malorie Blackman from 2001; Girl by Jamaica Kincaid from 1978; and Your Silence Will Not Protect You by Audre Lorde from 2016.

Producer: Caitlin Sneddon

The award-winning writer Deborah Levy speaks to Take Four Books about her latest novel, My Year In Paris With Gertrude Stein, and, together with presenter James Crawford, they explore its three key literary influences.

The new book follows three female friends in Paris. There's Eva an artist in a long-distance marriage, Fanny, a sexually adventurous financier, and making up the trio, is our unnamed narrator, who is attempting to write an essay about the avant-garde American poet and art collector, Gertrude Stein. The three friends cook, walk, argue and attempt to find a lost cat.

Deborah's three choices in this episode are: Virginia Woolf's fifth novel To The Lighthouse from 1927; The Prime of Miss Jean Brodie by Muriel Spark, from 1961; and the poem Still I Rise by Maya Angelou which was published in 1978.

Producer: Dominic Howell

The American writer Katie Kitamura speaks about her Booker-shortlisted novel, Audition, and together with presenter James Crawford they explore its connections to three other literary works.

Audition begins with two people meeting for lunch in a Manhattan restaurant. The woman is an accomplished actress and she's meeting a man who is young enough to be her son. But who is he to her, and who is she to him? Two competing narratives unspool and the novel begins to rewrite our understanding of the roles we play every day.

For her three influences Katie, who was a recent finalist for the Pulitzer Prize, chose: Rosemary’s Baby by Ira Levin from 1967, which was later made into a film directed by Roman Polanski; Tomorrow In The Battle Think Of Me, by Javier Marias, from 1994; and Bel Ami by Guy de Maupassant, from 1885.

Producer: Dominic Howell

Presenter James Crawford speaks to award-winning novelist Amitav Ghosh about his new book, Ghost Eye, and its three key literary influences.

Ghost Eye is told through the memories and recollections of its narrator, Dinu, who grew up in Calcutta and now lives in New York. Set during the COVID pandemic, the story unfolds as Dinu recalls a story his Auntie Shoma once told him - one that takes place in Calcutta in 1969. At the time, Shoma was a psychiatrist investigating cases of the reincarnation type, and her work led her to a particular case involving Varsha, a three-year-old girl.

Amitav Ghosh was shortlisted for the 2008 Booker Prize for his novel Sea of Poppies, and for the International Booker Prize in 2015 for his entire body of work. He was also awarded the Erasmus Prize for his writing on climate change in 2024.

For his three influences, Amitav chose: The Hungry Stones by Rabindranath Tagore (1895); The Willows by Algernon Blackwood (1907); and Is a River Alive? by Robert Macfarlane (2025).

Producer: Rachael O’Neill

The award-winning English writer Gwendoline Riley speaks to Take Four Books, about her new novel The Palm House, and, together with presenter James Crawford, they explore its three influences.

The Palm House follows the friendship between Laura Miller and Edmund Putnam, known as ‘Putnam’, who both work in the London media landscape in 2017. Over the course of a long weekend, they meet several times for drinks and crisps, and discuss the state of their lives, and share stories from their past.

Gwendoline Riley won the Betty Trask Award for her debut novel Cold Water in 2002. Subsequent works have seen her win the Somerset Maugham Award and she was recently given the prestigious Windham-Campbell Prize from Yale University in recognition of her life’s work to date.

For her three influences Gwendoline chose: Annie Ernaux's short non-fiction book about her experiences of having an abortion called Happening from the year 2000; Charles Dickens's last completed novel, Our Mutual Friend from 1864; and Penelope Fitzgerald's novel Offshore from 1979, which won the Booker Prize that year.

Producer: Dominic Howell

Presented by James Crawford Take Four Books speaks to the writer Solvej Balle from her home on an island off the coast of Denmark about her latest instalment of the 'On the Calculation of Volume' series. The novels tell the story of Tara Selter, an antiquarian bookseller who wakes up one morning to find she is endlessly reliving the same day: the 18th of November.

Solvej's influences for this episode are all Danish. She chose: Stories About Tacit by Cecil Bødker from 2016, which is a novel about social outcasts who form a reluctant alliance on an abandoned farm in 1850s Denmark; Inger Christensen's poetry collection, Alphabet, from 1981; and a book of philosophy first published in the year 1843 - Either/Or - by the man often described as the 'father of existentialism' - Søren Kierkegaard.

Producer: Dominic Howell

Scottish novelist and poet Jenni Fagan tells presenter James Crawford about her new novel, The Delusions, in which she takes readers to the afterlife - or, at least, to its entry portal. It is a place where the newly dead are required to queue up and account for the truth of their lives - and extract all their delusions - if they are to have any chance of passing into eternity.

Jenni’s three chosen influences are Nina Cassian’s poem Temptation (1966), Mary Shelley’s Frankenstein (1818), and Jeanette Winterson’s Weight (2005).

Producer: Rachael O'Neill