Misha Glenny and his guests discuss the most famous oratorio of George Frideric Handel (1685-1759) and his librettist Charles Jennens (1700-1773). For his libretto, Jennens drew from Old and New Testament texts: prophecies about the coming of Jesus, the Messiah, the nativity, the suffering of Christ and his death and the Day of Judgement and redemption for all. Handel's Messiah had its premiere in 1742 in a secular Dublin music hall to great acclaim with a packed audience and Handel continued to adapt his Messiah for later performances, often shaping the work to the choirs or individual singers available. Messiah proved to be one of his most popular works, becoming a favourite of massed choirs around the world far beyond the scale of Handel’s original.

With

Donald Burrows

Ruth Smith

And

Larry Zazzo

Producer: Simon Tillotson

Reading list:

Donald Burrows, Messiah (full score, 2 vols, Hallische Händel Ausgabe, forthcoming)

Donald Burrows, Messiah (Edition Peters, 1987)

Donald Burrows, Messiah, Cambridge Music Handbooks (Cambridge University Press, 1991)

Donald Burrows, Handel: Master Musicians series, 2nd edition (Oxford University Press, 2012)

George Frideric Handel (ed. Donald Burrows et al.), Collected Documents vol. 3 (1734-42), vol 4 (1742-50), (Cambridge University Press, 2019, 2020)

G.F. Handel, facsimile ‘Messiah’: the composer’s autograph manuscript (British Library, 2009)

G.F. Handel, facsimile the composer’s Conducting Score of Messiah (Scolar Press, 1974)

Charles King, Every Valley: The Story of Handel’s Messiah (Doubleday/Bodley Head, 2024)

Jens Peter Larsen, Handel’s Messiah: Origins, Composition, Sources (Adam and Charles Black, 1957)

Richard Luckett, Handel’s Messiah: A Celebration (Victor Gollancz, 1992)

Watkins Shaw, A Textual and Historical Companion to Handel’s ‘Messiah’ (Novello and Co, 1965)

Ruth Smith, ‘The Achievements of Charles Jennens (1700–1773)’ (Music & Letters, 70, 1989)

Ruth Smith, Charles Jennens: The Man behind Handel’s ‘Messiah’ (Handel House Trust/The Gerald Coke Handel Foundation, 2012)

Ruth Smith, Handel’s Oratorios and Eighteenth-Century Thought (Cambridge University Press, 1995)

Calvin R. Stapert, Handel’s Messiah: Comfort for God’s People (Wm. B. Eerdmans Publishing Co., 2010)

Judy Tarling, Handel’s Messiah: A Rhetorical Guide (first published 2014; Punnett Press, 2025)

In Our Time is a BBC Studios production

Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

Misha Glenny and guests discuss the provocative artistic phenomenon that first startled audiences in 1916 in Zurich. There, at the Cabaret Voltaire at the Holländische Meierei on the Spiegelgasse, Emmy Hennings and Hugo Ball and others gathered on a small stage, sometimes dressed in cardboard, often performing nonsense poems. This was the start of Dada, a spirit more than a movement which spread to other cities in Europe during the war. In part the Dadas (as they called themselves) were protesting against the inevitability of constant wars on the continent and in part this was an artistic experiment around the absurd; they were creating poems, songs, costumes and art that made no obvious sense, just as the war around them made no sense to the artists, designers and poets at the Cabaret Voltaire.

With

Ruth Hemus

And

Stephen Forcer

Produced by Martha Owen

Reading list:

Dawn Ades (ed.), The Dada Reader: A Critical Anthology (Tate Publishing, 2006)

Hugo Ball (trans. Ann Raimes and ed. John Elderfield), Flight out of Time: A Dada Diary (first published 1927; University of California Press, 1996)

Stephen Forcer, Dada as Text, Thought and Theory (Legenda, 2015)

Ruth Hemus, Dada's Women (Yale University Press, 2009)

David Hopkins, Dada and Surrealism: A Very Short Introduction (Oxford University Press, 2004)

Jed Rasula, Destruction was my Beatrice: Dada and the Unmaking of the Twentieth Century (Basic Books, 2015)

In Our Time is a BBC Studios Production

Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

Misha Glenny and guests discuss the short life and lasting works of Keats (1795-1821), who in one year wrote some of the most loved poems in English. Among these are Ode to a Nightingale, Ode on a Grecian Urn and Ode on Melancholy. That most productive year began in autumn 1818, when Keats had been stung by some reviews labelling him an uncouth Cockney who should go back to his former work as an apothecary, work he had left for poetry only two years before with the encouragement of enthusiastic friends. Just over two years later, Keats was dead in Rome from tuberculosis, before his work found fame, though some who knew him, including Shelley, believed his true killer was the critics.

