The Self-Recording Band

201: Dual Mono VS Stereo - Gain Full Control Over Your Stereo Image By Setting Up Your Compressors The Right Way


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Episode show notes:

Ever felt like your mixes are just a snowball's throw away from that nice, wide stereo image you crave? 

Sure, the basics like mic technique, panning, intentional EQ moves, among others are always the most important thing. But there is more. And we want to share one thing with you that you might have overlooked, so far.

Strap in, because we're whisking you up the sonic slopes to conquer the nuances of dual mono vs. stereo compression! 

This seemingly small detail can be the difference between a stable, solid center in your stereo image and a wonky center that won't provide the solid foundation that your groove needs.

Or between a wide, clear mix and a narrow one.

Being intentional about this will also give you extra clarity, separation and width for your rhythm guitars, toms or any other stereo source that you're dealing with in your mix.

First, we dissect when to pan mono sources and when to bask in true stereo glory, providing a roadmap through the complexities of creating a nice, wide stereo image. It's like choosing the right snowboard for the mountain – you need the proper technique to ride the sound waves to their fullest potential.

Finally, we're cranking up the dials on your DAW savvy, revealing the ins and outs of compressor plugins and their different channel linking modes.

Learn how to finesse your compressor settings to keep your mix wide open or dial in that cohesive, 'pumpy' feel when the track calls for it. 

So, tune up your audio kit, and let's hit the play button on this episode!

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For full show notes go to: https://theselfrecordingband.com/201
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If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: [email protected]

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The Self-Recording BandBy Benedikt Hain / Manel Espinosa Berenguer

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