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One of the earliest examples of a prog rock record was Days of Future Passed, the second studio album by The Moody Blues. Originally a rhythm and blues band, The Moody Blues were in difficult financial straits when they convinced the record company to combine their music with orchestral elements and interludes in a single album. The group recorded much of their sessions first, then provided these to conductor Peter Knight, who directed the London Festival Orchestra (the house orchestra for Decca Records) in arrangements and orchestral interludes.
The Moody Blues for this album are Justin Hayward on guitar, piano, and vocals, John Lodge on bass and vocals, Mike Pinder on keyboards and vocals, Ray Thomas on flute, piano, and vocals, and Graeme Edge on drums and vocals.
Days of Future Passed is created as a concept around a day in the life of "an everyday man." It begins with a track appropriately entitled "The Day Begins," and concludes with a piece labeled "The Night," which we know as "Nights in White Satin," and "Late Lament."
The album was somewhat successful when first released, but would climb in popularity over a long period of time, particularly on the growing strength of "Nights in White Satin" on FM radio in the U.S. It would eventually peak on the album charts at number 2 in the U.S. - in 1972!
Brian takes us on this day trip.
Dawn: Dawn Is a Feeling
Lunch Break
Tuesday Afternoon
Nights In White Satin/Late Lament
ENTERTAINMENT TRACK:
Won't You Be My Neighbor? (the main theme to the children's series Mr. Rogers' Neighborhood)
STAFF PICKS:
Tomorrow by Strawberry Alarm Clock
Hey Baby (They're Playing Our Song) by The Buckinghams
Nobody But Me by the Human Beinz
Sunday Mornin' by Spanky & Our Gang
COMEDY TRACK:
Here Come the Judge by Shorty Long
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
By Rob Marbury, Wayne Rowan, Bruce Fricks, John Lynch4.9
4747 ratings
One of the earliest examples of a prog rock record was Days of Future Passed, the second studio album by The Moody Blues. Originally a rhythm and blues band, The Moody Blues were in difficult financial straits when they convinced the record company to combine their music with orchestral elements and interludes in a single album. The group recorded much of their sessions first, then provided these to conductor Peter Knight, who directed the London Festival Orchestra (the house orchestra for Decca Records) in arrangements and orchestral interludes.
The Moody Blues for this album are Justin Hayward on guitar, piano, and vocals, John Lodge on bass and vocals, Mike Pinder on keyboards and vocals, Ray Thomas on flute, piano, and vocals, and Graeme Edge on drums and vocals.
Days of Future Passed is created as a concept around a day in the life of "an everyday man." It begins with a track appropriately entitled "The Day Begins," and concludes with a piece labeled "The Night," which we know as "Nights in White Satin," and "Late Lament."
The album was somewhat successful when first released, but would climb in popularity over a long period of time, particularly on the growing strength of "Nights in White Satin" on FM radio in the U.S. It would eventually peak on the album charts at number 2 in the U.S. - in 1972!
Brian takes us on this day trip.
Dawn: Dawn Is a Feeling
Lunch Break
Tuesday Afternoon
Nights In White Satin/Late Lament
ENTERTAINMENT TRACK:
Won't You Be My Neighbor? (the main theme to the children's series Mr. Rogers' Neighborhood)
STAFF PICKS:
Tomorrow by Strawberry Alarm Clock
Hey Baby (They're Playing Our Song) by The Buckinghams
Nobody But Me by the Human Beinz
Sunday Mornin' by Spanky & Our Gang
COMEDY TRACK:
Here Come the Judge by Shorty Long
Thanks for listening to “What the Riff?!?”
NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.
Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.
Of course we'd love for you to rate the show in your podcast platform!
**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

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