Melvyn Bragg and guests discuss Marguerite, Queen of Navarre (1492 – 1549), author of the Heptaméron, a major literary landmark in the French Renaissance. Published after her death, The Heptaméron features 72 short stories, many of which explore relations between the sexes. However, Marguerite’s life was more eventful than that of many writers. Born into the French nobility, she found herself the sister of the French king when her brother Francis I came to the throne in 1515. At a time of growing religious change, Marguerite was a leading exponent of reform in the Catholic Church and translated an early work of Martin Luther into French. As the Reformation progressed, she was not afraid to take risks to protect other reformers.

With

Sara Barker

Emily Butterworth

And

Emma Herdman

Producer: Simon Tillotson

Reading list:

Giovanni Boccaccio (trans. Wayne A. Rebhorn), The Decameron (Norton, 2013)

Emily Butterworth, Marguerite de Navarre: A Critical Companion (Boydell &Brewer, 2022)

Patricia Cholakian and Rouben Cholakian, Marguerite de Navarre: Mother of the Renaissance (Columbia University Press, 2006)

Gary Ferguson, Mirroring Belief: Marguerite de Navarre’s Devotional Poetry (Edinburgh University Press, 1992)

Gary Ferguson and Mary B. McKinley (eds.), A Companion to Marguerite de Navarre (Brill, 2013)

Mark Greengrass, The French Reformation (John Wiley & Sons, 1987)

R.J. Knecht, The Rise and Fall of Renaissance France (Fontana Press, 2008)

R.J. Knecht, Renaissance Warrior and Patron: The Reign of Francis I (Cambridge University Press, 2008)

John D. Lyons and Mary B. McKinley (eds.), Critical Tales: New Studies of the ‘Heptaméron’ and Early Modern Culture (University of Pennsylvania Press, 1993)

Marguerite de Navarre (trans. Paul Chilton), The Heptameron (Penguin, 2004)

Marguerite de Navarre (trans. Rouben Cholakian and Mary Skemp), Selected Writings: A Bilingual Edition (University of Chicago Press, 2008)

Marguerite de Navarre (trans. Hilda Dale), The Coach and The Triumph of the Lamb (Elm Press, 1999)

Marguerite de Navarre (trans. Hilda Dale), The Prisons (Whiteknights, 1989)

Marguerite de Navarre (ed. Gisèle Mathieu-Castellani), L’Heptaméron (Libraririe générale française, 1999)

Jonathan A. Reid, King’s Sister – Queen of Dissent: Marguerite of Navarre (1492-1549) and her Evangelical Network (Brill, 2009)

Paula Sommers, ‘The Mirror and its Reflections: Marguerite de Navarre’s Biblical Feminism’ (Tulsa Studies in Women’s Literature, 5, 1986)

Kathleen Wellman, Queens and Mistresses of Renaissance France (Yale University Press, 2013)

Melvyn Bragg and guests discuss the most influential work of Thorstein Veblen (1857-1929). In 1899, during America’s Gilded Age, Veblen wrote The Theory of the Leisure Class as a reminder that all that glisters is not gold. He picked on traits of the waning landed class of Americans and showed how the new moneyed class was adopting these in ways that led to greater waste throughout society. He called these conspicuous leisure and conspicuous consumption and he developed a critique of a system that favoured profits for owners without regard to social good. The Theory of the Leisure Class was a best seller and funded Veblen for the rest of his life, and his ideas influenced the New Deal of the 1930s. Since then, an item that becomes more desirable as it becomes more expensive is known as a Veblen good.

With

Matthew Watson

Bill Waller

And

Mary Wrenn

Producer: Simon Tillotson

Reading list:

Charles Camic, Veblen: The Making of an Economist who Unmade Economics (Harvard University Press, 2021)

John P. Diggins, Thorstein Veblen: Theorist of the Leisure Class (Princeton University Press, 1999)

John P. Diggins, The Bard of Savagery: Thorstein Veblen and Modern Social Theory (Seabury Press, 1978)

John Kenneth Galbraith, The Affluent Society (Penguin, 1999)

Ken McCormick, Veblen in Plain English: A Complete Introduction to Thorstein Veblen’s Economics (Cambria Press, 2006)

Sidney Plotkin and Rick Tilman, The Political Ideas of Thorstein Veblen (Yale University Press, 2012)

Juliet B. Schor, The Overspent American: Why We Want What We Don't Need (William Morrow & Company, 1999)

Juliet B. Schor, Born to Buy: The Commercialized Child and the New Consumer Culture (Simon & Schuster Ltd, 2005)

Thorstein Veblen, The Theory of the Leisure Class (first published 1899; Oxford University Press, 2009)

Thorstein Veblen, The Theory of Business Enterprise (first published 1904; Legare Street Press, 2022)

Thorstein Veblen, The Higher Learning in America (first published 2018; Johns Hopkins University Press, 2015)

Thorstein Veblen, Absentee Ownership and Business Enterprise in Recent Times: The Case of America (first published 1923; Routledge, 2017)