With

Fiona Stafford

Nicholas Roe

And

Meiko O’Halloran,

Producer: Simon Tillotson

Reading list:

John Barnard, John Keats (Cambridge University Press, 1987)

Katie Garner and Nicholas Roe (eds), John Keats and Romantic Scotland (Oxford University Press, 2022)

Ian Jack, Keats and the Mirror of Art (Oxford University Press, 1967)

John Keats (ed. John Barnard), John Keats: Selected Writings (Oxford University Press, 2020)

John Keats (ed. John Barnard), John Keats: Oxford 21st-Century Authors (University Press, 2017)

John Keats (ed. John Barnard), Selected Poems (Penguin, 2007)

John Keats (ed. John Barnard), The Complete Poems (Penguin, 2nd edition, 1977)

John Keats (ed. Jeffrey N. Cox), Keats’s Poetry and Prose: A Norton Critical Edition (W. W. Norton & Company, 2008)

Carol Kyros Walker, Walking North with Keats (Edinburgh University Press, 2021)

Richard Marggraf Turley (ed.), Keats’s Places (Palgrave Macmillan, 2018)

Lucasta Miller, Keats: A Brief Life in Nine Poems and One Epitaph (Jonathan Cape, 2021)

Michael O’Neill (ed.), John Keats in Context (Cambridge University Press, 2017)

Christopher Ricks, Keats and Embarrassment (Oxford University Press, 1974)

Nicholas Roe, John Keats: A New Life (Yale University Press, 2012)

Susan J. Wolfson, Reading John Keats (Cambridge University Press, 2015)

Susan J. Wolfson (ed.), The Cambridge Companion to Keats (Cambridge University Press, 2001)

In Our Time is a BBC Studios Production

Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

Misha Glenny and guests discuss one of the most successful of Shakespeare's plays in his own time. Written with no Part 2 in mind as 'Henry the Fourth', the play explores ideas about who can be a legitimate ruler and why, and how anyone can rightly succeed to the throne. This was an especially pressing question for his Tudor audience as Elizabeth I had named no successor. Playwrights, banned from openly discussing the jeopardy her subjects faced, turned to these themes of power, legitimacy and succession in distant and recent history. When Shakespeare combined this relevance with the vivid characters of Falstaff, Hotspur and Hal and with the tensions between noble fathers and sons, he had a play that fascinated well into the Jacobean era and has been revived throughout the centuries.

With

Emma Smith

Lucy Munro

And

Laurence Publicover

Producer: Simon Tillotson

Reading list:

Hailey Bachrach, Staging Female Characters in Shakespeare’s English History Plays (Cambridge University Press, 2023)

Warren Chernaik, The Cambridge Introduction to Shakespeare’s History Plays (Cambridge University Press, 2007)

Stephen Greenblatt, Tyrant: Shakespeare on Power (Bodley Head, 2018)

Graham Holderness, Shakespeare: The Histories (Red Globe Press, 1999)

Jean Howard and Phyllis Rackin, Engendering a Nation: A Feminist Account of Shakespeare's English Histories (Routledge, 1997)

William Shakespeare (eds. Indira Ghose, Anna Pruitt and Emma Smith), Henry IV Part I: The New Oxford Shakespeare (Oxford University Press, 2024)

William Shakespeare (ed. Gordon McMullan), 1 Henry IV: A Norton Critical Edition, 3rd edition (Norton, 2003)

In Our Time is a BBC Studios Production

Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Misha Glenny and expert guests explore the characters, events and discoveries that have shaped our world.

Journalist, author and historian Misha Glenny presents his first edition of In Our Time, succeeding Melvyn Bragg who retired from this role last summer. Misha and his guests discuss the landmark work On Liberty by John Stuart Mill, published in 1859 and the increasing recognition for his wife Harriet Taylor Mill's contribution. The subject matter of the essay is ‘civil or social liberty: the nature and limits of the power which can be legitimately exercised by society over the individual’ and it argues that the sole end for which mankind may interfere with the liberty of action of anyone is self-protection and even then only to prevent harm to others. This essay became enormously popular and a foundational text for liberalism.

