You Must Remember This

With Red River and A Place in the Sun, Montgomery Clift becomes a new kind of movie star, projecting a new kind of sexuality – while still figuring out how he wants to express his own sexuality. Meanwhile, Libby becomes entangled with bisexual couple Jane and Paul Bowles, whose globetrotting becomes an inspiration to Libby’s teenage son, ending in tragedy. Plus: did Libby forbid Monty from starring in Sunset Boulevard because the story of a young man and a haunted older woman hit too close to home?

(00:00) Affair with Nick Ray and Influence on Key Largo

(09:42) Digging Deeper into Black Folk Music

(14:32) Jane and Paul Bowles

(25:00) The Tragedy of Libby’s Son, Topper

(32:15) Montgomery Clift’s Bisexuality

(40:34) Red River as Queer Melodrama

(48:53) The Heiress and Monty Reconnects with Libby

(57:48) Did Libby Bar Monty From Starring in Sunset Boulevard?

Montgomery Clift enters the chat as a teenage acting prodigy who immediately attracts 34 year-old Libby’s attention. Through her sometime-lover Nicholas Ray, Libby starts exploring Black folk music, launching a new singing career in collaboration with guitarist Josh White (“One Meatball”). Plus Libby’s old friend Clifton Webb becomes a late-in-life, closeted movie star, and Tallulah – effectively banished from Hollywood a decade earlier due to her refusal to be discreet about her sexuality – triumphantly returns to the screen thanks to Alfred Hitchcock.

(00:00) Libby and Monty “Under the Sheets”

(03:51) Appreciation or Cultural Appropriation?

(06:23) Nicholas Ray, Leadbelly, Josh White

(13:24) No White Person Has Ever Sung Them in Public

(22:02) Everybody is in Love With Monty

(28:44) Tallulah Bankhead in Movie Jail

(36:13) Lifeboat

(40:20) Clifton Webb’s Queer Success Story

(45:46) Libby Lashes Out at Older Women

(51:08) The Black Widow and Josh White

(58:45) Libby’s Only Movie

While the racist, antisemitic Southern authorities try to indict a pregnant Libby for the murder of her husband, the national media effectively puts her on trial. When Libby gives birth to a new Reynolds heir, the circus only grows bigger. Meanwhile, Hollywood gets to work dramatizing the case with the aid of stars such as Claudette Colbert, Jean Harlow and Libby’s friend Franchot Tone.

(00:00) A Pre-Code Anti-Heroine

(04:53) A “Peculiar Opinion” of Jews

(11:09) Libby Testifies

(17:23) Indicted by Jury, Convicted by Media

(29:09) Who Actually Killed Smith Reynolds?

(34:19) Pre-Code Movies Inspired by Libby’s Story

(42:50) A Career Tainted by Scandal

(52:38) Jean Harlow as Libby Holman

(01:02:02) An American Tragedy

(01:09:11) Lupe Velez, Libby’s Nemesis

While riding a crest of Broadway stardom – and in a serious romance with a woman – Libby is pursued by Zachary Smith Reynolds, the reckless, emotional teenage heir to the Camel tobacco fortune. Just months after their marriage, at the close of a drunken party, Reynolds is dead of a gunshot wound to the head. Was Libby responsible? Also: Tallulah Bankhead is brought to Hollywood to compete with bisexual icon Marlene Dietrich, while Libby, no stranger to blackface, wants to star in a film about Josephine Baker.

(00:00) Libby’s Heiress Girlfriend

(13:15) Libby’s Tobacco-Heir Boyfriend

(19:25) Tallulah Bankhead & the Gary Cooper Threesome

(37:16) Libby Tries to Play Josephine Baker in Movie

(43:56) A Yankee Jewess on the Plantation

(54:36) Who Shot Zachary Smith Reynolds?

Libby Holman, a Jewish girl from Cincinnati, arrives in Manhattan in 1925 and begins to make a name for herself as a torch singer, trading on her racially-ambiguous skin tone and deep voice at a time when white hipsters think the height of cool can be found in Harlem. Libby and friends like Tallulah Bankhead sojourned uptown not just to listen to Black music, but also to explore their bisexuality. Through mutual co-star Clifton Webb, Libby meets Jeanne Eagels – one of the greatest actresses of her generation, and a high-profile casualty of Roaring 20s debauchery.

(00:00) Torch Singer, Accused Murderess, Bisexual

(09:05) A Confederate Jew

(17:53) Sex Appeal to Burn

(25:59) “Coon Shouting” and Libby’s Racial Ambiguity

(41:32) Blackface on Broadway with “Moanin’ Low”

(49:10) Sex Tourism in Harlem

(58:28) Jeanne Eagels

Listen to a trailer for The Bisexuals, the new season of You Must Remember This, coming September 15.

A sultry, racially-ambiguous singer who became a sensation on Broadway in the late 1920s and 30s, Libby Holman popularized a number of jazz and blues standards of the Great American Songbook. At the height of her fame, Holman shocked her mostly queer coterie by marrying the heir to the Camel cigarettes fortune. Within months, Libby’s husband was dead, and Libby was accused of his murder. The ensuing scandal marked the star as a “black widow,” and in the years to come, a number of friends and lovers who drifted into Libby’s web wound up dead. The most famous of these was Montgomery Clift, who like Libby was bisexual, struggled with substance abuse, and felt misunderstood within a pop culture that increasingly demonized anyone who didn’t fit neatly into the post-WWII American ideal. 

Over 8 episodes – with a cast of characters including Elizabeth Taylor, Josephine Baker, Tallulah Bankhead, Billie Holiday, Jane and Paul Bowles, Nicholas Ray and more – The Bisexuals will begin by describing Libby’s rise to stardom, and her sexually-fluid social life, in the New York theater scene of the 1920s. From there we’ll explore the murder scandal that transitioned her from fame to infamy in the 1930s. Then, we will skip to the 1940s and 50s, and a very different climate than the free-wheeling 1920s when Libby Holman thrived. The cultural pendulum had swung back the other way, and there was no possibility for a movie star like Monty Clift to be openly queer. By the time the social and sexual revolutions of the 60s began to be felt, both Libby and Monty were too deeply scarred by trauma, stigma and addiction to benefit.

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If you’ve finished all episodes of The Old Man is Still Alive, I’ve got another treat for you from Jake Brennan at Hollywoodland.  Have a listen to this episode of Hollywoodland about John Waters, from his beginnings in X-rated art films to cult classics like Hairspray and Crybaby, as he created and cultivated his own peculiar niche in film while nurturing a legendary troupe of players who became a family of outcasts.

In part two of our season finale, we explore the final decade of John Huston’s life and career. As he was slowly dying of emphysema and undergoing massive turmoil in his personal life, Huston continued to work almost compulsively on both passion projects (The Man Who Would Be King, Wise Blood, Under the Volcano) and paycheck gigs (Annie). His career ended, fittingly, with two collaborations with the next generation of Hustons, Prizzi’s Honor and The Dead.

(00:00) The Man Who Would Be King

(10:20) Marital Strife and Relocating to Puerto Vallarta

(16:37) Wise Blood

(20:49) Annie

(29:25) Under the Volcano

(34:49) Prizzi’s Honor

(42:42) The Dead and The Old Man is No Longer Still Alive