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The production line. Tiny arms. The trouble with Esther - I’d rather begin the yoke with GRANITE (not “graphite”). Ready to redesign the colorwork on the swatch. The sock makes a brief appearance before returning to time out.
I have not yet performed penance on recent stash acquisition, but I did just think up a great name for this project: The Squeaky Spinach Boreal. It’s perfect, right?
Ready to learn beautiful mending with Visible Creative Mending and micro skeins of joy (twenty pence piece for scale = roughly the size of a US nickel). Fiona’s very sad sleeve and the mend from last year.
Make your own Desert Boots in this online class from the Chicago School of Shoemaking. (Tip o’ the needles to Sarah S.)
Massive thanks to Kim Werker for her time, enthusiasm and inspiration. Kim’s current project with Kate Atherly is Digits & Threads, about Canadian fibre and textile arts. Their first book: Sheep, Shepherd and Land.
Music: Jim Fidler, Merrigan’s Reel; Marie Hinds, Light Up the World
By Brenda Dayne4.7
454454 ratings
The production line. Tiny arms. The trouble with Esther - I’d rather begin the yoke with GRANITE (not “graphite”). Ready to redesign the colorwork on the swatch. The sock makes a brief appearance before returning to time out.
I have not yet performed penance on recent stash acquisition, but I did just think up a great name for this project: The Squeaky Spinach Boreal. It’s perfect, right?
Ready to learn beautiful mending with Visible Creative Mending and micro skeins of joy (twenty pence piece for scale = roughly the size of a US nickel). Fiona’s very sad sleeve and the mend from last year.
Make your own Desert Boots in this online class from the Chicago School of Shoemaking. (Tip o’ the needles to Sarah S.)
Massive thanks to Kim Werker for her time, enthusiasm and inspiration. Kim’s current project with Kate Atherly is Digits & Threads, about Canadian fibre and textile arts. Their first book: Sheep, Shepherd and Land.
Music: Jim Fidler, Merrigan’s Reel; Marie Hinds, Light Up the World

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