With

Helen McCabe

Mark Philp

And

Piers Norris Turner

Producer: Simon Tillotson

Reading list:

Jo Ellen Jacobs (ed.), Harriet Taylor Mill, Complete Works (Indiana University Press, 1998)

Bruce L. Kinzer, Ann P. Robson and John M. Robson, A Moralist In and Out of Parliament: John Stuart Mill at Westminster, 1865-1868 (University of Toronto Press, 1992)

Helen McCabe, John Stuart Mill, Socialist (McGill-Queen’s University Press, 2021)

Helen McCabe, Harriet Taylor Mill (Cambridge, 2023)

Piers Norris Turner, ‘The Arguments of On Liberty: Mill’s Institutional Designs’ (Nineteenth-Century Prose 47 (1), 2020)

Piers Norris Turner et al (eds.), John Stuart Mill and Harriet Taylor Mill, On Liberty with Related Writings (Hackett Publishing, forthcoming 2026)

Mark Philp (ed.), John Stuart Mill: Autobiography (Oxford University Press, 2018)

Mark Philp and Frederick Rosen (eds.), John Stuart Mill: On Liberty, Utilitarianism and other Essays (Oxford University Press, 2015)

Frederick Rosen, Mill (Oxford University Press, 2013)

Alan Ryan, The Philosophy of John Stuart Mill (Palgrave MacMillan, 1998)

Ben Saunders, ‘Reformulating Mill’s Harm Principle’ (Mind 125/500, 2016)

John Skorupski, Why Read Mill Today? (Routledge, 2006)

William Stafford, John Stuart Mill (Red Globe Press, 1998)

C. L. Ten (ed.), Mill: On Liberty: A Critical Guide (Cambridge University Press, 2008)

Nadia Urbinati and Alex Zakaras (eds.), John Stuart Mill’s Political Thought: A Bicentennial Reassessment (Cambridge University Press, 2007)

In Our Time is a BBC Studios production

Melvyn Bragg and guests discuss John Barbour's epic poem The Brus, or Bruce, which he wrote c1375. The Brus is the earliest surviving poem in Older Scots and the only source of many of the stories of King Robert I of Scotland (1274-1329), popularly known as Robert the Bruce, and his victory over the English at Bannockburn in 1314. In almost 14,000 lines of rhyming couplets, Barbour distilled the aspects of the Bruce’s history most relevant for his own time under Robert II (1316-1390), the Bruce's grandson and the first of the Stewart kings, when the mood was for a new war against England after decades of military disasters. Barbour’s battle scenes are meant to stir in the name of freedom, and the effect of the whole is to assert Scotland as the rightful equal of any power in Europe.

With

Rhiannon Purdie

Steve Boardman

And

Michael Brown

Producer: Simon Tillotson

Reading list:

John Barbour (ed. A.A.M. Duncan), The Bruce (Canongate Classics, 2007)

G.W.S. Barrow, Robert Bruce and the Community of the Realm of Scotland (Edinburgh University Press, 1988)

Stephen Boardman, The Early Stewart Kings: Robert II and Robert III (Tuckwell Press, 1996)

Steve Boardman and Susan Foran (eds.), Barbour's Bruce and its Cultural Contexts: Politics, Chivalry and Literature in Late Medieval Scotland (D.S. Brewer, 2015)

Michael Brown, Disunited Kingdoms: Peoples and Politics in the British Isles, 1280-1460 (Routledge, 2013)

Michael Brown, The Wars of Scotland, 1214-1371 (Edinburgh University Press, 2004)

Thomas Owen Clancy and Murray Pittock, Ian Brown and Susan Manning (eds.), The Edinburgh History of Scottish Literature, Vol. 1: From Columba to the Union (until 1707), (Edinburgh University Press 2006)

Robert Crawford, Scotland's Books: A History of Scottish Literature (Oxford: Oxford University Press, 2009)

Robert DeMaria Jr., Heesok Chang and Samantha Zacher (eds.), A Companion to British Literature: Vol 1, Medieval Literature, 700-1450 (John Wiley & Sons, 2014), especially 'Before the Makars: Older Scots literature under the early Stewart Kings' by Rhiannon Purdie

Colm McNamee, The Wars of the Bruces: Scotland, England and Ireland 1306-1328 (Tuckwell Press, 2001)

Michael Penman, Robert the Bruce, King of the Scots (Yale University Press, 2014)

In Our Time is a BBC Studios Audio Production

Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

In 1897, Gustav Klimt led a group of radical artists to break free from the cultural establishment of Vienna and found a movement that became known as the Vienna Secession.

In the vibrant atmosphere of coffee houses, Freudian psychoanalysis and the music of Wagner and Mahler, the Secession sought to bring together fine art and music with applied arts such as architecture and design.

