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Pet Sounds was the eleventh studio album by the Beach Boys. The album revolutionized music production, helped establish the album as the dominant form of music, and made the recording studio an instrument. The Beach Boys at this time are Brian Wilson, Carl Wilson, Dennis Wilson, Bruce Johnston, Al Jardine, and Mike Love.
Some consider Pet Sounds to be a Brian Wilson solo project. He stopped touring with the Beach Boys a year prior to producing this album, and most of the Beach Boys had not heard the songs until they came into the recording session after the tour. Additionally, the album contained a lot of departures from standard Beach Boys fare. Wilson had moved them away from the surfing focus over the course of several albums, but this was deeper, more art rock, and inorporated jazz and other genres which just couldn't be duplicated in concert with a standard small rock set used on Beach Boys tours.
Brian Wilson wanted this to be the greatest rock album ever made, and wanted it to be a cohesive work with no filler songs. Some consider it a concept album, but it is more like a curated art work - the songs hang together but don't focus on a single theme. While the album has become recognized as one of the greatest rock albums ever written, it was not initially received that way either commercially or critically. This really hurt Wilson, as he considered it a public rejection of his artistry. Even later when folks would tell him how great the album was, he didn't want to hear it. He was already starting to breakdown mentally and psychologically.
Bruce brings us this iconic album.
Wouldn't It Be Nice
Don't Talk (Put Your Head on My Shoulder)
Caroline, No
God Only Knows
ENTERTAINMENT TRACK:
Main theme from the television series "Perry Mason"
STAFF PICKS:
Time Won't Let Me by the Outsiders
Eight Miles High by the Byrds
Twinkle Toes by Roy Orbison
Strangers In the Night by Frank Sinatra
INSTRUMENTAL TRACK:
Let's Go Away for Awhile by the Beach Boys
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
By Rob Marbury, Wayne Rowan, Bruce Fricks, John Lynch4.9
4747 ratings
Pet Sounds was the eleventh studio album by the Beach Boys. The album revolutionized music production, helped establish the album as the dominant form of music, and made the recording studio an instrument. The Beach Boys at this time are Brian Wilson, Carl Wilson, Dennis Wilson, Bruce Johnston, Al Jardine, and Mike Love.
Some consider Pet Sounds to be a Brian Wilson solo project. He stopped touring with the Beach Boys a year prior to producing this album, and most of the Beach Boys had not heard the songs until they came into the recording session after the tour. Additionally, the album contained a lot of departures from standard Beach Boys fare. Wilson had moved them away from the surfing focus over the course of several albums, but this was deeper, more art rock, and inorporated jazz and other genres which just couldn't be duplicated in concert with a standard small rock set used on Beach Boys tours.
Brian Wilson wanted this to be the greatest rock album ever made, and wanted it to be a cohesive work with no filler songs. Some consider it a concept album, but it is more like a curated art work - the songs hang together but don't focus on a single theme. While the album has become recognized as one of the greatest rock albums ever written, it was not initially received that way either commercially or critically. This really hurt Wilson, as he considered it a public rejection of his artistry. Even later when folks would tell him how great the album was, he didn't want to hear it. He was already starting to breakdown mentally and psychologically.
Bruce brings us this iconic album.
Wouldn't It Be Nice
Don't Talk (Put Your Head on My Shoulder)
Caroline, No
God Only Knows
ENTERTAINMENT TRACK:
Main theme from the television series "Perry Mason"
STAFF PICKS:
Time Won't Let Me by the Outsiders
Eight Miles High by the Byrds
Twinkle Toes by Roy Orbison
Strangers In the Night by Frank Sinatra
INSTRUMENTAL TRACK:
Let's Go Away for Awhile by the Beach Boys
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

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