If you were asked to stitch a picture of your brain what would it look like? A project that looks at the connection between our hands and our brains asked people to do just that. It was aiming to measure creativity and to find out what impact skill and experience has on our actions? These are difficult questions to answer, but this episode of Haptic & Hue looks at what happens to us when we learn activities like knitting, sewing and weaving, how do our hands and brains work together, and which guides the other?

About ten years ago a doctor in The Netherlands started what sounds like a simple and practical project. She sent off embroidery kits with a print of the human brain on them and asked participants to stitch a brain. The results, captured in recently published book, are glorious, with a variety of stitched, fringed, appliqued, woven, beaded, woollen, and embroidered brains.

Those who took part in the Stitch Your Brain project were being asked to do something complex: to use their handcraft skills to think about their brains and what happens to them when they make. It brought into sharp focus the incredible relationship between our hands and our brains and how we use them together to practice or learn a new textile skill and use it with ease and enjoyment.

For more information about this episode and pictures of the people and places mentioned in this episode please go to https://hapticandhue.com/tales-of-textiles-series-7/.

And if you would like to find out about Friends of Haptic & Hue with an extra podcast every month hosted by Jo Andrews and Bill Taylor – here's the link: https://hapticandhue.com/join/

If we need proof that textiles can rewrite human history, then it lies with the bog bodies of northern Europe. Textile archaeologists are revealing a whole new past about people who, in some cases, are older than Tutankhamen, but much less celebrated. Across northern Europe there are hundreds of bog bodies, who long ago were buried in marshlands and were preserved down the centuries by acidic conditions and lack of oxygen. We will never know all their secrets, but slowly we are discovering more about who they were, and how they lived. It is their textiles that bring us closer to them and tell us, not just about their skills, but also how they thought and designed cloth and clothing.

In Denmark more than a hundred marsh bodies have been found - some in extraordinary states of preservation. They date from the late Bronze and early Iron Ages, and are between 1,500 and 3,000 years old. But what some of them are wearing can take us back much further than that, into a time when humans first started to cover their bodies with clothing. For this episode, Jo travelled to the National Museum of Denmark, in Copenhagen, to explore the textiles of two of the world's most famous bog bodies.

For more information about this episode and pictures of the people and places mentioned in this episode please go to https://hapticandhue.com/tales-of-textiles-series-7/.

And if you would like to find out about Friends of Haptic & Hue with an extra podcast every month hosted by Jo Andrews and Bill Taylor – here's the link: https://hapticandhue.com/join/

Here's a surprise! An extra episode of Haptic & Hue. We said we were taking a break for July and August and yes, we are. But we thought we would give you a taste of what Friends of Haptic & Hue sounds like and invite you to join the other podcast that we make every month.

So here is the episode of Travels with Textiles that was uploaded for Friends in May this year, just as UNESCO announced that it was adding an old quilting practice to the list of crafts that have intangible cultural heritage status.

Quilting in a flat frame with a rocking stitch has a history that stretches back certainly to the 16th century and maybe much further. This is one of the original forms of quilting on cloth, creating beautiful and complex patterns as it is done. This technique often produces a style of quilting known as whole cloth quilts.

Hand quilting in a frame is being placed on the Red List of Endangered Crafts by the Heritage Crafts Council as the number of elderly practitioners of this skill, mainly in Wales, Northern England and the Scottish Borders continues to dwindle and quilting frames disappear.

But here we talk to two quilters who are seeking to reverse that by recognising, protecting, and reviving whole cloth quilting, and the tools needed to carry it out.

For more information about this episode and pictures of the people and places mentioned in this episode please go to https://hapticandhue.com/tales-of-textiles-series-7/.

And if you would like to find out about Friends of Haptic & Hue with an extra podcast every month hosted by Jo Andrews and Bill Taylor – here's the link: https://hapticandhue.com/join/

A very special tartan has just started to roll off the weaving looms of the Prickly Thistle Mill in the north of Scotland. This brand-new design in black, pink, red, and grey is part of a powerful campaign to remember the thousands of overwhelmingly female lives lost to accusations of witchcraft between the 1500s and the mid 1700s. This was one of the bloodiest miscarriages of justice Scotland has ever seen. Records suggest that at the time Scotland accused and executed more people than any other country in the world.