The movement was characterized by Klimt’s stylised paintings, richly decorated with gold leaf, and the art nouveau buildings that began to appear in the city, most notably the Secession Building, which housed influential exhibitions of avant-garde art and was a prototype of the modern art gallery. The Secessionists themselves were pioneers in their philosophy and way of life, aiming to immerse audiences in unified artistic experiences that brought together visual arts, design, and architecture.

 With:

Mark Berry, Professor of Music and Intellectual History at Royal Holloway, University of London

Leslie Topp, Professor Emerita in History of Architecture at Birkbeck, University of London

And

Diane Silverthorne, art historian and 'Vienna 1900' scholar

Producer: Eliane Glaser

Reading list:

Mark Berry, Arnold Schoenberg: Critical Lives (Reaktion Books, 2018)

Gemma Blackshaw, Facing the Modern: The Portrait in Vienna 1900 (National Gallery Company, 2013)

Elizabeth Clegg, Art, Design and Architecture in Central Europe, 1890-1920 (Yale University Press, 2006)

Richard Cockett, Vienna: How the City of Ideas Created the Modern World (Yale University Press, 2023)

Stephen Downes, Gustav Mahler (Reaktion Books, 2025)

Peter Gay, Freud, Jews, and Other Germans: Masters and Victims in Modernist Culture (Oxford University Press, 1979)

Tag Gronberg, Vienna: City of Modernity, 1890-1914 (Peter Lang, 2007)

Allan S. Janik and Hans Veigl, Wittgenstein in Vienna: A Biographical Excursion Through the City and its History (Springer/Wien, 1998)

Jill Lloyd and Christian Witt-Dörring (eds.), Vienna 1900: Style and Identity (Hirmer Verlag, 2011)

William J. McGrath, Dionysian Art and Populist Politics in Austria (Yale University Press, 1974)

Tobias Natter and Christoph Grunenberg (eds.), Gustav Klimt: Painting, Design and Modern Life (Tate, 2008)

Carl E. Schorske, Fin-de-siècle Vienna: Politics and Culture (Vintage, 1979)

Elana Shapira, Style and Seduction: Jewish Patrons, Architecture and Design in Fin-de-Siècle Vienna (Brandeis University Press, 2016)

Diane V Silverthorne, Dan Reynolds and Megan Brandow-Faller, Die Fläche: Design and Lettering of the Vienna Secession, 1902-1911 (Letterform Archive, 2023)

Edward Timms, Karl Kraus: Apocalyptic Satirist: Culture & Catastrophe in Habsburg Vienna (Yale University Press, 1989)

Leslie Topp, Architecture and Truth in Fin-de-Siècle Vienna (Cambridge University Press, 2004)

Peter Vergo, Art in Vienna, 1898-1918: Klimt, Kokoschka, Schiele and Their Contemporaries (4th ed., Phaidon, 2015)

Hans-Peter Wipplinger (ed.), Vienna 1900: Birth of Modernism (Walther & Franz König, 2019)

Hans-Peter Wipplinger (ed.), Masterpieces from the Leopold Museum (Walther & Franz König)

Stefan Zweig, The World of Yesterday: An Autobiography (University of Nebraska Press, 1964)

In Our Time is a BBC Studios Audio Production

Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

Melvyn Bragg and guests discuss one of the great figures in world literature. The French playwright Molière (1622-1673) began as an actor, aiming to be a tragedian, but he was stronger in comedy, touring with a troupe for 13 years until Louis XIV summoned him to audition at the Louvre and gave him his break. It was in Paris and at Versailles that Molière wrote and performed his best known plays, among them Tartuffe, Le Misanthrope and Le Malade Imaginaire, and in time he was so celebrated that French became known as The Language of Molière.

With

Noel Peacock

Jan Clarke

And

Joe Harris

Producer: Simon Tillotson

Reading list:

David Bradby and Andrew Calder (eds.), The Cambridge Companion to Molière (Cambridge University Press, 2006)

Jan Clarke (ed.), Molière in Context (Cambridge University Press, 2022)

Georges Forestier, Molière (Gallimard, 2018)

Michael Hawcroft, Molière: Reasoning with Fools (Oxford University Press, 2007)

John D. Lyons, Women and Irony in Molière’s Comedies of Mariage (Oxford University Press, 2023)

Robert McBride and Noel Peacock (eds.), Le Nouveau Moliériste (11 vols., University of Glasgow Presw, 1994- )

Larry F. Norman, The Public Mirror: Molière and the Social Commerce of Depiction (University of Chicago Press, 1999)

Noel Peacock, Molière sous les feux de la rampe (Hermann, 2012)

