It’s quite a different experience, appreciating KILL BILL: VOLUME 1 as the most recent Quentin Tarantino outing, versus watching it as the fourth of nine movies in his filmography. Has time and an expanded context softened Alex’s stance when it comes to The Bride’s adventures? Has Julio been overrating the first Kill Bill for almost twenty years? Has Chas’ unexpected clash with Tarantino over his writing in Volume 1 soured his take on the movie? Listen to Real Talk to find out!

TIMELINE

00:00:52 Now on Patreon

00:10:45 Real Talk

00:57:09 The Future & Perennial Plugs

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-You can listen to Chas talk about screenwriting with his co-host Stu on Draft Zero! And, as he mentioned, Stu and his co-host Mel are doing wonders over at Shot Zero.

- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.

- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.

- THE LATE NIGHT GRIN isn’t just a show about wrestling: it’s a brand, a lifestyle. And they’re very supportive of our Contrarian endeavors, so we’d like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.

- Hans Rothgiesser, the man behind our logo, can be reached at @mildemonios on Twitter or you can email him at [email protected] in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he’s written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

Up next, Chas Fisher from Draft Zero returns so we can finish The Bride’s journey in KILL BILL: VOLUME 2! Until then, let us know what you thought of Kill Bill Volume1: Can it get by on its style and exuberance, or does it need more meat? Is this the weakest dialogue of Tarantino’s career, or is the point that it’s not meant to be as “cool” as in his other movies? Do you prefer volume one to volume two? E-mail us at [email protected] or tweet at us or facebook us and share your thoughts!