Take Four Books

The award-winning writer Louise Kennedy speaks to Radio 4's Take Four Books about her latest novel, Stations, and, together with presenter James Crawford, they explore its connections to three other literary works.

Stations follows Róisín McCaffrey as she meets and Red Camelin as a teenager in their small Irish hometown in 1982. Red's reputation for trouble precedes him – but Róisín finds herself swept up in his storm, and soon their connection deepens.

For her three influences Louise chose: I Could Read The Sky by Timothy O’Grady and Steve Pyke (1997); The Grass Arena by John Healey, now printed as a Penguin Classic, (1988); and J.D Salinger's Franny and Zooey (1961).

Louise Kennedy grew up a few miles from Belfast. She is the author of the acclaimed short-story collection, The End of the World Is A Cul de Sac which won the John McGahern Prize. Her debut novel Trespasses, published in 2022, has been translated into over twenty languages. It won Eason Novel of the Year at the An Post Irish Book Awards, Best Debut at the British Book Awards and the McKitterick Prize, and was also shortlisted for several awards including the Women's Prize for Fiction, the Waterstones Debut Fiction Prize and Barnes and Noble Discover Prize.

In 2025, Trespasses was made into a limited TV series by Channel 4, starring Lola Petticrew, Tom Cullen and Gillian Anderson. Before starting her writing career, Kennedy spent nearly thirty years working as a chef. She lives in Sligo.

Producer: Dominic Howell

The award-winning Irish writer, Donal Ryan, speaks about his latest novel, Where Are The Kings, and, together with presenter James Crawford, they explore its connections to three other books. Set in rural Ireland, Where Are The Kings, follows the character of Jack between the ages of twelve and fourteen as he attempts to deal with his mother's sudden death for which he feels a measure of guilt.

Donal has won Book of the Year at the Irish Book Awards three times. In 2025 he won the Orwell Prize for Political Fiction, and he has twice been longlisted for the Booker Prize.

For his three influences Donal chose: Emma Donoghue’s Room (2010) which was later turned into a film five years later directed by Lenny Abrahamson; Frank McCourt’s best-selling memoir Angela’s Ashes (1996); and Kent Haruf’s Plainsong (1999).

Producer: Dominic Howell

The award-winning Irish writer Sebastian Barry speaks to Take Four Books about his latest novel, The Newer World, and, together with presenter James Crawford, they explore its connections to three other books.

The Newer World takes us back into post-civil war America as we follow the character of Tennyson Bouguereau, a formerly enslaved man, and nascent singer as it turns out, who is forced to leave his home for fear of being killed, and heads to Nashville, until a surprising trip to Victorian England changes things.

Sebastian Barry was the laureate for Irish Fiction from 2018 to 2021 and is a two-time winner of both the Costa Book of the Year and the Walter Scott prize for historical fiction. For his three influences he chose: The American Spelling Book by Noah Webster (1783); Army Life in a Black Regiment by Thomas Wentworth Higginson (1869); and A Journey in the Back Country by Frederik Law Olmstead (1860).

Producer: Dominic Howell

The New York writer and two-time winner of the Pulitzer Prize for fiction, Colson Whitehead, speaks to Take Four Books about his latest novel, Cool Machine, and, together with presenter James Crawford, they explore its connections to three other books. In three interlinking stories, Cool Machine - the final instalment in Colson's Harlem Trilogy - showcases the grit and grandeur of 1980s New York through its underground wheeler-dealer protagonist, Ray Carney, who runs a furniture business on 125th Street with a lucrative side hustle.

For his three influences Colson chose: Junky by William Burroughs (1953); One Hundred Years of Solitude by Gabriel Garcia Marquez (1967); and The Hunter by Richard Stark (1962). Richard Stark was the pen name of Donald Edwin Westlake.

This episode was recorded at the Edinburgh International Book Festival.

Producer: Dominic Howell

Presenter James Crawford speaks to award-winning Mexican American novelist and essayist Valeria Luiselli about her latest novel, Beginning Middle End, and its three key literary influences.

In the novel, a mother and her twelve-year-old daughter travel across a wildfire-stricken Sicily in search of family history, archaeology, and the inner-workings of story itself. Along the way, the mother remains in contact with her own mother in Mexico, who may be beginning to experience dementia.

Valeria’s three influences are Natural History by Pliny the Elder (1st century AD), Dart by Alice Oswald (2002), and On Nature by Empedocles (c.450 BC).

The audio extract comes from the audiobook of Beginning Middle End.

Producer: Rachael O'Neill

The writer M. John Harrison speaks to Take Four Books about his latest novel, The End of Everything, and, together with presenter James Crawford, they explore its connections to three other works. The End of Everything follows the characters of Phillip Tennent and his elderly aunt Marnie. A crisis has happened. The exact nature of which remains obscure, but government barely functions, the seas are full of new creatures and Europe has been mislaid. Is this the end?

For his three influences M. John Harrison chose: The Day of the Triffids by John Wyndham which was published in 1961 and released as a film two years later; Drought by J. G. Ballard from 1965; and a short story called The Same Dog by Robert Aickman from 1974.

Producer: Dominic Howell

Presenter James Crawford speaks to American author and humourist David Sedaris on his new collection of essays, The Land and Its People. From navigating the realities of ageing to reflecting on his personal relationships, Sedaris explores a wide range of experiences across the book's 28 essays.

He also discusses the three works that inspired the collection: Raymond Carver's Cathedral (1981), Joy Williams's Taking Care (1982), and Alan Bennett's Talking Heads (1988).

Producer: Rachael O’Neill

Scottish crime writer Christopher Brookmyre speaks to Take Four Books this week about his latest novel, Quite Ugly One Evening, and, together with presenter James Crawford, they explore its links to three other books. Chris's new book, Quite Ugly One Evening, is a locked-room mystery with a twist, and we're back with one of his most beloved characters - the maverick Scottish investigative journalist Jack Parlanbane, who thrives on chasing stories in unlikely places.

For his three influences Chris plumped for: The Steep Approach to Garbadale by Iain Banks, from 2007; The Proof of My Innocence by Jonathan Coe from 2024; and Grown Ups, by Marian Keyes, from 2020.

Producer: Dominic Howell

The award-winning Irish writer, Liz Nugent, speaks to Take Four Books about her latest novel, The Truth About Ruby Cooper, and, together with presenter James Crawford, they explore its connections to three other works of fiction. Ruby Cooper and her sister, Erin, live an idyllic life in their close-knit church community in Boston. But when Ruby is sixteen, she is involved in an incident that causes her family’s world to implode.

For her three influences Liz chose: Ian McEwan's Atonement from 2001, the book was later adapted into a film of the same name starring Keira Knightley and James McAvoy; Patrick McCabe's The Butcher Boy from 1992; and Patrick Süskind’s 1985 novel, Perfume.

This episode was recorded in front of an audience at the Hay Festival 2026.

Producer: Dominic Howell

Presenter James Crawford speaks to award‑winning American author Elizabeth Strout - winner of the 2009 Pulitzer Prize for Fiction and a two‑time Booker Prize nominee - about her new book The Things We Never Say and its three key literary influences.

In Elizabeth's latest novel, we are taken to the New England coast, where we follow the life of history teacher Artie Dam, who is struggling to cope with the way the modern world is changing around him.

Elizabeth’s three influences are The Stories of William Trevor by William Trevor (1983), Mrs Dalloway by Virginia Woolf (1925), and Middlemarch by George Eliot (1872).

Producer: Rachael O’Neill