This week in the After Party, Jake is thinking about monsters – the fictitious kind and the kind that are all too real. Plus, we hear more spooky stories from you and get your recommendations on scary music.

Next week we're bringing you an episode on Judas Priest and the Satanic Panic of the 1980s, and Jake wants to know: who is your favorite heavy metal band? Share your thoughts at 617-906 6638, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or on socials @disgracelandpod.

For more great Disgraceland episodes, dive into our extensive archive, including such episodes as:

Episode 89 - Black Sabbath

Episode 24 - Spade Cooley

Episode 22 - Big Lurch

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Sharing an episode of the new podcast Fela Kuti: Fear No Man.When the world is on fire… what can music actually…do? Host Jad Abumrad recounts the true tale of one of the great political awakenings in music. Fela Kuti was a classically-trained Nigerian musician who traveled to America, only to return to Nigeria and transform his sound into a battering ram against the state. Doing so he created a new musical language of resistance called Afrobeat. But when the mix of art and activism got too hot, the state pulled out its guns, and literally opened fire.

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Harry Houdini was the world's greatest escape artist and at the height of his powers was one of the world's most famous people. His unearthly ability to escape any prison and to break free of any bondage was matched only by his aggressive self-promotion. Anyone who tried to get in his way, rewrite his story, steal his thunder or question his abilities would find themselves in his crosshairs. When the burgeoning Spiritualist movement tried to make a fool of Houdini, he began a crusade that would last the rest of his life. And when his life was over, the question Houdini left the world was: could he make the greatest escape in history?

This episode was originally published on October 24, 2024.

For a full list of contributors, visit ⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com⁠⁠⁠⁠⁠⁠⁠⁠

To listen to Disgraceland ad free and hear an exclusive mini-episode about Slipknot's encounters with the supernatural at Houdini's mansion, become a Disgraceland All Access member at ⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com/membership⁠⁠⁠⁠⁠⁠⁠⁠.

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Haunted by the legacy of his superstar father and by an old family curse, Brandon Lee tried to outrun the past. But the past came after him all the same. It was said that his father, Bruce Lee, was taken by that family curse at just 32 years old, and that it then followed Brandon to the set of The Crow, a cross between a superhero blockbuster and a brooding art film that was all goth. The shoot was plagued by injury, electrocution, storms, fires, and car crashes – and culminated in tragedy when a prop gun fired a real bullet.

To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠.

This episode was originally published on October 7, 2024.

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The Cramps, led by the husband and wife team of Lux Interior and Poison Ivy Rorschach, had one one mission: To save rock n' roll from the corporate monsters who threatened its destruction. The band blended rockabilly, blues, garage rock and the aesthetic of 1950s B-movies into a wholly unique and singular rock and roll concoction that set them apart from their punk contemporaries. But as they began their climb up the music industry's ladder of success, they encountered hordes of brainless zombies who didn't understand their music or their mission, swarms of radioactive bootlegging cockroaches, and a coven of blood-sucking vampires hellbent on destroying the only thing the Cramps held sacred: rock n' roll.

To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠.

This episode was originally published on October 14, 2024.

If rock n' roll is defined as low down, dirty, fun music for teenagers, what band made the greatest rock n' roll in your estimation? Let Jake know at 617-906-6638, [email protected], or on socials @disgracelandpod.

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This week in the After Party, Jake suggests some songs for spooky season and wonders if ChatGPT will replace the musical sherpas who guided us in our youth. Plus, we hear your stories about who turned you on to your favorite music.

Next week we're bringing you an episode on Harry Houdini (with a side of Red Hot Chili Peppers), and Jake wants to know: what scary music do you play this time of year? What songs, bands or albums creep you out? Share your thoughts at 617-906 6638, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or on socials @disgracelandpod.

For more great Disgraceland episodes, dive into our extensive archive, including such episodes as:

Episode 129 - Bruce Springsteen

Episode 29 and 30 - Grateful Dead

Episode 212 - Elvis Presley and Johnny Ace

Episode 89 - Black Sabbath

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In 1971, a teenage metalhead named Bobby Liebling flipped a five-pointed star upside-down, gave his band a cursed name, and summoned a sound so heavy it would echo for generations. But for Bobby and his bandmates, doom metal wasn’t just a genre – it was a prophecy. Drug addiction, jail time, sabotage, and strange hauntings followed, all as the myth of Pentagram grew louder underground. This is the story of the greatest band you’ve never heard – and the curse they could never shake.

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As a reggae revolutionary who rejected peace in the name of truth and justice, and an outspoken critic of the Jamaican government, Peter Tosh's refusal to compromise nearly cost him his life many times over. He tried to amplify his message by purchasing Jamaica's Radio One. He tried to protect himself by way of African bush doctors and medicine men. He spent years knowing there was a bullet out there with his name on it. And in 1987, when Peter Tosh was 42, that bullet found him. Murdered in his own home by someone he knew. But why? Revenge? Wounded pride? Or was it murder for hire? Who really silenced the great Peter Tosh?

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

This episode was originally published on March 12, 2024.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com/membership⁠.

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Peter Tosh was a reggae subversive who used his music as a means to fight corruption, oppression, and hypocrisy. Unlike his one-time bandmate Bob Marley, Tosh didn’t fight for peace. He fought for truth–and justice. He did this with a guitar shaped like an M-16 automatic rifle. He lobbied for the legalization of marijuana, using the profits of the drug trade to get his message onto the most iconic album of his career. All of this put Peter Tosh in the crosshairs of authority, the government, and those who wished to silence him – some who even wanted to see him dead.

To see the full list of contributors, see the show notes at www.disgracelandpod.com.

This episode was originally published on March 5, 2024.

To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com/membership⁠.

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This week in the After Party, Jake reacts to the news that Bad Bunny will perform at this year's Superbowl halftime show. And as we kick off spooky season, we hear from you about our recent Led Zeppelin episode, your creepy stories, and more.

Next week we're bringing you an episode on Pentagram, and Jake wants to know: who was your musical sherpa? Who introduced you to great music in your formative years? Share your thoughts at 617-906 6638, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠[email protected]⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or on socials @disgracelandpod.

For more great Disgraceland episodes, dive into our extensive archive, including such episodes as:

Episodes ⁠⁠59 and 253 - Prince

Episode ⁠⁠151 - U2

Episode 189 - Metallica

To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy

Learn more about your ad choices. Visit https://podcastchoices.com/adchoices