The Witches of Scotland Tartan sold out long before it went into production after its registration was spotted by an eagle-eyed American, testament to the fact that the tragedy of the witchcraft trials spread to America with the colonists of the 1600s. It also speaks volumes for the power of textiles that the two determined women, who have been campaigning for a pardon for all those accused of witchcraft in Scotland, have chosen a fabric that can be worn by all as a living memorial to those who lost their lives, rather than a statue or a fixed monument.

Cloth has a great power to hold the memories of those we have loved, but this may be the first time it has been called in use as a national memorial, to commemorate injustices done to unknown thousands who are long dead. It brings new meaning to the campaigns to exonerate witches in a world where these accusations don't seem to have died but merely changed shape.

For more information about this episode and pictures of the people and places mentioned in this episode please go to https://hapticandhue.com/tales-of-textiles-series-7/.

And if you would like to find out about Friends of Haptic & Hue with an extra podcast every month hosted by Jo Andrews and Bill Taylor – here's the link: https://hapticandhue.com/join/

Early this year there was a catastrophic fire at the world's biggest market for selling and upcycling second-hand clothes. Kantamanto market, in Ghana's capital Accra, was accidently set alight, and most of the small stalls in the retail part of the huge market burnt to the ground. Two people died, many were injured, and the livelihoods of thousands of people were destroyed, driving many of them into debt and desperation. But the impact of the fire spread much further than that.

You may not have heard of Kantamanto market, but it plays a vital role in dealing with our textile excess. This is where many of the clothes we donate to charity shops, goodwill centres, or put in textile bins end up. The West African market takes bales of clothing from all over the world and does its best to recycle them. But what can't be used is dumped at informal waste sites or burned, causing mounting environmental problems in Accra's streets and on Ghana's beautiful beaches.

This episode of Haptic and Hue's Tales of Textiles looks at the tragedy and the ingenuity of Kantamanto and tracks the global cost of fast fashion and textile excess. Will the demand for cheap textiles and clothing stop increasing year on year and can they ever be properly recycled? And what can we as consumers do about it?

For more information about this episode and pictures of the people and places mentioned in this episode please go to https://hapticandhue.com/tales-of-textiles-series-7/.

To join Friends of Haptic & Hue with an extra podcast every month hosted by Jo Andrews and Bill Taylor – here's the link: https://hapticandhue.com/join/

Creativity and invention aren't words often associated with hardship and suffering, but in the Second World War women in America and Britain faced with clothes rationing rose to the challenge in many different ways.

Those days are long past, but in an era of textile super-abundance, do clothes coupons have something new to teach us about how we buy and use our clothes? Can clothes rationing help cure us of an addiction to fast fashion? In this month's episode, we hear from a well-known winner of the Great British Sewing Bee who has adopted the wartime system of coupons as a way of limiting her consumption of fabric and clothing.

Eighty years ago, Make Do and Mend became the watch-words of the day as people eked out their garments, repairing and re-making them over and over again. But clothes rationing in both countries also changed what people wore and hastened technological revolutions. In Britain many people had access to quality, well-styled clothing for the first time, and in America with luxury fibres scarce, man-made fibres entered the market much more quickly than they might otherwise have done.

For more information about this episode and pictures of the people and places mentioned in this episode please go to https://hapticandhue.com/tales-of-textiles-series-7/.

And if you would like to find out about Friends of Haptic & Hue with an extra podcast every month hosted by Jo Andrews and Bill Taylor – here's the link: https://hapticandhue.com/join/

There's a fashion technique that's been in continuous use for over five thousand years – proof, if proof is needed, that there is nothing new in fashion. We have tunics that survive from the time of the Pharaohs in Egypt that use it and you can see it still in the catwalk collections of today.

It's incredible to think that the simple pleat has pleased the human eye for so long and in so many different ways. Pleating adds movement and life to garments and often signals wealth and abundance. Each culture has found its own way to use them, from the stitched smocks of early English farm workers to the glorious billowing dress Marilyn Munroe wore above the subway grating in the 1950s.