Thorstein Veblen, Conspicuous Consumption (Penguin, 2005)

Thorstein Veblen, The Complete Works (Musaicum Books, 2017)

Charles J. Whalen (ed.), Institutional Economics: Perspective and Methods in Pursuit of a Better World (Routledge, 2021)

Melvyn Bragg and guests discuss Emile Zola's greatest literary success, his thirteenth novel in a series exploring the extended Rougon-Macquart family. The relative here is Etienne Lantier, already known to Zola’s readers as one of the blighted branch of the family tree and his story is set in Northern France. It opens with Etienne trudging towards a coalmine at night seeking work, and soon he is caught up in a bleak world in which starving families struggle and then strike, as they try to hold on to the last scraps of their humanity and the hope of change.

With

Susan Harrow

Kate Griffiths

And

Edmund Birch

Producer: Simon Tillotson

Reading list:

David Baguley, Naturalist Fiction: The Entropic Vision (Cambridge University Press, 1990)

William Burgwinkle, Nicholas Hammond and Emma Wilson (eds.), The Cambridge History of French Literature (Cambridge University Press, 2011), particularly ‘Naturalism’ by Nicholas White

Kate Griffiths, Emile Zola and the Artistry of Adaptation (Legenda, 2009)

Kate Griffiths and Andrew Watts, Adapting Nineteenth-Century France: Literature in Film, Theatre, Television, Radio, and Print (University of Wales Press, 2013)

Anna Gural-Migdal and Robert Singer (eds.), Zola and Film: Essays in the Art of Adaptation (McFarland & Co., 2005)

Susan Harrow, Zola, The Body Modern: Pressures and Prospects of Representation (Legenda, 2010)

F. W. J. Hemmings, The Life and Times of Emile Zola (first published 1977; Bloomsbury, 2013)

William Dean Howells, Emile Zola (The Floating Press, 2018)

Lida Maxwell, Public Trials: Burke, Zola, Arendt, and the Politics of Lost Causes (Oxford University Press, 2014)

Brian Nelson, Emile Zola: A Very Short Introduction (Oxford University Press, 2020)

Brian Nelson (ed.), The Cambridge Companion to Emile Zola (Cambridge University Press, 2007)

Sandy Petrey, Realism and Revolution: Balzac, Stendhal, Zola, and the Performances of History (Cornell University Press, 1988)

Arthur Rose, ‘Coal politics: receiving Emile Zola's Germinal’ (Modern & contemporary France, 2021, Vol.29, 2)

Philip D. Walker, Emile Zola (Routledge, 1969)

Emile Zola (trans. Peter Collier), Germinal (Oxford University Press, 1993)

Emile Zola (trans. Roger Pearson), Germinal (Penguin Classics, 2004)

In the 1000th edition of In Our Time, Melvyn Bragg and guests discuss arguably the most celebrated film of the Swedish director Ingmar Bergman (1918-2007). It begins with an image that, once seen, stays with you for the rest of your life: the figure of Death playing chess with a Crusader on the rocky Swedish shore. The release of this film in 1957 brought Bergman fame around the world. We see Antonius Block, the Crusader, realising he can’t beat Death but wanting to prolong this final game for one last act, without yet knowing what that act might be. As he goes on a journey through a plague ridden world, his meeting with a family of jesters and their baby offers him some kind of epiphany.

With

Jan Holmberg

Claire Thomson

And

Laura Hubner

Producer: Simon Tillotson

Reading list:

Alexander Ahndoril (trans. Sarah Death), The Director (Granta, 2008)

Ingmar Bergman (trans. Marianne Ruuth), Images: My Life in Film (Faber and Faber, 1995)

Ingmar Bergman (trans. Joan Tate), The Magic Lantern: An Autobiography (Viking, 1988)

Ingmar Bergman (trans. Joan Tate), The Best Intentions (Vintage, 2018)

Ingmar Bergman (trans. Joan Tate), Sunday’s Children (Vintage, 2018)

Ingmar Bergman (trans. Joan Tate), Private Confessions (Vintage, 2018)

Stig Björkman, Torsten Manns and Jonas Sima (trans. Paul Britten Austin), Bergman on Bergman: Interviews with Ingmar Bergman (Da Capo Press, 1993)

Melvyn Bragg, The Seventh Seal: BFI Film Classics (British Film Institute, 1993)

Paul Duncan and Bengt Wanselius (eds.), The Ingmar Bergman Archives (Taschen/Max Ström, 2018)

Erik Hedling (ed.), Ingmar Bergman: An Enduring Legacy (Lund University Press, 2021)

Laura Hubner, The Films of Ingmar Bergman: Illusions of Light and Darkness (Palgrave Macmillan, 2007)

Daniel Humphrey, Queer Bergman: Sexuality, Gender, and the European Art Cinema (University of Texas Press, 2013)

Maaret Koskinen (ed.), Bergman Revisited: Performance, Cinema, and the Arts (Wallflower Press, 2008)

Selma Lagerlöf (trans. Peter Graves), The Phantom Carriage (Norvik Press, 2011)

Mariah Larsson and Anders Marklund (eds.), Swedish Film: An Introduction and Reader (Nordic Academic Press, 2010)

Paisley Livingston, Ingmar Bergman and the Rituals of Art (Cornell University Press, 2019)

Birgitta Steene (ed.), Focus on The Seventh Seal (Prentice Hall, 1972)

Birgitta Steene, Ingmar Bergman: A Reference Guide (Amsterdam University Press, 2014)

Death in Venice is Thomas Mann’s most famous – and infamous - novella.

