Billy Corgan sits down with John Cowsill (The Cowsills) for a deep-cut tour through ’60s pop history, from kitchen-table harmonies and four-set club nights as grade-schoolers to drumming as a nine-year-old on Ed Sullivan. He shares what really happened in the studio on “The Rain, the Park & Other Things” and “Hair,” and the family dynamics that fueled and fractured a once-in-a-generation vocal blend. They also trace John’s path from early Johnny Nash sessions to decades with the Beach Boys, a new duo with wife Vicki Peterson (The Bangles), and fronting The Smithereens.

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Chicago meets Chicago as Billy Corgan sits down with Marilu Henner to unpack her highly superior autobiographical memory (H.S.A.M.) that can turn a Tuesday from 1972 into a living scene and why her story is bigger than a party trick. From her Logan Square roots (beauty shop in the kitchen, dance school in the backyard), the champions who changed her path, Taxi’s 112 episodes, 112 Friday parties, open-door table reads, and Andy Kaufman’s singular orbit. The pair connect feeling to art including the rain-slick Chicago moment that helped spark “1979.” Old Hollywood drifts through, the Andrews Sisters’ precision harmonies and Burt Reynolds’ desert circus in Cannonball Run II before the conversation lands on health, longevity, and service.

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In what may be one of his final interviews, soul legend Sam Moore (of Sam & Dave) sits down with Billy Corgan for a candid, career-spanning conversation—covering church-born vocals, the Stax vs. Motown divide, and why real bands beat backing tracks. He revisits the accidental origins of Sam & Dave, the studio alchemy with Isaac Hayes and David Porter, and sessions behind “Hold On, I’m Comin’” and the iconic “Play it, Steve!” on “Soul Man.” Moore speaks frankly about industry politics, DJ gatekeeping, tours with Otis Redding, the M.G.’s (Duck Dunn, Al Jackson, Steve Cropper) and his long road from addiction to sobriety.

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Billy Corgan sits down with Steve Vai for a wild ride through arenas, rehearsal rooms, and beehives. They swap stories about outlandish ’80s stage antics, the “gunslinger” spirit of guitar duels, and how obsession, not discipline, fuels mastery. Vai breaks down his early passion for composing, his years with Frank Zappa, the hire wire act of replacing Yngwie Malmsteen and following Eddie Van Halen, plus how to survive the smoky Zen of David Lee Roth during the ‘shred’ years.

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In this episode Billy Corgan sits down with musical visionary Danny Elfman. Together they trace his journey from the underground theatrics of the Mystic Knights to fronting Oingo Boingo, and on to scoring over 100 iconic films including Batman, Beetlejuice, and The Nightmare Before Christmas. Danny opens up about his unconventional path into composing, the challenges of being underestimated in both rock and classical circles, working with Tim Burton, and why he thrives on creative resistance. In the end, it’s a conversation about art, identity, and what it means to finally feel seen on your own terms.

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In this conversation, I sit down with Elliot Mintz, the man who became John Lennon and Yoko Ono’s closest confidant during their most radical and reclusive years. Elliot shares how a single radio interview turned into hundreds of late-night calls, secret meetings in Ojai, and a front-row seat to Lennon’s life after the Beatles. We talk about government surveillance, artistic risk, and the quiet cost of fame. Elliot reflects on John’s complex relationships with Paul McCartney and Bob Dylan, the making of Some Time in New York City, and the moment John handed him a test pressing and told him to “break the record.

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In this episode of TMO, Billy Corgan sits down with songwriting legend Paul Williams for a free‑wheeling conversation that spans astrology, Williams’ nomadic childhood and early hormone therapy, his breakthrough at A&M Records, and the creation of “We’ve Only Just Begun”, sessions with the Wrecking Crew, trading quips with Johnny Carson on The Tonight Show, Williams’ roles in Battle for the Planet of the Apes and Brian De Palma’s cult classic Phantom of the Paradise, and his memorable “Love Boat” theme. Both reflect on struggles with addiction: Williams’ 1989 cocaine‑induced breakdown that led to long‑term sobriety and Corgan’s experience with his father’s substance abuse.

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Billy Corgan welcomes Grammy‑winner Rick Springfield for an unfiltered tour through five decades of reinvention: the bubble‑gum‑pink days in the Aussie psych outfit Zoot to Rick’s audacious spin on “Eleanor Rigby,” the labyrinth of visa nightmares and fine‑print contracts that nearly derailed him, his detour into acting that stretched from The Six Million Dollar Man cameos to his star‑making turn as Dr. Noah Drake on General Hospital. Springfield also recounts the marathon climb of “Jessie’s Girl,” the Working Class Dog era, and the brutal mental‑health reset that saved his career and his life.

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Billy Corgan welcomes Micky Dolenz for a conversation that peels back the curtain on a lifetime in show business. Dolenz explains why he always kept “Micky the TV drummer” separate from the real man, explains how the Monkees were a cast before they were a band, surviving the show’s cancelation and watching the Monkees phenomenon roar back when MTV picked up the reruns. Along the way he revisits his Circus Boy childhood, Boyce & Hart songwriting sessions, Mike Nesmith’s push for creative control, and the boundary-breaking film Head that foreshadowed the indie-film revolution. The result is a candid, inside-out look at fame, reinvention, and the craft behind an accidental pop-culture landmark.

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Billy Corgan sits down with Joe Mantegna to trace his journey from singing Beatles tunes in his Chicago high-school band The Weasels, playing clubs with acts like Neil Diamond and Chicago, to dodging mob-run venues, goth “Judas” cult fans, and finally finding his groove in theatrical productions of West Side Story, Hair and Godspell. He recalls tiny residual checks, eight-shows-a-week stamina, and how that grind led to a Tony Award and iconic turns in The Godfather Part III, Criminal Minds and The Simpsons.

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