This episode tells the story of the pleats on the world's oldest surviving garment, hears from an expert modern pleater in New York, and tries to unravel the mystery behind one of the world's most famous pleated garments.

For more information about this episode and pictures of the people and places mentioned in this episode please go to https://hapticandhue.com/tales-of-textiles-series-7/. And if you would like to find out about Friends of Haptic & Hue with an extra podcast every month hosted by Jo Andrews and Bill Taylor – here's the link: https://hapticandhue.com/join/

What happens when one of the most traditional museums in the world revolutionises the way it presents the story of the past? The answer is not only a riot of craft and colour, but a reminder of the crucial role of textiles in framing our histories.

The Pitt Rivers Museum at Oxford, in the UK, has just added 15 brand new, intensely colourful Hawaiian quilts to its collection of extraordinary artifacts. These skilfully stitched quilts were specially made for the Museum, which holds more than half a million precious objects from all over the world and from all periods of human existence.

Quilting is a craft that over two hundred years Hawaiians have made very much their own – although it was first brought to the islands by incomers. They have developed a unique style that embeds the deep beliefs and rituals of Hawaiian life and keeps them alive in the designing, making, and gifting of these beautiful quilts.

For more information about this episode and pictures of the people and places mentioned in this episode please go to https://hapticandhue.com/tales-of-textiles-series-7/.

And if you would like to find out about Friends of Haptic & Hue with an extra podcast every month hosted by Jo Andrews and Bill Taylor – here's the link: https://hapticandhue.com/join/

Tapestries for Troubled Times

The stitches of the Bayeux Tapestry fix the story of the Norman Conquest of England in our imaginations in an extraordinarily charismatic way. But nearly a thousand years later modern stitchers are picking up their needles to reframe their stories in just as powerful a fashion, showing that textiles can rewrite our histories.

The Bayeux Tapestry was created by women in an age of great violence and uncertainty. It became the defining narrative of the battle between Harold Godwinson and William, Duke of Normandy, for the throne of England that took place in 1066.

The Great Tapestry of Scotland - finished just over ten years ago is an incredible work that retells the story of an entire nation from its very beginnings. It shows that when women tell the story in stitches a very different kind of history emerges.

Neither work changes the facts – nothing does that - but both are demonstrations of the power of stitch to redefine how we see ourselves and give us different perspectives on events, which ones we find important and what we feel about them. This episode of Haptic & Hue is about the power of Tapestry, ancient and modern, to recreate and reframe our stories.

For more information about this episode and pictures of the people and places mentioned in this episode please go to https://hapticandhue.com/tales-of-textiles-series-7/.

And if you would like to find out about Friends of Haptic & Hue with an extra podcast every month, hosted by Jo Andrews and Bill Taylor – here's the link: https://hapticandhue.com/join/

A coarse, plain cloth has a greater claim to being the most important textile in history than any sumptuous silk brocade or royal robe. Sailcloth is the fabric that has made it possible for humanity to explore the world, trade across seas, build great empires, and wage wars for millennia, and yet history pays very little attention to it. Textile archaeology has begun to fill in some of the gaps, but there is still a huge amount that we don't know about how sails were made and how sail-making changed the communities that undertook this work.

Without sailcloth the Greeks could not have fought the Trojans, there would have been no Viking empire, William the Conqueror would not have invaded England, the Polynesians could not have settled the Pacific, Columbus certainly would not have sailed the ocean blue, Magellan would not have circumnavigated the world and there would have been no transatlantic slave trade.

Sails made so much possible. But even though these form the structure of our history and cultural heritage, there has been very little focus on the sails that made them possible, and almost none on the communities that made the sails. This episode of Haptic & Hue looks at the most ancient sails we know about and takes us right up to the modern sails used for the sort of yachts in the recent America's Cup Race in Barcelona. We talk to a modern craft sailmaker and hear how a small village in Somerset was once at the heart of the global industry of sail-making. We also hear from a Danish textile archaeologist about why Viking sails were unique.

For more information about this episode and pictures of the people and places mentioned in this episode please go to https://hapticandhue.com/tales-of-textiles-series-6/