With

Karolina Watroba, Post-Doctoral Research Fellow in Modern Languages at All Souls College, University of Oxford

Erica Wickerson, a Former Research Fellow at St Johns College, University of Cambridge

Sean Williams, Senior Lecturer in German and European Cultural History at the University of Sheffield

Sean Williams' series of Radio 3's The Essay, Death in Trieste, can be found here: https://www.bbc.co.uk/programmes/m001lzd4

Sophocles’ play Oedipus Rex begins with a warning: the murderer of the old king of Thebes, Laius, has never been identified or caught, and he’s still at large in the city. Oedipus is the current king of Thebes, and he sets out to solve the crime.

His investigations lead to a devastating conclusion. Not only is Oedipus himself the killer, but Laius was his father, and Laius’ wife Jocasta, who Oedipus has married, is his mother.

Oedipus Rex was composed during the golden age of Athens, in the 5th century BC. Sophocles probably wrote it to explore the dynamics of power in an undemocratic society. It has unsettled audiences from the very start: it is the only one of Sophocles’ plays that didn’t win first prize at Athens’ annual drama festival. But it’s had exceptionally good write-ups from the critics:

With:

Nick Lowe, Reader in Classical Literature at Royal Holloway, University of London

Fiona Macintosh, Professor of Classical Reception and Fellow of St Hilda’s College at the University of Oxford

Edith Hall, Professor of Classics at Durham University

In the year 29 BC the great Roman poet Virgil published these lines:

They’re from his poem the Georgics, a detailed account of farming life in the Italy of the time. ‘Georgics’ means ‘agricultural things’, and it’s often been read as a farming manual. But it was written at a moment when the Roman world was emerging from a period of civil war, and questions of land ownership and management were heavily contested. It’s also a philosophical reflection on humanity’s relationship with the natural world, the ravages of time, and the politics of Virgil’s day.

It’s exerted a profound influence on European writing about agriculture and rural life, and has much to offer environmental thinking today.

With

Katharine Earnshaw

Neville Morley

and

Diana Spencer

Producer: Luke Mulhall

Melvyn Bragg and guests discuss the highly influential American poet Walt Whitman.

In 1855 Whitman was working as a printer, journalist and property developer when he published his first collection of poetry. It began:

I celebrate myself,

The book was called Leaves of Grass. In it, Whitman set out to break away from European literary forms and traditions. Using long lines written in free verse, he developed a poetry meant to express a distinctively American outlook.

Leaves of Grass is full of verse that celebrates both the sovereign individual, and the deep fellowship between individuals. Its optimism about the American experience was challenged by the Civil War and its aftermath, but Whitman emerged as a celebrity and a key figure in the development of American culture.

With

Sarah Churchwell

Peter Riley

Mark Ford

Producer Luke Mulhall

Melvyn Bragg and guests discuss Virginia Woolf's highly influential essay on women and literature, which considers both literary history and future opportunity.

In 1928 Woolf gave two lectures at Cambridge University about women and fiction. In front of an audience at Newnham College, she delivered the following words: “All I could do was offer you an opinion upon one minor point - a woman must have money and a room of her own if she is to write fiction; and that, as you will see, leaves the great problem of the true nature of woman and the true nature of fiction unsolved”.

These lectures formed the basis of a book she published the following year, and Woolf chose A Room Of One’s Own for its title. It is a text that set the scene for the study of women’s writing for the rest of the 20th century. Arguably, it initiated the discipline of women’s history too.

With

Hermione Lee

Michele Barrett

and

Alexandra Harris

Producer Luke Mulhall

Melvyn Bragg and guests discuss the Ramayana, the ancient Hindu epic which is regarded as one of the greatest works of world literature. Its importance in Indian culture has been compared to that of the Iliad and Odyssey in the West, and it’s still seen as a sacred text by Hindus today.

Written in Sanskrit, it tells the story of the legendary prince and princess Rama and Sita, and the many challenges, misfortunes and choices that they face. About 24,000 verses long, the Ramayana is also one of the longest ancient epics. It’s a text that’s been hugely influential and it continues to be popular in India and elsewhere in Asia.

Jessica Frazier

Chakravarthi Ram-Prasad

and

Naomi Appleton

The image above shows Rama, Sita, Hanuman, Lakshmana and devotees, from the Shree Jalaram Prarthana Mandal, Leicester.

Producer Luke Mulhall