Julia Prest, Controversy in French Drama: Molière’s Tartuffe and the Struggle for Influence (Palgrave Macmillan, 2014)

Virginia Scott, Molière: A Theatrical Life (Cambridge University Press, 2020)

In Our Time is a BBC Studios Audio Production

Melvyn Bragg and guests discuss one of the most energetic, varied and innovative playwrights of his time. Thomas Middleton (1580-1627) worked across the London stages both alone and with others from Dekker and Rowley to Shakespeare and more. Middleton’s range included raucous city comedies such as A Chaste Maid in Cheapside and chilling revenge tragedies like The Changeling and The Revenger’s Tragedy, some with the main adult companies and some with child actors playing the scheming adults. Middleton seemed to be everywhere on the Jacobean stage, mixing warmth and cruelty amid laughter and horror, and even Macbeth’s witches may be substantially his work.

With

Emma Smith

Lucy Munro

And

Michelle O’Callaghan

Producer: Simon Tillotson

Reading list:

Swapan Chakravorty, Society and Politics in the Plays of Thomas Middleton (Clarendon Press, 1996)

Suzanne Gossett (ed.), Thomas Middleton in Context (Cambridge University Press, 2011)

R.V. Holdsworth (ed.), Three Jacobean Revenge Tragedies: A Selection of Critical Essays (Macmillan, 1990), especially ‘Calvinist Psychology in Middleton’s Tragedies’ by John Stachniewski

Mark Hutchings and A. A. Bromham, Middleton and His Collaborators (Northcote House, 2007)

Gordon McMullan and Kelly Stage (eds.), The Changeling: The State of Play (The Arden Shakespeare, 2022)

Lucy Munro, Shakespeare in the Theatre: The King's Men (The Arden Shakespeare, 2020)

David Nicol, Middleton & Rowley: Forms of Collaboration in the Jacobean Playhouse (University of Toronto Press, 2012)

Michelle O’Callaghan, Thomas Middleton: Renaissance Dramatist (Edinburgh University Press, 2009)

Gary Taylor and Trish Thomas Henley (eds.), The Oxford Handbook of Thomas Middleton (Oxford University Press, 2012)

In Our Time is a BBC Studios Audio Production

Melvyn Bragg and guests discuss the renowned and versatile Irish writer Oliver Goldsmith (1728 - 1774). There is a memorial to him in Westminster Abbey’s Poet’s Corner written by Dr Johnson, celebrating Goldsmith's life as a poet, natural philosopher and historian. To this could be added ‘playwright’ and ‘novelist’ and ‘science writer’ and ‘pamphleteer’ and much besides, as Goldsmith explored so many different outlets for his talents. While he began on Grub Street in London, the centre for jobbing writers scrambling for paid work, he became a great populariser and compiler of new ideas and knowledge and achieved notable successes with poems such as The Deserted Village, his play She Stoops to Conquer and his short novel The Vicar of Wakefield.

With

David O’Shaughnessy

Judith Hawley

And

Michael Griffin

Producer: Simon Tillotson

Reading list:

Norma Clarke, Brothers of the Quill: Oliver Goldsmith in Grub Street (Harvard University Press, 2016)

Leo Damrosch, The Club: Johnson, Boswell, and the Friends Who Shaped an Age (Yale University Press, 2019)

Oliver Goldsmith (ed. Aileen Douglas and Ian Campbell Ross), The Vicar of Wakefield: A Tale, Supposed to Be Written by Himself (first published 1766; Cambridge University Press, 2024)

Oliver Goldsmith (ed. Arthur Friedman), The Vicar of Wakefield (first published 1766; Oxford University Press, 2008)

Oliver Goldsmith (ed. Arthur Friedman), The Collected Works of Oliver Goldsmith, 5 vols (Clarendon Press, 1966)

Oliver Goldsmith (ed. James Ogden), She Stoops to Conquer (first performed 1773; Methuen Drama, 2003)

Oliver Goldsmith (ed. James Watt), The Citizen of the World (first published 1762; Cambridge University Press, 2024)

Oliver Goldsmith (ed. Nigel Wood), She Stoops to Conquer and Other Comedies (first performed 1773; Oxford University Press, 2007)

Michael Griffin and David O’Shaughnessy (eds.), Oliver Goldsmith in Context (Cambridge University Press, 2024)

Michael Griffin and David O’Shaughnessy (eds.), The Letters of Oliver Goldsmith (Cambridge University Press, 2018)

Roger Lonsdale (ed.), The Poems of Gray, Collins and Goldsmith (Longmans, 1969)

In Our Time is a BBC Studios Audio production