You'll need two hands to count the number of Tony noms this week's guest has garnered, it's Beverly Emmons! Cory and Beverly cover her vast and varied career and her collaborations with such luminaries as Martha Graham, Jules Fisher, Merce Cunningham and Kenny Leone. She recounts becoming an LD by way of dance school, her longstanding relationship with USA 829 and her involvement in the union exam, how the idea for The Lighting Archive came about, and what is was like following in the footsteps of Jean Rosenthal, Peggy Clark, and Tharon Musser. She also shares her thoughts on lighting research, hand drafting, pre-visualation tools, balancing work and family and a whole host of other topics. And hear her describe an incredibly bizarre and fascinating design process proposed by Robert Rauschenberg for a dance by Merce Cunningham in which she created a randomized cue structure out of mostly existing worklights, hall lights, grid lights and flashlights that could never be the same from performance to performance. Pretty soon you'll be yelling to turn the worklights ON!