Why The Last Waltz is the greatest concert film of all time plus, in the exclusive section of this bonus episode, a long list of other favorites and some criminally overlooked live gems with Jake and Zeth. You can become an All Access member and hear this and more exclusive content, along with ad-free listening of all Disgraceland episodes, by going to disgracelandpod.com and signing up via Patreon or Apple Podcasts.

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For more great episodes of Disgraceland, check out our extensive archive, including stories like these:

Episode 178 - Bob Dylan

Episode 5 - Van Morrison

Episode 92 - Derek and the Dominos

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Martin Scorsese’s death wish. Bob Dylan’s theft. Robbie Robertson’s cocaine purchase. Four thousand pounds of turkey. Two thousand pounds of candied yams. Eight hundred pounds of pies and ninety gallons of gravy. What’s it all mean? It means that Disgraceland has a Thanksgiving episode about the making of The Last Waltz that you’ll be grateful you listened to.

This episode contains themes that may be disturbing to some listeners, including suicide. If you're thinking about suicide, help is available. Call or text the Suicide and Crisis Lifeline at 988.

As we prepare for Turkey Day and reflect on The Band's farewell Thanksgiving concert, we want to know: What is the greatest concert film of all time? What are some of your favorites, and what makes them great? Let Jake know at 617-906-6638, ⁠[email protected]⁠, or on socials @disgracelandpod.

This episode was originally published on November 26, 2024.

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Hollywood:1975. Martin Scorsese sits in his apartment, enraged. He wants to literally kill the man who is ruining his to-be-released film, Taxi Driver. Scorsese’s friends, filmmakers Stephen Spielberg, Brian De Palma, John Milius, and Paul Schraeder rush to Scorsese’s side to talk him out of committing murder, but when they arrive, their friend Marty acts less like himself and more like his Travis Bickle character from the film he’s trying to save. This is the story of that night. 

Martin Scorsese is certainly one of the greatest filmmakers of all time. Jake wants to know: who is your favorite filmmaker? Tell us at 617-906-6638, [email protected], or on socials @disgracelandpod.

This episode contains content that may me disturbing to some listeners, including graphic depictions of violence and self-harm.

This episode was originally published on February 25, 2025.

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“The Devil’s Right Hand" – the gun. Many have died by it in music history. From the unknown piano player who helped influence rock ‘n’ roll to iconic stars like Marvin Gaye and John Lennon. On the heels of our Dr. John episode detailing the shooting that changed the trajectory of his career, and in advance of our Martin Scorsese archive episode detailing the rock ‘n’ roll director’s plan to shoot and kill his producer, we are giving you a brief history of gun violence in music history with a special dive into the shooting of jazz great Lee Morgan in the exclusive section of this bonus After Party episode. You can become an All Access member and hear this and more exclusive content, along with ad-free listening of all Disgraceland episodes, by going to disgracelandpod.com and signing up via Patreon or Apple Podcasts.

To hear more great Disgraceland stories, check out our archive for episodes like these:

Episode 121 - Otis Redding

Episode 12 - James Brown

Episode 24 - Spade Cooley

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A gunshot ended his career as a guitar player, but opened up a path to becoming an iconic piano man. Heroin, pimping, and federal prison nearly ended him, but Voodoo––and music––saved him. Listen to find out how one of New Orleans’ most notorious musicians, Mac Rebennack, became Dr. John.

For a full list of contributors, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠disgracelandpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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Tommy James came up during a time when the music industry was in part controlled by New York’s Italian mafia. And for a period in the 1960s, that power was centralized at Roulette Records. The record label was run by convicted extortionist Morris Levy and operated in partnership with the Genovese crime family. Tommy James’ hits were sanctioned by the mob, the same mob that would threaten not only his career, but his life.

To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠.

This episode was originally published on August 17, 2021.

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Gangsters, rude boys, drug dealers, soviet bootleggers, ticket scalping syndicates, and psychedelic chemists—why do criminals like the “Nitrous Mafia” associated with Phish, and the Italian Mafia linked to Tommy James, so often infiltrate and influence music culture? This topic, along with your voicemails, texts, and emails, and in the All Access portion, Jake and Zeth unpack the fascinating history of violence in Jamaican music. You can become an All Access member and hear this and more exclusive content, along with ad-free listening of all Disgraceland episodes, by going to disgracelandpod.com and signing up via Patreon or Apple Podcasts.

For more great Disgraceland episodes, dive into our extensive archive, including such episodes as:

Episode 104 - George Harrison

Episode 36 - Rolling Stones in Exile

Episode 135 - Aerosmith

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A parking lot ruled by shady nitrous oxide dealers. And a bandleader whose addiction nearly killed him. This is the story of Trey Anastasio and Phish – and their improbable comeback.

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Years before a free album made them the most unpopular popular band on the planet, U2 ran into the arms of America. In 1987, touring behind their blockbuster album The Joshua Tree, their songs became lightning rods for violence. They received death threats in the States and became targets of terrorists back in their native Ireland. But it was the song “Exit,” written from the POV of a killer, that was linked with pure evil. That song allegedly inspired a man to hop an overnight bus to Los Angeles, carrying a loaded .357 Magnum and a copy of The Joshua Tree, ready to do whatever it took to meet the women he was obsessed with.

This episode contains themes that may be disturbing to some listeners, including descriptions of stalking.

This episode was originally published on November 14, 2023.

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This episode is being published for the first time on Friday, November 7th. An episode of the same title was mistakenly published previously.

The media blamed AC/DC for inspiring a serial killer. Rebecca Shaefer’s murderer claimed inspiration from a U2 song. When the next incel murder happens, will we blame Morrissey? Radiohead? Or will we finally learn our lesson and treat the music as a mirror, and not a weapon? This topic, along with your voicemails, texts, and emails, and in the All Access portion, Jake and Zeth look into one of the weirdest social phenomena, “The My Way Killings,” where, for some reason, this mega Frank Sinatra hit has triggered numerous murders in the Philippines. You can become an All Access member and hear this and more exclusive content, along with ad-free listening of all Disgraceland episodes, by going to disgracelandpod.com and signing up via Patreon or Apple Podcasts.

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